Author: Orly Goldwasser
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447045902
Category : Language Arts & Disciplines
Languages : en
Pages : 240
Book Description
The book's central proposition is that the prominent feature of the hiero-glyphic script which Egyptologists call "determinatives" makes up an elabo-rate system of classifiers. All items of the lexicon take motivated pictorial classifiers. By this device, the script reflects the map of knowledgeorganization of ancient Egyptian culture. The book aims to reveal the principles and constraints governing the codification of the ancient Egyptian universe in this system. There is, to date, no comprehensive study, either in Egyptology or in cognitive linguistics, of the hieroglyphic classifiers as a structured system. The present work attempts to fill the existing hiatus by bridging the disciplines of Egyptology and cognitive studies, using the tools of the latter to elucidate the former and thus perhaps arrive at new perspectives on both. From the Egyptological angle, the book deals with the ancient Egyptians' nomenclature for "items in the world" and the relationship between lexicon and the knowledge organization. However, the events occurring in the picture-script render cognitive processes visible to our inspection hundreds of years before they have ripened into the Egyptian language. This "visibility" bears directly on a number of crucial questions in cognitive linguistics and ethnobiology. The book also includes an introduction to the hieroglyphic script.
Prophets, Lovers and Giraffes
Author: Orly Goldwasser
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447045902
Category : Language Arts & Disciplines
Languages : en
Pages : 240
Book Description
The book's central proposition is that the prominent feature of the hiero-glyphic script which Egyptologists call "determinatives" makes up an elabo-rate system of classifiers. All items of the lexicon take motivated pictorial classifiers. By this device, the script reflects the map of knowledgeorganization of ancient Egyptian culture. The book aims to reveal the principles and constraints governing the codification of the ancient Egyptian universe in this system. There is, to date, no comprehensive study, either in Egyptology or in cognitive linguistics, of the hieroglyphic classifiers as a structured system. The present work attempts to fill the existing hiatus by bridging the disciplines of Egyptology and cognitive studies, using the tools of the latter to elucidate the former and thus perhaps arrive at new perspectives on both. From the Egyptological angle, the book deals with the ancient Egyptians' nomenclature for "items in the world" and the relationship between lexicon and the knowledge organization. However, the events occurring in the picture-script render cognitive processes visible to our inspection hundreds of years before they have ripened into the Egyptian language. This "visibility" bears directly on a number of crucial questions in cognitive linguistics and ethnobiology. The book also includes an introduction to the hieroglyphic script.
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447045902
Category : Language Arts & Disciplines
Languages : en
Pages : 240
Book Description
The book's central proposition is that the prominent feature of the hiero-glyphic script which Egyptologists call "determinatives" makes up an elabo-rate system of classifiers. All items of the lexicon take motivated pictorial classifiers. By this device, the script reflects the map of knowledgeorganization of ancient Egyptian culture. The book aims to reveal the principles and constraints governing the codification of the ancient Egyptian universe in this system. There is, to date, no comprehensive study, either in Egyptology or in cognitive linguistics, of the hieroglyphic classifiers as a structured system. The present work attempts to fill the existing hiatus by bridging the disciplines of Egyptology and cognitive studies, using the tools of the latter to elucidate the former and thus perhaps arrive at new perspectives on both. From the Egyptological angle, the book deals with the ancient Egyptians' nomenclature for "items in the world" and the relationship between lexicon and the knowledge organization. However, the events occurring in the picture-script render cognitive processes visible to our inspection hundreds of years before they have ripened into the Egyptian language. This "visibility" bears directly on a number of crucial questions in cognitive linguistics and ethnobiology. The book also includes an introduction to the hieroglyphic script.
The Expression of Emotions in Ancient Egypt and Mesopotamia
Author: Shih-Wei Hsu
Publisher: BRILL
ISBN: 9004430768
Category : History
Languages : en
Pages : 535
Book Description
The volume The Expression of Emotions in Ancient Egypt and Mesopotamia offers an overview of the study of emotions in ancient texts, discusses the concept of emotions in Ancient Egypt and Mesopotamia, and shows how emotions are described in the ancient texts. In the section dedicated to Ancient Egypt, scholars discuss emotions such as fear, depression, anger, feelings of pain, envy, jealousy and greed, with evidence from different text genres, as well as emotions from the Late Ramesside Letters and royal inscriptions. In the section dedicated to Ancient Mesopotamia, scholars present a wide range of perspectives on Sumerian and Akkadian literary and archival texts that treat emotions in different periods.
