Author: Charles Hamm
Publisher: Cambridge University Press
ISBN: 9780521028615
Category : Music
Languages : en
Pages : 410
Book Description
Essays on the context of popular music and its interrelationships with politics and ideology.
Putting Popular Music in Its Place
Author: Charles Hamm
Publisher: Cambridge University Press
ISBN: 9780521028615
Category : Music
Languages : en
Pages : 410
Book Description
Essays on the context of popular music and its interrelationships with politics and ideology.
Publisher: Cambridge University Press
ISBN: 9780521028615
Category : Music
Languages : en
Pages : 410
Book Description
Essays on the context of popular music and its interrelationships with politics and ideology.
Music Trades
Author:
Publisher:
ISBN:
Category : Music trade
Languages : en
Pages : 1346
Book Description
Publisher:
ISBN:
Category : Music trade
Languages : en
Pages : 1346
Book Description
Continuum Encyclopedia of Popular Music of the World Part 1 Performance and Production
Author: John Shepherd
Publisher: Continuum
ISBN: 9780826463227
Category : Social Science
Languages : en
Pages : 720
Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
Publisher: Continuum
ISBN: 9780826463227
Category : Social Science
Languages : en
Pages : 720
Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
American Popular Music
Author: Rachel Rubin
Publisher: Amherst [MA] : University of Massachusetts Press
ISBN:
Category : Music
Languages : en
Pages : 302
Book Description
Designed as a broad introductory survey, and written by experts in the field, this book examines the rise of American music over the 20th century - the period in which that music came into its own and achieved unprecedented popularity. Beginning with a look at music as a business, 11 essays explore a variety of popular musical genres, including Tin Pan Alley, blues, jazz, country, gospel, rhythm and blues, rock and roll, folk, rap, and Mexican American corridos. Reading these essays, we come to see that the forms created by one group often appeal to, and are in turn influenced by, other groups - across lines of race, ethnicity, class, gender, region and age.
Publisher: Amherst [MA] : University of Massachusetts Press
ISBN:
Category : Music
Languages : en
Pages : 302
Book Description
Designed as a broad introductory survey, and written by experts in the field, this book examines the rise of American music over the 20th century - the period in which that music came into its own and achieved unprecedented popularity. Beginning with a look at music as a business, 11 essays explore a variety of popular musical genres, including Tin Pan Alley, blues, jazz, country, gospel, rhythm and blues, rock and roll, folk, rap, and Mexican American corridos. Reading these essays, we come to see that the forms created by one group often appeal to, and are in turn influenced by, other groups - across lines of race, ethnicity, class, gender, region and age.
Popular Music Studies: Select I
Author: John Shepherd
Publisher: Burns & Oates
ISBN:
Category : Music
Languages : en
Pages : 488
Book Description
The first authoritative guide to scholarly literature on popular music of the world includes some 8,300 entries covering every non-biographical aspect of the field, including genres, the industry, social and cultural contexts, musical practices, geographical locations, and theory and method. The bibliography serves as an announcement of the forthcoming Encyclopedia of Popular Music of the World. Distributed in the US by Books International. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Burns & Oates
ISBN:
Category : Music
Languages : en
Pages : 488
Book Description
The first authoritative guide to scholarly literature on popular music of the world includes some 8,300 entries covering every non-biographical aspect of the field, including genres, the industry, social and cultural contexts, musical practices, geographical locations, and theory and method. The bibliography serves as an announcement of the forthcoming Encyclopedia of Popular Music of the World. Distributed in the US by Books International. Annotation copyrighted by Book News, Inc., Portland, OR
Putting a Song on Top of It
Author: David W. Samuels
Publisher: University of Arizona Press
ISBN: 9780816526017
Category : Social Science
Languages : en
Pages : 340
Book Description
