Author: Michele White
Publisher: Routledge
ISBN: 1317680243
Category : Social Science
Languages : en
Pages : 247
Book Description
Producing Women examines the ways femininity is produced through new media. Michele White considers how women are constructed, produce themselves as subjects, form vital production cultures on sites like Etsy, and deploy technological processes to reshape their identities and digital characteristics. She studies the means through which women market traditional female roles, are viewed, and produce and restructure their gendered, raced, eroticized, and sexual identities. Incorporating a range of examples across numerous forms of media—including trash the dress wedding photography, Internet how-to instructions about zombie walk brides, nail polish blogging, DIY crafting, and reborn doll production—Producing Women elucidates women’s production cultures online, and the ways that individuals can critically study and engage with these practices.
Producing Women
Author: Michele White
Publisher: Routledge
ISBN: 1317680243
Category : Social Science
Languages : en
Pages : 247
Book Description
Producing Women examines the ways femininity is produced through new media. Michele White considers how women are constructed, produce themselves as subjects, form vital production cultures on sites like Etsy, and deploy technological processes to reshape their identities and digital characteristics. She studies the means through which women market traditional female roles, are viewed, and produce and restructure their gendered, raced, eroticized, and sexual identities. Incorporating a range of examples across numerous forms of media—including trash the dress wedding photography, Internet how-to instructions about zombie walk brides, nail polish blogging, DIY crafting, and reborn doll production—Producing Women elucidates women’s production cultures online, and the ways that individuals can critically study and engage with these practices.
Publisher: Routledge
ISBN: 1317680243
Category : Social Science
Languages : en
Pages : 247
Book Description
Producing Women examines the ways femininity is produced through new media. Michele White considers how women are constructed, produce themselves as subjects, form vital production cultures on sites like Etsy, and deploy technological processes to reshape their identities and digital characteristics. She studies the means through which women market traditional female roles, are viewed, and produce and restructure their gendered, raced, eroticized, and sexual identities. Incorporating a range of examples across numerous forms of media—including trash the dress wedding photography, Internet how-to instructions about zombie walk brides, nail polish blogging, DIY crafting, and reborn doll production—Producing Women elucidates women’s production cultures online, and the ways that individuals can critically study and engage with these practices.
Women in the Studio
Author: Paula Wolfe
Publisher: Routledge
ISBN: 1134776187
Category : Music
Languages : en
Pages : 229
Book Description
The field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production. Wolfe brings an invaluable perspective as both a working artist-producer and as a scholar, thereby offering a new body of research based on interviews and first-hand observation. Wolfe demonstrates that patriarchal frameworks continue to form the backbone of the music industry establishment but that women’s work in the creation and control of sound presents a potent challenge to gender stereotyping, marginalisation and containment of women’s achievements that is still in evidence in music marketing practices and media representation in the digital era.
Publisher: Routledge
ISBN: 1134776187
Category : Music
Languages : en
Pages : 229
Book Description
The field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production. Wolfe brings an invaluable perspective as both a working artist-producer and as a scholar, thereby offering a new body of research based on interviews and first-hand observation. Wolfe demonstrates that patriarchal frameworks continue to form the backbone of the music industry establishment but that women’s work in the creation and control of sound presents a potent challenge to gender stereotyping, marginalisation and containment of women’s achievements that is still in evidence in music marketing practices and media representation in the digital era.
Producing Women's Poetry, 1600-1730
Author: Gillian Wright
Publisher: Cambridge University Press
ISBN: 1107037921
Category : Biography & Autobiography
Languages : en
Pages : 285
Book Description
Gillian Wright combines literary and bibliographical approaches to examine the work of five English women poets in the period 1600-1730.
Publisher: Cambridge University Press
ISBN: 1107037921
Category : Biography & Autobiography
Languages : en
Pages : 285
Book Description
Gillian Wright combines literary and bibliographical approaches to examine the work of five English women poets in the period 1600-1730.
Visible Histories, Disappearing Women
Author: Mahua Sarkar
Publisher: Duke University Press
ISBN: 9780822342342
Category : History
Languages : en
Pages : 356
Book Description
DIVArgues that the discursive erasure of Muslim women within colonial and Hindu nationalist discourse underpinned the construction of other identity categories in late colonial Bengal and remains linked to violence against Indian Muslim women today./div
Publisher: Duke University Press
ISBN: 9780822342342
Category : History
Languages : en
Pages : 356
Book Description
DIVArgues that the discursive erasure of Muslim women within colonial and Hindu nationalist discourse underpinned the construction of other identity categories in late colonial Bengal and remains linked to violence against Indian Muslim women today./div
Women as Scribes
Author: Alison I. Beach
Publisher: Cambridge University Press
ISBN: 9780521792431
Category : Language Arts & Disciplines
Languages : en
Pages : 220
Book Description
Professor Beach's book on female scribes in twelfth-century Bavaria - a full-length study of the role of women copyists in the Middle Ages - is underpinned by the notion that the scriptorium was central to the intellectual revival of the Middle Ages and that women played a role in this renaissance. The author examines the exceptional quantity of evidence of female scribal activity in three different religious communities, pointing out the various ways in which the women worked - alone, with other women, and even alongside men - to produce books for monastic libraries, and discussing why their work should have been made visible, whereas that of other female scribes remains invisible. Beach's focus on manuscript production, and the religious, intellectual, social and economic factors which shaped that production, enables her to draw wide-ranging conclusions of interest not only to palaeographers but also to those interested in reading, literacy, religion and gender history.
