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Author: Ruth Bienstock Anolik
Publisher: McFarland
ISBN: 0786498501
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Eighteenth-century England witnessed major social and economic changes, including the commodification of property, person and text through legal containments--enclosure, coverture, primogeniture, copyright. English Gothic authors responded with tropes that worked to dispel the assurances of possession--the contested castle, the beleaguered yet enduring woman, the haunting ghost, the disjointed narrative--warning that seemingly mundane codes of ownership have menacing implications, such as the civil death of women through marriage. This book explores the masterplot of the English Gothic text as a response to the Enlightenment's rational certainty regarding possession of self, property and narrative.
Author: Ruth Bienstock Anolik
Publisher: McFarland
ISBN: 0786498501
Category : Literary Criticism
Languages : en
Pages : 242
Get Book Here
Book Description
Eighteenth-century England witnessed major social and economic changes, including the commodification of property, person and text through legal containments--enclosure, coverture, primogeniture, copyright. English Gothic authors responded with tropes that worked to dispel the assurances of possession--the contested castle, the beleaguered yet enduring woman, the haunting ghost, the disjointed narrative--warning that seemingly mundane codes of ownership have menacing implications, such as the civil death of women through marriage. This book explores the masterplot of the English Gothic text as a response to the Enlightenment's rational certainty regarding possession of self, property and narrative.
Author: Ruth Bienstock Anolik
Publisher: McFarland
ISBN: 1476633401
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
American Gothic literature inherited many time-worn tropes from its English Gothic precursor, along with a core preoccupation: anxiety about power and property. Yet the transatlantic journey left its mark on the genre—the English ghostly setting becomes the wilderness haunted by spectral Indians. The aristocratic villain is replaced by the striving, independent young man. The dispossession of Native Americans and African Americans adds urgency to traditional Gothic anxieties about possession. The unchanging role of woman in early Gothic narratives parallels the status of American women, even after the Revolution. Twentieth-century Gothic works offer inclusion to previously silent voices, including immigrant writers with their own cultural traditions. The 21st century unleashes the zombie horde—the latest incarnation of the voracious American.
Author: Sherri L. Brown
Publisher: Rowman & Littlefield
ISBN: 1442277483
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
The Gothic began as a designation for barbarian tribes, was associated with the cathedrals of the High Middle Ages, was used to describe a marginalized literature in the late eighteenth century, and continues today in a variety of forms (literature, film, graphic novel, video games, and other narrative and artistic forms). Unlike other recent books in the field that focus on certain aspects of the Gothic, this work directs researchers to seminal and significant resources on all of its aspects. Annotations will help researchers determine what materials best suit their needs. A Research Guide to Gothic Literature in English covers Gothic cultural artifacts such as literature, film, graphic novels, and videogames. This authoritative guide equips researchers with valuable recent information about noteworthy resources that they can use to study the Gothic effectively and thoroughly.
Author: Sarah Gilbreath Ford
Publisher: Univ. Press of Mississippi
ISBN: 1496829719
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
Winner of a 2021 South Central Modern Language Association Book Prize At the heart of America’s slave system was the legal definition of people as property. While property ownership is a cornerstone of the American dream, the status of enslaved people supplies a contrasting American nightmare. Sarah Gilbreath Ford considers how writers in works from nineteenth-century slave narratives to twenty-first-century poetry employ gothic tools, such as ghosts and haunted houses, to portray the horrors of this nightmare. Haunted Property: Slavery and the Gothic thus reimagines the southern gothic, which has too often been simply equated with the macabre or grotesque and then dismissed as regional. Although literary critics have argued that the American gothic is driven by the nation’s history of racial injustice, what is missing in this critical conversation is the key role of property. Ford argues that out of all of slavery’s perils, the definition of people as property is the central impetus for haunting because it allows the perpetration of all other terrors. Property becomes the engine for the white accumulation of wealth and power fueled by the destruction of black personhood. Specters often linger, however, to claim title, and Ford argues that haunting can be a bid for property ownership. Through examining works by Harriet Jacobs, Hannah Crafts, Mark Twain, Herman Melville, Sherley Anne Williams, William Faulkner, Eudora Welty, Toni Morrison, Octavia Butler, and Natasha Trethewey, Ford reveals how writers can use the gothic to combat legal possession with spectral possession.
Author: Mark A. Fabrizi
Publisher: Rowman & Littlefield
ISBN: 1538166054
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
Stories of vampires, werewolves, zombies, witches, goblins, mummies, and other supernatural creatures have existed for time immemorial, and scary stories are among the earliest types of fiction ever recorded. Historical Dictionary of Horror Literature is an invaluable aid in studying horror literature, including influential authors, texts, terms, subgenres, and literary movements. This book contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 400 cross-referenced entries covering authors, subgenres, tropes, awards, organizations, and important terms related to horror. Historical Dictionary of Horror Literature is an excellent resource for students, researchers, and anyone wanting to know more about horror literature.
Author: Joan Passey
Publisher: University of Wales Press
ISBN: 1786839938
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
This book asks why so many authors drew on Cornwall for inspiration across the long nineteenth century, and considers the seismic cultural changes in Cornwall that spurred this interest – from the collapse of the mining industry to the developing national rail network; from the birth of tourism to the neomedieval rise in interest in King Arthur. Understanding frequently overlooked Cornwall in this period is vital to understanding Gothic literature, the Victorian imagination, intellectual and creative networks, and attitudes towards regionality. The first part of the book considers landscape and legend, defining a mining Gothic tradition, exposing the shipwreck as Gothic mastertrope, and demonstrating how antiquarians drew from Cornish legends and lore. The second part explores encounters with modernity, investigating the impact of railway expansion on access to Cornwall, the development of a Cornish King Arthur as a key figure of Victorian masculinity, and the specific features of the Cornish ghost story.
