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Author: Nina Auerbach
Publisher: Harvard University Press
ISBN: 9780674707559
Category : Drama
Languages : en
Pages : 156
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Book Description
"Everyman" as actor on life's stage has been a recurrent theme in popular literature--epecially persuasive in these times of powerful electronic media, celebrity hype, and professional image-makers--but the great Victorians exuded sincerity. Nina Auerbach reminds us that all lives can be subversive performances. Charting the notable impact of the theater and theatricality on the Victorian imagination, she provocatively reexamines the concept of sincerity and authenticity as literary ideal. In novels, popular fiction, and biographies, Auerbach unveils the theatrical element in lives imagined and represented. Focusing on three major points in the life cycle--childhood, passage to maturity, and death--she demonstrates how the process of living was for Victorians the acting of a role; only dying generated a creature with an "own self." Her discussion draws not only on theater history, but on demonology-the ghosts and monsters so much a part of the nineteenth-century imagination. Nina Auerbach has written a closely reasoned and stimulating book for everyone interested in the Victorian age, and everyone interested in theatricality---whether private or on the stage.
Author: Nina Auerbach
Publisher: Harvard University Press
ISBN: 9780674707559
Category : Drama
Languages : en
Pages : 156
Get Book Here
Book Description
"Everyman" as actor on life's stage has been a recurrent theme in popular literature--epecially persuasive in these times of powerful electronic media, celebrity hype, and professional image-makers--but the great Victorians exuded sincerity. Nina Auerbach reminds us that all lives can be subversive performances. Charting the notable impact of the theater and theatricality on the Victorian imagination, she provocatively reexamines the concept of sincerity and authenticity as literary ideal. In novels, popular fiction, and biographies, Auerbach unveils the theatrical element in lives imagined and represented. Focusing on three major points in the life cycle--childhood, passage to maturity, and death--she demonstrates how the process of living was for Victorians the acting of a role; only dying generated a creature with an "own self." Her discussion draws not only on theater history, but on demonology-the ghosts and monsters so much a part of the nineteenth-century imagination. Nina Auerbach has written a closely reasoned and stimulating book for everyone interested in the Victorian age, and everyone interested in theatricality---whether private or on the stage.
Author:
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 356
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Book Description
Author: Charles H. Fox
Publisher:
ISBN:
Category : Theatrical makeup
Languages : en
Pages : 234
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Book Description
![The private theatre of Kilkenny [a record of its dramatic productions]. PDF](https://books.google.com/books/content/images/frontcover/zSMAAAAAQAAJ?fife=w80-h100)
Author: Kilkenny city, theatre
Publisher:
ISBN:
Category :
Languages : en
Pages : 192
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Book Description
Author: Nina Auerbach
Publisher:
ISBN: 9780674418882
Category :
Languages : en
Pages : 146
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Book Description
"Everyman" as actor on life's stage has been a recurrent theme in popular literature--epecially persuasive in these times of powerful electronic media, celebrity hype, and professional image-makers--but the great Victorians exuded sincerity. Nina Auerbach reminds us that all lives can be subversive performances. Charting the notable impact of the theater and theatricality on the Victorian imagination, she provocatively reexamines the concept of sincerity and authenticity as literary ideal. In novels, popular fiction, and biographies, Auerbach unveils the theatrical element in lives imagined and represented. Focusing on three major points in the life cycle--childhood, passage to maturity, and death--she demonstrates how the process of living was for Victorians the acting of a role; only dying generated a creature with an "own self." Her discussion draws not only on theater history, but on demonology-the ghosts and monsters so much a part of the nineteenth-century imagination. Nina Auerbach has written a closely reasoned and stimulating book for everyone interested in the Victorian age, and everyone interested in theatricality---whether private or on the stage.
Author: Kilkenny Theatrical Society (Kilkenny)
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 182
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Book Description
Author: Oskar Cox Jensen
Publisher: Oxford University Press
ISBN: 0198812426
Category : Biography & Autobiography
Languages : en
Pages : 276
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Book Description
This volume examines Charles Dibdin's extraordinarily wide-ranging career as an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, artist, music tutor, speculator, and author, and offers fresh insights into late Georgian culture, society, and politics.
Author: Thomas C. Crochunis
Publisher: Routledge
ISBN: 1134422482
Category : Drama
Languages : en
Pages : 335
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Book Description
This superb collection of new essays offers a unique insight into the work of a leading women dramatist of the Romantic era. Contributors offer: *contextual material for those new to Baillie's work *examinations of the relationships between her plays and the philosophical and scientific writing of the era *discussion of Baillie's theatrical methods *extended interpretations of individual plays. Ending years of neglect of Baillie's crucial work, this volume is essential reading for those working on Romanticism, women's writing, or drama of the late eighteenth and early nineteenth centuries.
Author: Alan Louis Ackerman
Publisher: JHU Press
ISBN: 9780801869112
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
In The Portable Theater, Alan Ackerman investigates the crucial importance of theater in the works of Walt Whitman, Herman Melville, William Dean Howells, Louisa May Alcott, and Henry James. Whether as drama critics, playwrights, amateur actors, or simply as avid theater goers, each of these authors thought deeply about the theater and represented it in literature.
Author: Brett Anderson
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 170
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Book Description
Bijou, Paramount, Loew's, Fox -- the names themselves conjure up rich carpeting, heavily curtained prosceniums, and gilded carvings. Though the glittering movie palaces of the past have for the most part vanished, their appeal endures, and today they are being built anew on a more intimate scale. This illustrated book affords an unprecedented look at the magnificent private theaters created throughout the United States by New York-based designer Theo Kalomirakis.Twelve years after the Greek-born, movie-mad Kalomirakis came to New York in 1974, he built a small but fully realized movie theater -- "the Roxy" -- in the basement of his Brooklyn brownstone. Today he custom-designs sumptuous private cinemas complete with neon marquees, ticket booths, and foyers for an exclusive clientele, blending exciting architecture and interior design with state-of-the-art technology.Kalomirakis combines his clients' tastes, memories, and fantasies with the splendor and spirit of the past. Showcased here are a businessman's sentimental gift to his wife and a famous actor's retreat from the limelight, along with other stunningly original creations. Kalomirakis' theaters provide a feast for the senses, and the stories behind them offer a peek at the most privileged lifestyles.
