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Author: William Shakespeare
Publisher:
ISBN:
Category : Athens (Greece)
Languages : en
Pages : 114
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Author: William Shakespeare
Publisher:
ISBN:
Category : Athens (Greece)
Languages : en
Pages : 114
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Author: George Carter
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Author: George Carter
Publisher: Sagwan Press
ISBN: 9781340137267
Category :
Languages : en
Pages : 84
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: William Shakespeare; Ed. Jim Manis
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: William Shakespeare
Publisher: HarperCollins
ISBN: 1443441554
Category : Drama
Languages : en
Pages : 104
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Book Description
Among the most enduring poetry of all time, William Shakespeare’s 154 sonnets address such eternal themes as love, beauty, honesty, and the passage of time. Written primarily in four-line stanzas and iambic pentameter, Shakespeare’s sonnets are now recognized as marking the beginning of modern love poetry. The sonnets have been translated into all major written languages and are frequently used at romantic celebrations. Known as “The Bard of Avon,” William Shakespeare is arguably the greatest English-language writer known. Enormously popular during his life, Shakespeare’s works continue to resonate more than three centuries after his death, as has his influence on theatre and literature. Shakespeare’s innovative use of character, language, and experimentation with romance as tragedy served as a foundation for later playwrights and dramatists, and some of his most famous lines of dialogue have become part of everyday speech. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Author: William Shakespeare
Publisher: Legare Street Press
ISBN: 9781016614153
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Jillian Keenan
Publisher: HarperCollins
ISBN: 0062378732
Category : Biography & Autobiography
Languages : en
Pages : 252
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Book Description
A provocative, moving, kinky, and often absurdly funny memoir about Shakespeare, love, obsession, and spanking When it came to understanding love, a teenage Jillian Keenan had nothing to guide her—until a production of The Tempest sent Shakespeare’s language flowing through her blood for the first time. In Sex with Shakespeare, she tells the story of how the Bard’s plays helped her embrace her unusual sexual identity and find a love story of her own. Four hundred years after Shakespeare’s death, Keenan’s smart and passionate memoir brings new life to his work. With fourteen of his plays as a springboard, she explores the many facets of love and sexuality—from desire and communication to fetish and fantasy. In A Midsummer Night’s Dream, Keenan unmasks Helena as a sexual masochist—like Jillian herself. In Macbeth, she examines criminalized sexual identities and the dark side of “privacy.” The Taming of the Shrew goes inside the secret world of bondage, domination, and sadomasochism, while King Lear exposes the ill-fated king as a possible sexual predator. Moving through the canon, Keenan makes it abundantly clear that literature is a conversation. In Sex with Shakespeare, words are love. As Keenan wanders the world in search of connection, from desert dictatorships to urban islands to disputed territories, Shakespeare goes with her —and provokes complex, surprising, and wildly important conversations about sexuality, consent, and the secrets that simmer beneath our surfaces.
Author: William Shakespeare
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 70
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Author: Ron Rosenbaum
Publisher: Random House
ISBN: 0307807924
Category : Biography & Autobiography
Languages : en
Pages : 626
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Book Description
“[Ron Rosenbaum] is one of the most original journalists and writers of our time.” –David Remnick In The Shakespeare Wars, Ron Rosenbaum gives readers an unforgettable way of rethinking the greatest works of the human imagination. As he did in his groundbreaking Explaining Hitler, he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. He gives us a Shakespeare book like no other. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare’s enchantment and illumination–the astonishing language itself. How best to unlock the secrets of its spell? With quicksilver wit and provocative insight, Rosenbaum takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the Shakespearean experience–deeper into the mind of Shakespeare. Was Shakespeare the one-draft wonder of Shakespeare in Love? Or was he rather–as an embattled faction of textual scholars now argues–a different kind of writer entirely: a conscientious reviser of his greatest plays? Must we then revise our way of reading, staging, and interpreting such works as Hamlet and King Lear? Rosenbaum pursues key partisans in these debates from the high tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in the Deep South. He makes ostensibly arcane textual scholarship intensely seductive–and sometimes even explicitly sexual. At an academic “Pleasure Seminar” in Bermuda, for instance, he examines one scholar’s quest to find an orgasm in Romeo and Juliet. Rosenbaum shows us great directors as Shakespearean scholars in their own right: We hear Peter Brook–perhaps the most influential Shakespearean director of the past century–disclose his quest for a “secret play” hidden within the Bard’s comedies and dramas. We listen to Sir Peter Hall, founder of the Royal Shakespeare Company, as he launches into an impassioned, table-pounding fury while discussing how the means of unleashing the full intensity of Shakespeare’s language has been lost–and how to restore it. Rosenbaum’s hilarious inside account of “the Great Shakespeare ‘Funeral Elegy’ Fiasco,” a man-versus-computer clash, illustrates the iconic struggle to define what is and isn’t “Shakespearean.” And he demonstrates the way Shakespearean scholars such as Harold Bloom can become great Shakespearean characters in their own right. The Shakespeare Wars offers a thrilling opportunity to engage with Shakespeare’s work at its deepest levels. Like Explaining Hitler, this book is destined to revolutionize the way we think about one of the overwhelming obsessions of our time.
Author: Silja Rübsamen
Publisher: GRIN Verlag
ISBN: 3638507408
Category : Literary Criticism
Languages : en
Pages : 14
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Essay from the year 2002 in the subject English Language and Literature Studies - Literature, grade: A, University of Massachusetts - Amherst (English Department), course: English 732 - Shakespeare, language: English, abstract: „A Midsummer Night ́s Dream and The Tempest, a play it prefigures in important ways, share the distinction of illustrating better than any other plays Shakespeare ́s device of juxtaposing extremes for the purpose of indicating a golden mean.“ Peter G. Philias remarks that Shakespeare’s Midsummer Night’s Dream is a play that lives of seemingly incompatible contradictions: civilization and nature are juxtaposed in the confrontation of the court of Athens and the woods; man and woman are working against each other in the unequal parts of Theseus and Hippolyta, Oberon and Titania, and arch-conservative Egeus and his daughter Hermia. It seems consensual to state that – on the deep structure level – the contradiction between “doting”, the fixation of a lover on a partner who does not return the affections, and “cool reason” forms the common ground of these and several other antagonisms. But although I consent to this view, I would also like to deny the reduction of this play to a mere love story – a view expressed by Philias, who claims that had been Shakespeare’s intention „to comopse a play presenting sudden conflict between lovers as well as antithetical attitudes toward love.“ I am convinced that the contents of A Midsummer Night’s Dream go far beyond the topics of family conflict or interpersonal relationship. The basic conflict between reason and emotion can only become the departing point of the story because it triggers an underlying conflict between individual and society, respectively between individual and state. „Every Shakespearean character lives within a political regime governed laws and shaped by distinctive institutions. How a character lives acts and how he perceives his deeds is affected, sometimes crucially affected, by his participation in the corporate life of a city or realm.“ The aim of this paper is to demonstrate where the conflict lies between the individual and the state, respectively its institutions and the officials who represent them, and how it is solved so that the final scenes can indeed be regarded as the establishment of an ideal state of affairs – ideal in the sense of what Philias calls the “golden means”.