Author: Sarah E. Maier
Publisher: Anthem Press
ISBN: 1785272187
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Neo-Gothic Narratives defines and theorises what, exactly, qualifies as such a text, what mobilises the employment of the Gothic to speak to our own times, whether nostalgia plays a role and whether there is room for humour besides the sobriety and horror in these narratives across various media. What attracts us to the Gothic that makes us want to resurrect, reinvent, echo it? Why do we let the Gothic redefine us? Why do we let it haunt us? Does it speak to us through intertexuality, self-reflectivity, metafiction, immersion, affect? Are we reclaiming the history of women and other subalterns in the Gothic that had been denied in other forms of history? Are we revisiting the trauma of English colonisation and seeking national identity? Or are we simply tourists who enjoy cruising through the otherworld? The essays in this volume investigate both the readerly experience of Neo-Gothic narratives as well as their writerly pastiche.
Author: Annette Trefzer
Publisher: Univ. Press of Mississippi
ISBN: 1496851102
Category : Literary Criticism
Languages : en
Pages : 165
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Book Description
Contributions by Anita DeRouen, Susan V. Donaldson, Julia Eichelberger, W. Ralph Eubanks, Sarah Gilbreath Ford, Bernard T. Joy, John Wharton Lowe, Anne MacMaster, Rebecca Mark, Suzanne Marrs, Donnie McMahand, Kevin Murphy, Harriet Pollack, Annette Trefzer, Jay Watson, and Ryoichi Yamane Working closely in each other’s orbit in Mississippi, William Faulkner, Eudora Welty, and Richard Wright created lasting portraits of southern culture, each from a distinctly different vantage point. Taking into consideration their personal, political, and artistic ways of responding to the histories and realities of their time and place, Faulkner, Welty, Wright: A Mississippi Confluence offers comparative scholarship that forges new connections—or, as Welty might say, traces new confluences—across texts, authors, identities, and traditions. In the collection, contributors discuss Faulkner’s Light in August; Sanctuary; Go Down, Moses; As I Lay Dying; “A Rose for Emily”; and “That Evening Sun”; Welty’s One Writer’s Beginnings; One Time, One Place; The Optimist’s Daughter; Losing Battles; “Why I Live at the P.O.”; “Livvie”; “Moon Lake”; “The Burning”; “Where Is the Voice Coming From?”; and “The Demonstrators”; and Wright’s Native Son; The Long Dream; 12 Million Black Voices; Black Boy; Lawd Today!; “The Man Who Lived Underground”; “The Ethics of Living Jim Crow”; and “Long Black Song.” Acknowledging that Mississippi ground was never level for any of the three writers, the fourteen essays in this volume turn from the familiar strategies of single-author criticism toward a mode of analysis more receptive to the fluid mergings of creative currents, placing Wright, Welty, and Faulkner in comparative relationship to each other as well as to other Mississippi writers such as Margaret Walker, Lewis Nordan, Natasha Trethewey, Jesmyn Ward, Steve Yarbrough, and Kiese Laymon. Doing so deepens and enriches our understanding of these literary giants and the Mississippi modernism they made together.
Author: Margaretta Greene
Publisher: Lulu.com
ISBN: 0992640474
Category : Fiction
Languages : en
Pages : 90
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Book Description
In 1860, 23 year-old Margaretta Greene was inspired by unexplained phenomena in her family home (which was built into the ruins of the Abbey of Bury St Edmunds) to write a historical novella which gave a narrative to Bury St Edmunds' best-known ghost, the infamous 'Grey Lady' who haunts the ruins of St Edmunds Abbey. Greene told the story of Maude Carew, a nun whose desperate love for a monk of St Edmunds Abbey leads her to conspire with Queen Margaret of Anjou and murder King Henry VI's uncle, Humphrey Duke of Gloucester. The novella proved so sensational in Victorian Bury that it even provoked a riot, but until now it has never been republished and has remained a scarce and elusive work. This edition reprints the original text of Greene's novella along with an extensive introduction by historian Francis Young. Fully referenced with an index and bibliography, this is an authoritative study of Greene's novella as well as an edition of the text.
Author: David Ronneburg
Publisher: GRIN Verlag
ISBN: 3638429016
Category : Literary Criticism
Languages : en
Pages : 45
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Book Description
Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Leipzig (Anglistik), course: The Gothic Inheritance, language: English, abstract: Diese in englischer Sprache verfasste Arbeit beschäftigt sich mit verschiedenen Erscheinungsformen und Funktionen, in denen das "Haus-Motiv" als "gothic element" in der Angloamerikanischen Literatur auftritt. Zu diesem Zweck werden zahlreiche Prosatexte von Autoren wie F.H. Burnett, A.C. Doyle, B. Stoker, C. Brontë, C. Dickens, D. du Maurier, O. Wilde, J.K. Rowling, N. Hawthorne, M. Twain, W. Faulkner und C.P. Gilman auf das Haus-Motiv hin untersucht, analysiert und im Gothic-Kontext interpretiert.
