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Author: Claes Oldenburg
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 204
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Book Description
Author: Claes Oldenburg
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 204
Get Book Here
Book Description
Author: Claes Oldenburg
Publisher:
ISBN:
Category :
Languages : en
Pages : 196
Get Book Here
Book Description
Author: Claes Oldenburg
Publisher:
ISBN:
Category :
Languages : en
Pages : 196
Get Book Here
Book Description
Author: Robert Harbison
Publisher: MIT Press
ISBN: 9780262581226
Category : Architecture
Languages : en
Pages : 198
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Book Description
Robert Harbison finds meaning in works of architecture that are unnecessary, having outlived their physical functions or never having been intended to have any.
Author: Sergiusz Michalski
Publisher: Reaktion Books
ISBN: 1780232357
Category : Art
Languages : en
Pages : 239
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Book Description
Public monuments to significant individuals or to political concepts are all too familiar. But the notions underlying them are not so obvious. Sergiusz Michalski traces the history of the public monument from the 1870s, when erecting them became an artistic, political and social pre-occupation, to today when the distinction between public monuments and public sculpture is increasingly blurred. The author shows how, in its golden age – up until 1914 – the public monument served the purpose of both education and legitimization. The French Third Republic, for example, envisaged the monument as a symbol of bourgeois meritocracy. In more recent decades, the public monument has been charged with the task of commemorating and symbolizing one of humankind's most terrible catastrophes - the Holocaust. Today, although the artistic failure of countless European war memorials has signaled the beginning of the demise of the public monument in the West, it continues to flourish elsewhere, commemorating despotic leaders from Kim Il Sung to Saddam Hussein.
Author: Katherine Smith
Publisher: University of California Press
ISBN: 0520305485
Category : Art
Languages : en
Pages : 347
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Book Description
Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory. Smith argues that Oldenburg adapted lessons of context, gleaned from New York’s changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg’s innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.
Author: Hilton Kramer
Publisher: Routledge
ISBN: 1351486187
Category : Art
Languages : en
Pages : 648
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Book Description
Hilton Kramer, well known as perhaps the most perceptive, courageous, and influential art critic in America, is also the founder and co-editor (with Roger Kimball) of The New Criterion. This comprehensive book collects a sizable selection of his early essays and reviews published in Artforum, Commentary, Arts Magazine, The New York Review of Books, and The Times, and thus constituted his first complete statement about art and the art world. The principal focus is on the artists and movements of the last hundred years: the Age of the Avant-Garde that begins in the nineteenth century with Realism and Impressionism. Most of the major artists of this rich period, from Monet and Degas to Jackson Pollock and Claes Oldenburg, are discussed and often drastically revaluated. A brilliant introductory essay traces the rise and fall of the avant-garde as a historical phenomenon, and examines some of the cultural problems which the collapse of the avant-garde poses for the future of art. In addition, there are chapters on art critics, museums, the relation of avant-garde art to radical politics, and on the growth of photography as a fine art. This collection is not intended to be the last word on one of the greatest as well as one of the most complex periods in the history of the artistic imagination. The essays and reviews gathered here were written in response to particular occasions and for specific deadlines--in the conviction that a start in the arduous task of critical revaluation needed to be made, not because a critical theory prescribed it but because our experience compelled it!
Author: Harriet Senie
Publisher: Oxford University Press
ISBN: 0190248394
Category : Art
Languages : en
Pages : 273
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Book Description
Memorials to Shattered Myths: Vietnam to 9/11 traces the evolution and consequences of a new hybrid paradigm, which grants a heroic status to victims of national tragedies, and by extension to their families, thereby creating a class of privileged participants in the permanent memorial process. Harriet F. Senie suggests that instead the victims' families be able to determine the nature of an interim memorial, one that addresses their needs in the critical time between the murder of their loved ones and the completion of the permanent memorial. She also observes that the memorials discussed herein are inadvertently based on strategies of diversion and denial that direct our attention away from actual events, and reframe tragedy as secular or religious triumph. In doing so, they camouflage history, and seen as an aggregate, they define a nation of victims, exactly the concept they and their accompanying celebratory narratives were apparently created to obscure.
Author: Edward J. Olszewski
Publisher: Ohio University Press
ISBN: 0821446037
Category : Art
Languages : en
Pages : 327
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Book Description
In 1985, the Sohio oil company commissioned Claes Oldenburg and Coosje van Bruggen to design and construct a large outdoor sculpture for its new corporate headquarters in Cleveland, Ohio. The result was Free Stamp, a bold and distinctive installation that captured both a Pop Art sensibility and a connection to the city’s industrial past. Sohio executives approved the design, and work was already underway, when British Petroleum acquired the company. The new owners quickly decided that the sculpture was “inappropriate” for their building and attempted to rid themselves of Free Stamp by donating it to the city of Cleveland—a gift that the city initially had no desire to accept. After much debate and public protest, the sculpture found a home in Willard Park, where it stands today. This is the first study of any sculpture by Oldenburg and van Bruggen to examine the genesis of their art from conception to installation. Edward J. Olszewski has put together a fascinating narrative based on interviews with the artists, archival material from city records, and in-house corporate memoranda, as well as letters to the editor and political cartoons. He traces the development of the sculpture from the artists’ first sketches and models to the installation of the completed work in its urban environment.
Author: Susanneh Bieber
Publisher: Taylor & Francis
ISBN: 1000894800
Category : Art
Languages : en
Pages : 346
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Book Description
This volume reframes the development of US-American avant-garde art of the long 1960s—from minimal and pop art to land art, conceptual art, site-specific practices, and feminist art—in the context of contemporary architectural discourses. Susanneh Bieber analyzes the work of seven major artists, Donald Judd, Robert Grosvenor, Claes Oldenburg, Robert Smithson, Lawrence Weiner, Gordon Matta-Clark, and Mary Miss, who were closely associated with the formal-aesthetic innovations of the period. While these individual artists came to represent diverse movements, Bieber argues that all of them were attracted to the field of architecture—the work of architects, engineers, preservationists, landscape designers, and urban planners—because they believed these practices more directly shaped the social and material spaces of everyday life. This book’s contribution to the field of art history is thus twofold. First, it shows that the avant-garde of the long 1960s did not simply develop according to an internal logic of art but also as part of broader sociocultural discourses about buildings and cities. Second, it exemplifies a methodological synthesis between social art history and poststructural formalism that is foundational to understanding the role of art in the construction of a more just and egalitarian society. The book will be of interest to scholars working in art history, architecture, urbanism, and environmental humanism.
