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Author: Antoine Quatremère de Quincy
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Antoine Quatremère de Quincy
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Antoine Chrysostome Quatremère de Quincy
Publisher: Rowman & Littlefield
ISBN: 1793642206
Category : Art
Languages : en
Pages : 137
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Book Description
Antoine Chrysostome Quatremère de Quincy (1755-1849) was the most important Neoclassical art historian in the generation after Johann Joachim Winckelmann (1717-1768). It is difficult now to appreciate his importance, due in part to the lack of translations of his 21 published books: three were rendered into English in the 19th century, and one in the 21st. The Moral Considerations has long been considered the most shattering polemic against public museums ever written. But I will show that Quatremère’s polemic was aimed, not against museums per se, but rather against the imperialist and secularist curatorial purposes of Parisian museums in the age of Revolution. His Neoclassical commitments maintained the centrality of religion, and of incarnation, to any proper understanding of the place and purpose of the fine arts.
Author: Antoine Chrysostôme Quatremère de Quincy
Publisher:
ISBN: 9781793642196
Category : Art
Languages : en
Pages : 0
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Book Description
Quatremère's Moral Considerations (1815) highlights fine art as it was then being displayed in public art museums and questions whether public art museums can properly serve the fine arts or can only serve imperialism. Ruprecht provides an English translation of this work that is still relevant today.
Author: Michel-Antoine Xhignesse
Publisher: Taylor & Francis
ISBN: 1000837505
Category : Philosophy
Languages : en
Pages : 313
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Book Description
Aesthetics: 50 Puzzles, Paradoxes, and Thought Experiments is a teaching-focused resource, which highlights the contributions that imaginative scenarios—paradoxes, puzzles, and thought experiments alike—have made to the development of contemporary analytic aesthetics. The book is divided into sections pertaining to art-making, ontology, aesthetic judgements, appreciation and interpretation, and ethics and value, and offers an accessible summary of ten debates falling under each section. Each entry also features a detailed annotated bibliography, making it an ideal companion for courses surveying a broad collection of topics and readings in aesthetics. Key Features: Uses a problem-centered approach to aesthetics (rather than author- or theory-centered) making the text more inviting to first-time students of the subject Offers stand-alone chapters, allowing students to quickly understand an issue and giving instructors flexibility in assigning readings to match the themes of the course Provides up-to-date, annotated bibliographies at the end of each entry, amounting to an extensive review of the literature on contemporary analytic aesthetics
Author: Louis A. Ruprecht
Publisher: Rowman & Littlefield
ISBN: 1793637679
Category : Religion
Languages : en
Pages : 221
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Book Description
Anne Carson (b. June 21, 1950, in Toronto, Canada) is one of the most versatile of contemporary classicists, poets, and translators in the English language. In Reach without Grasping, Louis A. Ruprecht Jr. explores the role played by generic transgressions on the one hand, and by embodied spirituality on the other, throughout Carson’s ambitious literary career. Where others see classical dichotomies (soul versus body, classical versus Christian), Carson sees connection. Like Nietzsche before her, Carson decries the images of the Classics as merely bookish and of classicists as disembodied intellects. She has brought religious, bodily erotics back into the heart of the classical tradition.
Author: Eline Kieft
Publisher: Rowman & Littlefield
ISBN: 0739189034
Category : Religion
Languages : en
Pages : 213
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Book Description
Drawing from nature experience, dance, anthropology, and shamanism, Dr. Eline Kieft explores improvised movement as a pathway to insight, healing, transformation, and direct interaction with source. Dancing in the Muddy Temple takes the reader on a journey through multiple layers of embodied spirituality based in movement and embedded in the land. Addressing existential questions outside of mainstream religions, the book seeks possibilities for a spirituality that dances with the sacred life force within and all around us. Starting within the body, and always using movement as a way of knowing, Kieft expands on further concrete and subtle layers of connection. A sensorial immersion in the land develops into an expansion of consciousness and meeting intangible aspects of nature. After exploring the role of ceremony in contemporary times, the book concludes with an unexpected chapter on healing, drawing together insights for a dynamic approach to health and wholeness as innate part of an embodied spirituality. Moving seamlessly between her personal, professional, and academic background, Kieft creates an unusual scholarship in which bodily and autobiographical narrative are neatly interwoven with interdisciplinary literature. Its uniqueness lies in a radical integration of theory and practice, which brings an aliveness to the material that stirs an inquisitive desire to move, rooted in language that inspires confidence for personal inquiry into a rich and complex territory. This inspiring book offers an intricate road map to explore and strengthen the interwovenness of various layers of self, surroundings and the sacred, distilling tools for a practical, moving spirituality of the everyday.
