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Author: Craig Morrison
Publisher:
ISBN:
Category : Nineteen sixties
Languages : en
Pages : 328
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Book Description
Psychedelic rock began in 1965 and was popular until around 1970. Its most important centres were San Francisco, the city of its origin, and London. One of its chief features was the attempt to translate into musical terms the effects of hallucinogenic drugs, especially LSD, which had become available in artistic circles in the early 1960s and was legal until 1966. San Francisco psychedelic music took its ideology from the folk music revival of the 1950s, which many of its most important practitioners had participated in, including Jerry Garcia of the Grateful Dead, Janis Joplin of Big Brother and the Holding Company, and members of the Jefferson Airplane. The catalyst for the folk revival musicians to adopt the rock band format was the British Invasion, which began in 1964 with the arrival in America of the Beatles. Psychedelic music is examined in relation to an original, seven-stage model of style evolution that is developed in the thesis. It looks beyond the heyday of the music, tracing the legacy of its decline and eventual revival in the present. The thesis offers detailed musical analyses that identify key structures, or matrices, in the evolution of the style. Much of the contextual evidence derives from original field work involving interviews with musicians and industry representatives who were part of the San Francisco scene.
Author: Craig Morrison
Publisher:
ISBN:
Category : Nineteen sixties
Languages : en
Pages : 328
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Book Description
Psychedelic rock began in 1965 and was popular until around 1970. Its most important centres were San Francisco, the city of its origin, and London. One of its chief features was the attempt to translate into musical terms the effects of hallucinogenic drugs, especially LSD, which had become available in artistic circles in the early 1960s and was legal until 1966. San Francisco psychedelic music took its ideology from the folk music revival of the 1950s, which many of its most important practitioners had participated in, including Jerry Garcia of the Grateful Dead, Janis Joplin of Big Brother and the Holding Company, and members of the Jefferson Airplane. The catalyst for the folk revival musicians to adopt the rock band format was the British Invasion, which began in 1964 with the arrival in America of the Beatles. Psychedelic music is examined in relation to an original, seven-stage model of style evolution that is developed in the thesis. It looks beyond the heyday of the music, tracing the legacy of its decline and eventual revival in the present. The thesis offers detailed musical analyses that identify key structures, or matrices, in the evolution of the style. Much of the contextual evidence derives from original field work involving interviews with musicians and industry representatives who were part of the San Francisco scene.
Author: Gene Sculatti
Publisher: St Martins Press
ISBN: 9780312699031
Category : Music
Languages : en
Pages : 192
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Book Description
Traces the history of the psychedelic sound, offers profiles of the most popular San Francisco bands of the sixties, and explains how this music changed the industry
Author: Jack McDonough
Publisher: Chronicle Books (CA)
ISBN:
Category : History
Languages : en
Pages : 252
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Book Description
Examines the historical, social, and business reasons for the variety of pop musical forms fueled by the San Francisco music scene. Looks at satellite factors to the music such as radio, poster art, nightclubs, and studios. Features individual essays on the more than 100 significant recording bands to have emerged from the Bay Area.
Author: Amélie Gastaut
Publisher:
ISBN: 9780500285541
Category : Antiques & Collectibles
Languages : en
Pages : 143
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Book Description
A collection of more than one hundred posters from San Francisco's psychedelic rock music scene includes pieces created by such definitive designers as Wes Wilson, Victor Moscoso, and Rick Griffin, in a volume complemented by a history of psychedelic rock music and the movements that influenced its corresponding poster design. Original.
Author: Christian A. Peterson
Publisher:
ISBN:
Category : Photographs
Languages : en
Pages : 56
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Book Description
Author: Christian Matijas-Mecca
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 219
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Book Description
Listen to Psychedelic Rock! contains more than 50 entries covering the people, records, places, and events that shaped one of the most exciting and influential periods in popular music. This addition to the Exploring a Music Genre series concentrates solely on psychedelic rock music. Listen to Psychedelic Rock! Exploring a Musical Genre covers over fifty topics, arranged alphabetically, that are central to learning about psychedelic music and will enable readers to understand the breadth and ongoing influence of psychedelia through to the present day. The title contains biographical sketches on selected artists, "song-by-song" descriptions of many albums, and short, informative essays on participants who were influential in the original psychedelic movement. A background section introduces the genre and a legacy section shows how psychedelic music has cemented its place in the world, while another section shows the tremendous impact the music has had on popular culture. Information on record labels and year-of-release dates for all musical entries make it easy for any reader to navigate this title - a must-have for high school and college readers as well as for music scholars and fans of the genre.
Author: Jerry Camarillo Dunn
Publisher: National Geographic Books
ISBN: 1426210221
Category : San Francisco (Calif.)
Languages : en
Pages : 276
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Book Description
This book is a description and travel guidebook of San Francisco, United States. It will assist travellers with their itinerary and plans.
Author: William Echard
Publisher: Indiana University Press
ISBN: 0253026598
Category : Music
Languages : en
Pages : 306
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Book Description
Recognized for its distinctive musical features and its connection to periods of social innovation and ferment, the genre of psychedelia has exerted long-term influence in many areas of cultural production, including music, visual art, graphic design, film, and literature. William Echard explores the historical development of psychedelic music and its various stylistic incarnations as a genre unique for its fusion of rock, soul, funk, folk, and electronic music. Through the theory of musical topics—highly conventional musical figures that signify broad cultural concepts—and musical meaning, Echard traces the stylistic evolution of psychedelia from its inception in the early 1960s, with the Beatles' Rubber Soul and Revolver and the Kinks and Pink Floyd, to the German experimental bands and psychedelic funk of the 1970s, with a special emphasis on Parliament/Funkadelic. He concludes with a look at the 1980s and early 1990s, touching on the free festival scene, rave culture, and neo–jam bands. Set against the cultural backdrop of these decades, Echard's study of psychedelia lays the groundwork and offers lessons for analyzing the topic of popular music in the twentieth and twenty-first centuries.
Author:
Publisher:
ISBN:
Category : Drugs in popular music
Languages : en
Pages : 144
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Book Description
A history and criticism of psychedelic music of the late 60s.
Author: Gemma L. Farrell
Publisher: Taylor & Francis
ISBN: 1000896331
Category : Music
Languages : en
Pages : 254
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Book Description
Psychedelic music is a fascinating yet under-researched field of study. This thought-provoking collection offers a broad introduction to the field of psychedelic music studies, bringing together scholarly work on psychedelic music in genres like rock, folk, electronic dance music and pop. Through an expanded purview on psychedelic music, an emerging trend in research, the collection affords students and academics alike an introduction to a rich, multi-faceted field. The contributing authors explore a range of different facets of musical psychedelia: its transgressive and transcendent aspects, its foregrounding of timbre and texture, the way it changes our perception of time, its influence on “non-psychedelic” music, key composition and production techniques that composers and musicians use in its creation, how it is mediated by different places and spaces, and the interplay between psychedelic visual and sonic aesthetics. This interdisciplinary work reveals both commonalities in musical psychedelic experiences and the contestation inherent in a field of study that juxtaposes music of different genres and eras with a variety of theoretical approaches and methodologies. In broadening the scope of psychedelic music research, the collection not only makes for varied and absorbing reading on the subject level but also stimulates reflexive thought about interdisciplinary research.
