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Author: Diane Grams
Publisher: University of Chicago Press
ISBN: 0226305236
Category : Social Science
Languages : en
Pages : 298
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Book Description
In big cities, major museums and elite galleries tend to dominate our idea of the art world. But beyond the cultural core ruled by these moneyed institutions and their patrons are vibrant, local communities of artists and art lovers operating beneath the high-culture radar. Producing Local Color is a guided tour of three such alternative worlds that thrive in the Chicago neighborhoods of Bronzeville, Pilsen, and Rogers Park. These three neighborhoods are, respectively, historically African American, predominantly Mexican American, and proudly ethnically mixed. Drawing on her ethnographic research in each place, Diane Grams presents and analyzes the different kinds of networks of interest and support that sustain the making of art outside of the limelight. And she introduces us to the various individuals—from cutting-edge artists to collectors to municipal planners—who work together to develop their communities, honor their history, and enrich the experiences of their neighbors through art. Along with its novel insights into these little examined art worlds, Producing Local Color also provides a thought-provoking account of how urban neighborhoods change and grow.
Author: Diane Grams
Publisher: University of Chicago Press
ISBN: 0226305236
Category : Social Science
Languages : en
Pages : 298
Get Book Here
Book Description
In big cities, major museums and elite galleries tend to dominate our idea of the art world. But beyond the cultural core ruled by these moneyed institutions and their patrons are vibrant, local communities of artists and art lovers operating beneath the high-culture radar. Producing Local Color is a guided tour of three such alternative worlds that thrive in the Chicago neighborhoods of Bronzeville, Pilsen, and Rogers Park. These three neighborhoods are, respectively, historically African American, predominantly Mexican American, and proudly ethnically mixed. Drawing on her ethnographic research in each place, Diane Grams presents and analyzes the different kinds of networks of interest and support that sustain the making of art outside of the limelight. And she introduces us to the various individuals—from cutting-edge artists to collectors to municipal planners—who work together to develop their communities, honor their history, and enrich the experiences of their neighbors through art. Along with its novel insights into these little examined art worlds, Producing Local Color also provides a thought-provoking account of how urban neighborhoods change and grow.
Author: Mimi Robinson
Publisher: Chronicle Books
ISBN: 1616894407
Category : Art
Languages : en
Pages : 132
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Book Description
How to understand color’s impact on our perception of a place—and capture its palette in watercolor landscapes and cityscapes. Whenever we first encounter a new place, whether landscape or cityscape, one of the most immediate and powerful sensations comes from its colors, or the palette of colors, which profoundly influence our reaction to and sense of a space. In Local Color, designer and educator Mimi Robinson teaches us not only how to see the colors around us but also how to capture and record them in watercolor. Regardless of your level of painting expertise, Robinson will quickly have you creating personal memories of time, place, and travel through a series of self-guided exercises and illustrated examples.
Author: James Gurney
Publisher: Andrews McMeel Publishing
ISBN: 0740797719
Category : Art
Languages : en
Pages : 226
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Book Description
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
Author: Truman Capote
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 132
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Book Description
Author: Clarence Stratton
Publisher:
ISBN:
Category :
Languages : en
Pages : 398
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Book Description
Author: George Lansing Raymond
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
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Book Description
Author: Catherine Winder
Publisher: Taylor & Francis
ISBN: 0240815351
Category : Art
Languages : en
Pages : 360
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Book Description
This text is a comprehensive guide to the management of the animation production process, from the identification and sale of a concept, through development, pre-production, production and post-production, to completion.
Author: George Lansing Raymond
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 512
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Book Description
Author: Clarence Stratton
Publisher:
ISBN:
Category : Amateur theater
Languages : en
Pages : 310
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Book Description
Author: Stephanie L. Hawkins
Publisher: University of Virginia Press
ISBN: 081392975X
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
In an era before affordable travel, National Geographic not only served as the first glimpse of countless other worlds for its readers, but it helped them confront sweeping historical change. There was a time when its cover, with the unmistakable yellow frame, seemed to be on every coffee table, in every waiting room. In American Iconographic, Stephanie L. Hawkins traces National Geographic’s rise to cultural prominence, from its first publication of nude photographs in 1896 to the 1950s, when the magazine’s trademark visual and textual motifs found their way into cartoon caricature, popular novels, and film trading on the "romance" of the magazine’s distinctive visual fare. National Geographic transformed local color into global culture through its production and circulation of readily identifiable cultural icons. The adventurer-photographer, the exotic woman of color, and the intrepid explorer were part of the magazine’s "institutional aesthetic," a visual and textual repertoire that drew upon popular nineteenth-century literary and cultural traditions. This aesthetic encouraged readers to identify themselves as members not only in an elite society but, paradoxically, as both Americans and global citizens. More than a window on the world, National Geographic presented a window on American cultural attitudes and drew forth a variety of complex responses to social and historical changes brought about by immigration, the Great Depression, and world war. Drawing on the National Geographic Society’s archive of readers’ letters and its founders’ correspondence, Hawkins reveals how the magazine’s participation in the "culture industry" was not so straightforward as scholars have assumed. Letters from the magazine’s earliest readers offer an important intervention in this narrative of passive spectatorship, revealing how readers resisted and revised National Geographic’s authority. Its photographs and articles celebrated American self-reliance and imperialist expansion abroad, but its readers were highly aware of these representational strategies, and alert to inconsistencies between the magazine’s editorial vision and its photographs and text. Hawkins also illustrates how the magazine actually encouraged readers to question Western values and identify with those beyond the nation’s borders. Chapters devoted to the magazine’s practice of photographing its photographers on assignment and to its genre of husband-wife adventurers reveal a more enlightened National Geographic invested in a cosmopolitan vision of a global human family. A fascinating narrative of how a cultural institution can influence and embody public attitudes, this book is the definitive account of an iconic magazine’s unique place in the American imagination.