As in many Native American communities, people on the San Carlos Apache reservation in southeastern Arizona have for centuries been exposed to contradictory pressures. One set of expectations is about conversion and modernizationÑspiritual, linguistic, cultural, technological. Another is about steadfast perseverance in the face of this cultural onslaught. Within this contradictory context lies the question of what validates a sense of Apache identity. For many people on the San Carlos reservation, both the traditional calls of the Mountain Spirits and the hard edge of a country, rock, or reggae song can evoke the feeling of being Apache. Using insights gained from both linguistic and musical practices in the communityÑas well as from his own experience playing in an Apache country bandÑDavid Samuels explores the complex expressive lives of these people to offer new ways of thinking about cultural identity. Samuels analyzes how people on the reservation make productive use of popular culture forms to create and transform contemporary expressions of Apache cultural identity. As Samuels learned, some popular songsÑsuch as those by Bob MarleyÑare reminiscent of history and bring about an alignment of past and present for the Apache listener. Thinking about Geronimo, for instance, might mean one thing, but "putting a song on top of it" results in a richer meaning. He also proposes that the concept of the pun, as both a cultural practice and a means of analysis, helps us understand the ways in which San Carlos Apaches are able to make cultural symbols point in multiple directions at once. Through these punning, layered expressions, people on the reservation express identities that resonate with the complicated social and political history of the Apache community. This richly detailed study challenges essentialist notions of Native American tribal and ethnic identity by revealing the turbulent complexity of everyday life on the reservation. Samuels's work is a multifaceted exploration of the complexities of sound, of language, and of the process of constructing and articulating identity in the twenty-first century.
Publisher: University of Arizona Press
ISBN: 9780816526017
Category : Social Science
Languages : en
Pages : 340
Book Description
As in many Native American communities, people on the San Carlos Apache reservation in southeastern Arizona have for centuries been exposed to contradictory pressures. One set of expectations is about conversion and modernizationÑspiritual, linguistic, cultural, technological. Another is about steadfast perseverance in the face of this cultural onslaught. Within this contradictory context lies the question of what validates a sense of Apache identity. For many people on the San Carlos reservation, both the traditional calls of the Mountain Spirits and the hard edge of a country, rock, or reggae song can evoke the feeling of being Apache. Using insights gained from both linguistic and musical practices in the communityÑas well as from his own experience playing in an Apache country bandÑDavid Samuels explores the complex expressive lives of these people to offer new ways of thinking about cultural identity. Samuels analyzes how people on the reservation make productive use of popular culture forms to create and transform contemporary expressions of Apache cultural identity. As Samuels learned, some popular songsÑsuch as those by Bob MarleyÑare reminiscent of history and bring about an alignment of past and present for the Apache listener. Thinking about Geronimo, for instance, might mean one thing, but "putting a song on top of it" results in a richer meaning. He also proposes that the concept of the pun, as both a cultural practice and a means of analysis, helps us understand the ways in which San Carlos Apaches are able to make cultural symbols point in multiple directions at once. Through these punning, layered expressions, people on the reservation express identities that resonate with the complicated social and political history of the Apache community. This richly detailed study challenges essentialist notions of Native American tribal and ethnic identity by revealing the turbulent complexity of everyday life on the reservation. Samuels's work is a multifaceted exploration of the complexities of sound, of language, and of the process of constructing and articulating identity in the twenty-first century.
The Music Business
Author: Dick Weissman
Publisher: Three Rivers Press (CA)
ISBN:
Category : Music
Languages : en
Pages : 344
Book Description
A comprehensive guide to getting started and succeeding in all facets of the music industry, from songwriting to performing to studio engineering and instrument manufacturing and repair, "The Music Business" is an indispensable reference for anyone in the music business--or anyone who hopes to be.
Publisher: Three Rivers Press (CA)
ISBN:
Category : Music
Languages : en
Pages : 344
Book Description
A comprehensive guide to getting started and succeeding in all facets of the music industry, from songwriting to performing to studio engineering and instrument manufacturing and repair, "The Music Business" is an indispensable reference for anyone in the music business--or anyone who hopes to be.
Bulletin of the Council for Research in Music Education
Author: Council for Research in Music Education
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 492
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 492
Book Description
The Lyceum Magazine
Author: Ralph Albert Parlette
Publisher:
ISBN:
Category : Lectures and lecturing
Languages : en
Pages : 708
Book Description
Publisher:
ISBN:
Category : Lectures and lecturing
Languages : en
Pages : 708
Book Description