Psalms Carefully Suited to the Christian Worship in the United States of America PDF Download
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Author: Isaac Watts
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 266
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Book Description
Author: Isaac Watts
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 266
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 332
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 318
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Book Description
Author: Pittsburgh (Pa.). First Presbyterian Church
Publisher:
ISBN:
Category : Allegheny County (Pa.)
Languages : en
Pages : 282
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Book Description
"2 half-tones from portrait photographs, 1 engraving, and 1 wood engraving. One of the first Crosscup and West productions using Ives's patent." -- Hanson Collection catalog, p. 77.
Author: John Fletcher Hurst
Publisher:
ISBN:
Category : America
Languages : en
Pages : 622
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Book Description
Author: George Brinley
Publisher:
ISBN:
Category : America
Languages : en
Pages : 300
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Book Description
![Catalogue of the American library of ... George Brinley [by J.H. Trumbull]. (Special ed.). PDF](https://books.google.com/books/content/images/frontcover/7Q8IAAAAQAAJ?fife=w80-h100)
Author: James Hammond Trumbull
Publisher:
ISBN:
Category :
Languages : en
Pages : 466
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Author: George Brinley
Publisher:
ISBN:
Category : America
Languages : en
Pages : 538
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Book Description
Author: David W. Stowe
Publisher: Oxford University Press
ISBN: 0190466847
Category : Religion
Languages : en
Pages : 233
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Book Description
Oft-referenced and frequently set to music, Psalm 137 - which begins "By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion" - has become something of a cultural touchstone for music and Christianity across the Atlantic world. It has been a top single more than once in the 20th century, from Don McLean's haunting Anglo-American folk cover to Boney M's West Indian disco mix. In Song of Exile, David Stowe uses a wide-ranging, interdisciplinary approach that combines personal interviews, historical overview, and textual analysis to demonstrate the psalm's enduring place in popular culture. The line that begins Psalm 137 - one of the most lyrical of the Hebrew Bible - has been used since its genesis to evoke the grief and protest of exiled, displaced, or marginalized communities. Despite the psalm's popularity, little has been written about its reception during the more than 2,500 years since the Babylonian exile. Stowe locates its use in the American Revolution and the Civil Rights movement, and internationally by anti-colonial Jamaican Rastafari and immigrants from Ireland, Korea, and Cuba. He studies musical references ranging from the Melodians' Rivers of Babylon to the score in Kazakh film Tulpan. Stowe concludes by exploring the presence and absence in modern culture of the often-ignored final words: "Happy shall he be, that taketh and dasheth thy little ones against the stones." Usually excised from liturgy and forgotten by scholars, Stowe finds these words echoed in modern occurrences of genocide and ethnic cleansing, and more generally in the culture of vengeance that has existed in North America from the earliest conflicts with Native Americans. Based on numerous interviews with musicians, theologians, and writers, Stowe reconstructs the rich and varied reception history of this widely used, yet mysterious, text.
Author: Nicole Panizza
Publisher: Vernon Press
ISBN: 164889092X
Category : Literary Criticism
Languages : en
Pages : 162
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Book Description
"The Language of Emily Dickinson" provides valuable insight into the cryptic, complex, and unique language of America’s premier poet. The essays make each subject of exploration accessible to general readers, providing sufficient background and contextual information to situate anyone interested in a better understanding of Dickinson’s language. The collection also makes a substantial contribution to Dickinson studies with new scholarship in philology, musicality, and manuscript study. Cynthia L. Hallen, creator of the invaluable Emily Dickinson Lexicon, offers a detailed examination of Dickinson’s words and phrases that are lexically alive and semantically vital. Nicole Panizza, an accomplished pianist, explores Dickinson’s poetic relationship with music as bilingual practice. Holly L. Norton outlines the surprising connections between Dickinson’s poetry and rap music, and Trisha Kannan contributes to recent discussions regarding Dickinson’s fascicles, the manuscript “books” that contain just over 800 of Dickinson’s 1,789 poems, by reading Fascicle 30 in relation to the work and life of John Keats. This book will be of interest to scholars of Emily Dickinson and advanced readers of poetry—such as those in upper-level undergraduate English courses and graduate students in departments of English—as well as to general readers with an interest in Emily Dickinson.