Publisher: BRILL
ISBN: 9004430768
Category : History
Languages : en
Pages : 535
Book Description
The volume The Expression of Emotions in Ancient Egypt and Mesopotamia offers an overview of the study of emotions in ancient texts, discusses the concept of emotions in Ancient Egypt and Mesopotamia, and shows how emotions are described in the ancient texts. In the section dedicated to Ancient Egypt, scholars discuss emotions such as fear, depression, anger, feelings of pain, envy, jealousy and greed, with evidence from different text genres, as well as emotions from the Late Ramesside Letters and royal inscriptions. In the section dedicated to Ancient Mesopotamia, scholars present a wide range of perspectives on Sumerian and Akkadian literary and archival texts that treat emotions in different periods.
Scribal Culture in Ancient Egypt
Author: Niv Allon
Publisher: Cambridge University Press
ISBN: 1009083791
Category : History
Languages : en
Pages : 150
Book Description
This Element seeks to characterize the scribal culture in ancient Egypt through its textual acts, which were of prime importance in this culture: writing, list-making, drawing, and copying.
Publisher: Cambridge University Press
ISBN: 1009083791
Category : History
Languages : en
Pages : 150
Book Description
This Element seeks to characterize the scribal culture in ancient Egypt through its textual acts, which were of prime importance in this culture: writing, list-making, drawing, and copying.
Imagining the Past
Author: Colleen Manassa
Publisher: Oxford University Press, USA
ISBN: 0199982228
Category : History
Languages : en
Pages : 360
Book Description
The first full-length study of historical fiction in New Kingdom Egypt, Imagining the Past provides significant new information concerning ancient Egyptian historiography.
Publisher: Oxford University Press, USA
ISBN: 0199982228
Category : History
Languages : en
Pages : 360
Book Description
The first full-length study of historical fiction in New Kingdom Egypt, Imagining the Past provides significant new information concerning ancient Egyptian historiography.
Seen Not Heard
Author: Ilona Zsolnay
Publisher: Institute for the Study of Ancient Cultures
ISBN: 161491088X
Category : Language Arts & Disciplines
Languages : en
Pages : 352
Book Description
Traditionally, writing--a graphic, multidimensional form of communication--has been approached as a vehicle for representing, and therefore conveying, the spoken word. Moving beyond this manner of analysis, this volume interrogates writing as a medium that is not simply a handmaiden to oral and aural exchange but a communication system that is richly layered and experienced. To exploit this aspect of visual code, scholars from the fields of Egyptology, Sinology, Hittitology, and Assyriology, together with Mesoamericanists, art historians, and a sign language specialist, are brought together in this volume. In its pages, these contributors incorporate into their analyses methods more commonly used in linguistics and semiotics, communication studies, art historical analysis, and traditional philology to new ends in order to form original trajectories of inquiry. Each contribution either lays bare explicit exploitation of visuality in scribal production as a means to cement power, reveal the mystical, induce humor, or expose clandestine views or it locates implicit knowledge schemes and cultural maps underlying and informing these same productions. The pioneering investigations presented in Seen Not Heard reveal that although writing may be heard, the fact that it can also be seen affects its reception and therefore the meaning of any transported phonological units.
Publisher: Institute for the Study of Ancient Cultures
ISBN: 161491088X
Category : Language Arts & Disciplines
Languages : en
Pages : 352
Book Description
Traditionally, writing--a graphic, multidimensional form of communication--has been approached as a vehicle for representing, and therefore conveying, the spoken word. Moving beyond this manner of analysis, this volume interrogates writing as a medium that is not simply a handmaiden to oral and aural exchange but a communication system that is richly layered and experienced. To exploit this aspect of visual code, scholars from the fields of Egyptology, Sinology, Hittitology, and Assyriology, together with Mesoamericanists, art historians, and a sign language specialist, are brought together in this volume. In its pages, these contributors incorporate into their analyses methods more commonly used in linguistics and semiotics, communication studies, art historical analysis, and traditional philology to new ends in order to form original trajectories of inquiry. Each contribution either lays bare explicit exploitation of visuality in scribal production as a means to cement power, reveal the mystical, induce humor, or expose clandestine views or it locates implicit knowledge schemes and cultural maps underlying and informing these same productions. The pioneering investigations presented in Seen Not Heard reveal that although writing may be heard, the fact that it can also be seen affects its reception and therefore the meaning of any transported phonological units.