Publisher: Cambridge University Press
ISBN: 9780521792431
Category : Language Arts & Disciplines
Languages : en
Pages : 220
Book Description
Professor Beach's book on female scribes in twelfth-century Bavaria - a full-length study of the role of women copyists in the Middle Ages - is underpinned by the notion that the scriptorium was central to the intellectual revival of the Middle Ages and that women played a role in this renaissance. The author examines the exceptional quantity of evidence of female scribal activity in three different religious communities, pointing out the various ways in which the women worked - alone, with other women, and even alongside men - to produce books for monastic libraries, and discussing why their work should have been made visible, whereas that of other female scribes remains invisible. Beach's focus on manuscript production, and the religious, intellectual, social and economic factors which shaped that production, enables her to draw wide-ranging conclusions of interest not only to palaeographers but also to those interested in reading, literacy, religion and gender history.
Never Done
Author: Erin Hill
Publisher: Rutgers University Press
ISBN: 0813574897
Category : Art
Languages : en
Pages : 299
Book Description
Histories of women in Hollywood usually recount the contributions of female directors, screenwriters, designers, actresses, and other creative personnel whose names loom large in the credits. Yet, from its inception, the American film industry relied on the labor of thousands more women, workers whose vital contributions often went unrecognized. Never Done introduces generations of women who worked behind the scenes in the film industry—from the employees’ wives who hand-colored the Edison Company’s films frame-by-frame, to the female immigrants who toiled in MGM’s backrooms to produce beautifully beaded and embroidered costumes. Challenging the dismissive characterization of these women as merely menial workers, media historian Erin Hill shows how their labor was essential to the industry and required considerable technical and interpersonal skills. Sketching a history of how Hollywood came to define certain occupations as lower-paid “women’s work,” or “feminized labor,” Hill also reveals how enterprising women eventually gained a foothold in more prestigious divisions like casting and publicity. Poring through rare archives and integrating the firsthand accounts of women employed in the film industry, the book gives a voice to women whose work was indispensable yet largely invisible. As it traces this long history of women in Hollywood, Never Done reveals the persistence of sexist assumptions that, even today, leave women in the media industry underpraised and underpaid. For more information: http://erinhill.squarespace.com
Publisher: Rutgers University Press
ISBN: 0813574897
Category : Art
Languages : en
Pages : 299
Book Description
Histories of women in Hollywood usually recount the contributions of female directors, screenwriters, designers, actresses, and other creative personnel whose names loom large in the credits. Yet, from its inception, the American film industry relied on the labor of thousands more women, workers whose vital contributions often went unrecognized. Never Done introduces generations of women who worked behind the scenes in the film industry—from the employees’ wives who hand-colored the Edison Company’s films frame-by-frame, to the female immigrants who toiled in MGM’s backrooms to produce beautifully beaded and embroidered costumes. Challenging the dismissive characterization of these women as merely menial workers, media historian Erin Hill shows how their labor was essential to the industry and required considerable technical and interpersonal skills. Sketching a history of how Hollywood came to define certain occupations as lower-paid “women’s work,” or “feminized labor,” Hill also reveals how enterprising women eventually gained a foothold in more prestigious divisions like casting and publicity. Poring through rare archives and integrating the firsthand accounts of women employed in the film industry, the book gives a voice to women whose work was indispensable yet largely invisible. As it traces this long history of women in Hollywood, Never Done reveals the persistence of sexist assumptions that, even today, leave women in the media industry underpraised and underpaid. For more information: http://erinhill.squarespace.com
'Grossly Material Things'
Author: Helen Smith
Publisher: Oxford University Press
ISBN: 0199651582
Category : Business & Economics
Languages : en
Pages : 271
Book Description
Virginia Woolf described fictions as 'grossly material things', rooted in their physical and economic contexts. This book takes Woolf's hint as its starting point, asking who made the books of the English Renaissance. It recovering the ways in which women participated as co-authors, editors, translators, patrons, printers, booksellers, and readers.
Publisher: Oxford University Press
ISBN: 0199651582
Category : Business & Economics
Languages : en
Pages : 271
Book Description
Virginia Woolf described fictions as 'grossly material things', rooted in their physical and economic contexts. This book takes Woolf's hint as its starting point, asking who made the books of the English Renaissance. It recovering the ways in which women participated as co-authors, editors, translators, patrons, printers, booksellers, and readers.
Publishing Women
Author: Diana Robin
Publisher: University of Chicago Press
ISBN: 0226721566
Category : History
Languages : en
Pages : 394
Book Description
Publisher description
Publisher: University of Chicago Press
ISBN: 0226721566
Category : History
Languages : en
Pages : 394
Book Description
Publisher description
Making Women's History
Author: Mary Ritter Beard
Publisher: Feminist Press at CUNY
ISBN: 9781558612198
Category : Biography & Autobiography
Languages : en
Pages : 282
Book Description
The only collection of work by a groundbreaking historian.
Publisher: Feminist Press at CUNY
ISBN: 9781558612198
Category : Biography & Autobiography
Languages : en
Pages : 282
Book Description
The only collection of work by a groundbreaking historian.
Making Women's Medicine Masculine
Author: Monica H. Green
Publisher: Oxford University Press, USA
ISBN: 0199211493
Category : History
Languages : en
Pages : 430
Book Description
Using sources ranging from the famous 12th-century female practitioner, Trota of Salerno, through to the great tomes of Renaissance male physicians, this is a pioneering study challenging the common belief that, prior to the 18th century, men were never involved in any aspect of women's healthcare in Europe.
Publisher: Oxford University Press, USA
ISBN: 0199211493
Category : History
Languages : en
Pages : 430
Book Description
Using sources ranging from the famous 12th-century female practitioner, Trota of Salerno, through to the great tomes of Renaissance male physicians, this is a pioneering study challenging the common belief that, prior to the 18th century, men were never involved in any aspect of women's healthcare in Europe.