Prolongation of Seventh Chords in Tonal Music: Text PDF Download
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Author: Yosef Goldenberg
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 376
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Book Description
Offers a survey of the entire spectrum of contrapuntal-harmonic configurations that enable the prolongation of seventh chords, arranged logically by seventh-chord type and voice-leading procedure. This book also includes multiple voice-leading graphs that range from simple abstract configurations to sophisticated analyses of entire pieces.
Author: Yosef Goldenberg
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 376
Get Book Here
Book Description
Offers a survey of the entire spectrum of contrapuntal-harmonic configurations that enable the prolongation of seventh chords, arranged logically by seventh-chord type and voice-leading procedure. This book also includes multiple voice-leading graphs that range from simple abstract configurations to sophisticated analyses of entire pieces.
Author: Yosef Goldenberg
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 296
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Book Description
Offers for the first time a systematic survey of the entire spectrum of contrapuntal-harmonic configurations that enable the prolongation of seventh chords, arranged logically by seventh-chord type and voice-leading procedure.
Author: RobertP. Morgan
Publisher: Routledge
ISBN: 1351557130
Category : History
Languages : en
Pages : 345
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Book Description
Robert P. Morgan is one of a small number of music theorists writing in English who treat music theory, and in particular Schenkerian theory, as part of general intellectual life. Morgan‘s writings are renowned within the field of music scholarship: he is the author of the well-known Norton volume Twentieth-Century Music, and of additional books relating to Schenkerian and other theory, analysis and society. This volume of Morgan‘s previously published essays encompasses a broad range of issues, including historical and social issues and is of importance to anyone concerned with modern Western music. His specially written introduction treats his writings as a whole but also provides additional material relating to the articles included in this volume.
Author: Douglass Marshall Green
Publisher: New York : Holt, Rinehart, and Winston
ISBN:
Category : Music appreciation
Languages : en
Pages : 342
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Book Description
Author: Mark Levine
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101459
Category : Music
Languages : en
Pages : 725
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Book Description
The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.
Author: Christopher Doll
Publisher: University of Michigan Press
ISBN: 0472053523
Category : Music
Languages : en
Pages : 331
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Book Description
An original, listener-based approach to harmony for popular music from the rock era of the 1950s to the present
Author: Bill Hilton
Publisher:
ISBN: 9780956220400
Category :
Languages : en
Pages : 138
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Book Description
Author: David Damschroder
Publisher: Cambridge University Press
ISBN: 1108418031
Category : Music
Languages : en
Pages : 293
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Book Description
A creative and accessible harmonic analysis of major works by key composers, demonstrating innovative methods in harmonic theory with sound examples.
Author: Joel Lester
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 360
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Book Description
Author: David Beach
Publisher: Boydell & Brewer
ISBN: 1580465153
Category : Music
Languages : en
Pages : 296
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Book Description
Presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. Bach to Brahms presents current analytic views on the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. The fifteen essays, written by well-established scholars of this repertoire, are divided into three groups, two of which focus primarily on elements of musical design (formal, metric, and tonal organization) and voice leading at multiple levels of structure. The third groupof essays focuses on musical motives from different perspectives. The result is a volume of integrated studies on the music of the common-practice period, a body of music that remains at the core of modern concert and classroom repertoire. Contributors: Eytan Agmon, David Beach, Charles Burkhart, L. Poundie Burstein, Yosef Goldenberg, Timothy L. Jackson, William Kinderman, Joel Lester, Boyd Pomeroy, John Rink, Frank Samarotto, Lauri Suurpää, Naphtali Wagner, Eric Wen, Channan Willner. David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. Yosef Goldenberg teaches at the Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian.