The Cambridge History of Linguistics
Author: Linda R. Waugh
Publisher: Cambridge University Press
ISBN: 052184990X
Category : Business & Economics
Languages : en
Pages : 1113
Book Description
Covers significant aspects of important traditions and perspectives in the history of linguistics, including recent history.
Publisher: Cambridge University Press
ISBN: 052184990X
Category : Business & Economics
Languages : en
Pages : 1113
Book Description
Covers significant aspects of important traditions and perspectives in the history of linguistics, including recent history.
The Oxford Handbook of Egyptian Epigraphy and Palaeography
Author: Vanessa Davies
Publisher:
ISBN: 0190604654
Category : Art
Languages : en
Pages : 721
Book Description
Unites the disciplines of epigraphy and palaeography to describe the challenges and solutions in making and deciphering ancient text and art, Features valuable perspectives from an international team of experts, Discusses current theories with regard to the cultural setting and material realities of Egyptian remains, Clearly presents traditional and emerging techniques and challenges as a guide for future research Book jacket.
Publisher:
ISBN: 0190604654
Category : Art
Languages : en
Pages : 721
Book Description
Unites the disciplines of epigraphy and palaeography to describe the challenges and solutions in making and deciphering ancient text and art, Features valuable perspectives from an international team of experts, Discusses current theories with regard to the cultural setting and material realities of Egyptian remains, Clearly presents traditional and emerging techniques and challenges as a guide for future research Book jacket.
Yahweh among the Gods
Author: Michael Hundley
Publisher: Cambridge University Press
ISBN: 1108582273
Category : Religion
Languages : en
Pages : 421
Book Description
In this study, Michael Hundley explores the diverse deities of ancient Near Eastern and biblical literature, from deified doors and diseases to the masters of the universe. Using data from Mesopotamia, Hittite Anatolia, Egypt, the Levant, and non-priestly Genesis and Exodus, Hundley explains their context-specific approach to deity, which produces complex and seemingly contradictory portraits. He suggests that ancient deities gained prominence primarily by co-opting the attributes of other deities, rather than by denying their existence or inventing new powers. He demonstrates that the primary difference between biblical and ancient Near Eastern presentations lies in their rhetorical goals, not their conceptions of gods. While others promote divine supremacy, Genesis and Exodus promote exclusive worship. Hundley argues that this monolatry redefined the biblical divine sphere and paved the way for the later development of monotheism and monotheistic explanations of evil.
Publisher: Cambridge University Press
ISBN: 1108582273
Category : Religion
Languages : en
Pages : 421
Book Description
In this study, Michael Hundley explores the diverse deities of ancient Near Eastern and biblical literature, from deified doors and diseases to the masters of the universe. Using data from Mesopotamia, Hittite Anatolia, Egypt, the Levant, and non-priestly Genesis and Exodus, Hundley explains their context-specific approach to deity, which produces complex and seemingly contradictory portraits. He suggests that ancient deities gained prominence primarily by co-opting the attributes of other deities, rather than by denying their existence or inventing new powers. He demonstrates that the primary difference between biblical and ancient Near Eastern presentations lies in their rhetorical goals, not their conceptions of gods. While others promote divine supremacy, Genesis and Exodus promote exclusive worship. Hundley argues that this monolatry redefined the biblical divine sphere and paved the way for the later development of monotheism and monotheistic explanations of evil.