Author: Ellinoor S. Bergvelt
Publisher: BRILL
ISBN: 9004441441
Category : Science
Languages : en
Pages : 328
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Book Description
Teyler’s Foundation in Haarlem and its ‘Book and Art Room’ of 1779, edited by Ellinoor Bergvelt and Debora Meijers, examines for the first time this remarkable institution in the context of scientific, museological, political, artistic, religious and philosophical developments.
Author: Alexandra Stara
Publisher: Routledge
ISBN: 1351542389
Category : History
Languages : en
Pages : 198
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Book Description
The first volume in two centuries on Alexandre Lenoir's Museum of French Monuments in Paris, this study presents a comprehensive picture of a seminal project of French Revolutionary cultural policy, one crucial to the development of the modern museum institution. The book offers a new critical perspective of the Museum's importance and continuing relevance to the history of material culture and collecting, through juxtaposition with its main opponent, the respected connoisseur and theorist Quatrem? de Quincy. This innovative approach highlights the cultural and intellectual context of the debate, situating it in the dilemmas of emerging modernity, the idea of nationhood, and changing attitudes to art and its histories. Open only from 1795 to 1816, the Museum of French Monuments was at once popular and controversial. The salvaged sculptures and architectural fragments that formed its collection presented the first chronological panorama of French art, which drew the public; it also drew the ire of critics, who saw the Museum as an offense against the monuments' artistic integrity. Underlying this localized conflict were emerging ideas about the nature of art and its relationship to history, which still define our understanding of notions of heritage, monument, and the museum.
Author: David Roberts
Publisher: Cornell University Press
ISBN: 0801461456
Category : Art
Languages : en
Pages : 305
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Book Description
In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution. The total work of art is usually understood as the intention to reunite the arts into the one integrated whole, but it is also tied from the beginning to the desire to recover and renew the public function of art. The synthesis of the arts in the service of social and cultural regeneration was a particularly German dream, which made Wagner and Nietzsche the other center of aesthetic modernism alongside Baudelaire and Mallarmé. The history and theory of the total work of art pose a whole series of questions not only to aesthetic modernism and its utopias but also to the whole epoch from the French Revolution to the totalitarian revolutions of the twentieth century. The total work of art indicates the need to revisit key assumptions of modernism, such as the foregrounding of the autonomy and separation of the arts at the expense of the countertendencies to the reunion of the arts, and cuts across the neat equation of avant-gardism with progress and deconstructs the familiar left-right divide between revolution and reaction, the modern and the antimodern. Situated at the interface between art, religion, and politics, the total work of art invites us to rethink the relationship between art and religion and art and politics in European modernism. In a major departure from the existing literature David Roberts argues for twin lineages of the total work, a French revolutionary and a German aesthetic, which interrelate across the whole epoch of European modernism, culminating in the aesthetic and political radicalism of the avant-garde movements in response to the crisis of autonomous art and the accelerating political crisis of European societies from the 1890s forward.
Author: Stephen Davies
Publisher: John Wiley & Sons
ISBN: 9781444310429
Category : Philosophy
Languages : en
Pages : 640
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Book Description
In this extensively revised and updated edition, 168 alphabetically arranged articles provide comprehensive treatment of the main topics and writers in this area of aesthetics. Written by prominent scholars covering a wide-range of key topics in aesthetics and the philosophy of art Features revised and expanded entries from the first edition, as well as new chapters on recent developments in aesthetics and a larger number of essays on non-Western thought about art Unique to this edition are six overview essays on the history of aesthetics in the West from antiquity to modern times