Toponymy on the Periphery
Author: Julien Cooper
Publisher: BRILL
ISBN: 9004422218
Category : History
Languages : en
Pages : 736
Book Description
"In Toponymy on the Periphery, Julien Charles Cooper conducts a study of the rich geographies preserved in Egyptian texts relating to the desert regions east of Egypt. These regions, filled with mines, quarries, nomadic camps, and harbours are often considered as an unimportant hinterland of the Egyptian state, but this work reveals the wide explorations and awareness Egyptians had of the Red Sea and its adjacent deserts, from the Sinai in the north to Punt in the south. The book attempts to locate many of the placenames present in Egyptian texts and analyse their etymology in light of Egyptian linguistics and the various foreign languages spoken in the adjacent deserts and distant shores of the Red Sea"--
Publisher: BRILL
ISBN: 9004422218
Category : History
Languages : en
Pages : 736
Book Description
"In Toponymy on the Periphery, Julien Charles Cooper conducts a study of the rich geographies preserved in Egyptian texts relating to the desert regions east of Egypt. These regions, filled with mines, quarries, nomadic camps, and harbours are often considered as an unimportant hinterland of the Egyptian state, but this work reveals the wide explorations and awareness Egyptians had of the Red Sea and its adjacent deserts, from the Sinai in the north to Punt in the south. The book attempts to locate many of the placenames present in Egyptian texts and analyse their etymology in light of Egyptian linguistics and the various foreign languages spoken in the adjacent deserts and distant shores of the Red Sea"--
Egyptian Hieroglyphs in the Late Antique Imagination
Author: Jennifer Taylor Westerfeld
Publisher: University of Pennsylvania Press
ISBN: 0812251571
Category : History
Languages : en
Pages : 256
Book Description
Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual culture. For both the literate minority of Egyptians and the vast illiterate majority of the population, hieroglyphs possessed a potent symbolic value that went beyond their capacity to render language visible. For nearly three thousand years, the hieroglyphic script remained closely bound to indigenous notions of religious and cultural identity. By the late antique period, literacy in hieroglyphs had been almost entirely lost. However, the monumental temples and tombs that marked the Egyptian landscape, together with the hieroglyphic inscriptions that adorned them, still stood as inescapable reminders that Christianity was a relatively new arrival to the ancient land of the pharaohs. In Egyptian Hieroglyphs in the Late Antique Imagination, Jennifer Westerfeld argues that depictions of hieroglyphic inscriptions in late antique Christian texts reflect the authors' attitudes toward Egypt's pharaonic past. Whether hieroglyphs were condemned as idolatrous images or valued as a source of mystical knowledge, control over the representation and interpretation of hieroglyphic texts constituted an important source of Christian authority. Westerfeld examines the ways in which hieroglyphs are deployed in the works of Eusebius and Augustine, to debate biblical chronology; in Greek, Roman, and patristic sources, to claim that hieroglyphs encoded the mysteries of the Egyptian priesthood; and in a polemical sermon by the fifth-century monastic leader Shenoute of Atripe, to argue that hieroglyphs should be destroyed lest they promote a return to idolatry. She argues that, in the absence of any genuine understanding of hieroglyphic writing, late antique Christian authors were able to take this powerful symbol of Egyptian identity and manipulate it to serve their particular theological and ideological ends.
Publisher: University of Pennsylvania Press
ISBN: 0812251571
Category : History
Languages : en
Pages : 256
Book Description
Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual culture. For both the literate minority of Egyptians and the vast illiterate majority of the population, hieroglyphs possessed a potent symbolic value that went beyond their capacity to render language visible. For nearly three thousand years, the hieroglyphic script remained closely bound to indigenous notions of religious and cultural identity. By the late antique period, literacy in hieroglyphs had been almost entirely lost. However, the monumental temples and tombs that marked the Egyptian landscape, together with the hieroglyphic inscriptions that adorned them, still stood as inescapable reminders that Christianity was a relatively new arrival to the ancient land of the pharaohs. In Egyptian Hieroglyphs in the Late Antique Imagination, Jennifer Westerfeld argues that depictions of hieroglyphic inscriptions in late antique Christian texts reflect the authors' attitudes toward Egypt's pharaonic past. Whether hieroglyphs were condemned as idolatrous images or valued as a source of mystical knowledge, control over the representation and interpretation of hieroglyphic texts constituted an important source of Christian authority. Westerfeld examines the ways in which hieroglyphs are deployed in the works of Eusebius and Augustine, to debate biblical chronology; in Greek, Roman, and patristic sources, to claim that hieroglyphs encoded the mysteries of the Egyptian priesthood; and in a polemical sermon by the fifth-century monastic leader Shenoute of Atripe, to argue that hieroglyphs should be destroyed lest they promote a return to idolatry. She argues that, in the absence of any genuine understanding of hieroglyphic writing, late antique Christian authors were able to take this powerful symbol of Egyptian identity and manipulate it to serve their particular theological and ideological ends.