Author: Ronnie C. Tyler
Publisher: Texas State Historical Assn
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
This eclectic collection pulls together some of the best presentations made at the North American Print Conference held in Austin, Texas. Focusing on the printing arts in Texas, this group of leading scholars and authorities covered a wide range of subjects from early lithography and photography in Texas to today's armadillo posters and T-shirts. The high arts and popular culture alike are treated in this broad overview of prints and printmaking on the Texas frontier and in its urban centers. Contributors: * R. Pearce-Moses, "From Niépce to Now: Thirty Million Photographs in Texas" * R. Cox, "Dust Bowl Realism: Texas Printmakers and the FSA Photographers of the Great Depression" * F. Carraro, "Jerry Bywaters: A Texas Printmaker" * D. Farmer, "The Printmakers Guild and Women Printmakers in Texas, 1939-1965" * P. H. Brink, "The Galveston That Was: Requiem or Inspiration?" * N. Jacobson, "Armadillos, Peccadilloes, and the Maverick Posterists of Austin, Texas" * J. H. Fox, "TexStyle Art: The Evolution of Quality Silkscreened Imagery upon T-Shirts in Austin, Texas, 1968-1988" * K. B. Ragsdale, "W. D. Smithers: Pictorial Chronicler of the Big Bend Country of Texas" * B. Huseman, "The Beginnings of Lithography in Texas" * K. J. Adams, "Texas Impressions: Graphic Arts and the Republic of Texas, 1836-1845" * J. P. McGuire and D. Haynes, "William DeRyee, Carl G. von Iwonski, and Homeography, a Printing Process" * C. Brandimarte, "Immaterial Girls: Prints of Pageantry and Dance, 1900-1936" * R. Flukinger, "The Panoramic Photography of E. O. Goldbeck"
Prints and Printmakers of Texas
Author: Ronnie C. Tyler
Publisher: Texas State Historical Assn
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
This eclectic collection pulls together some of the best presentations made at the North American Print Conference held in Austin, Texas. Focusing on the printing arts in Texas, this group of leading scholars and authorities covered a wide range of subjects from early lithography and photography in Texas to today's armadillo posters and T-shirts. The high arts and popular culture alike are treated in this broad overview of prints and printmaking on the Texas frontier and in its urban centers. Contributors: * R. Pearce-Moses, "From Niépce to Now: Thirty Million Photographs in Texas" * R. Cox, "Dust Bowl Realism: Texas Printmakers and the FSA Photographers of the Great Depression" * F. Carraro, "Jerry Bywaters: A Texas Printmaker" * D. Farmer, "The Printmakers Guild and Women Printmakers in Texas, 1939-1965" * P. H. Brink, "The Galveston That Was: Requiem or Inspiration?" * N. Jacobson, "Armadillos, Peccadilloes, and the Maverick Posterists of Austin, Texas" * J. H. Fox, "TexStyle Art: The Evolution of Quality Silkscreened Imagery upon T-Shirts in Austin, Texas, 1968-1988" * K. B. Ragsdale, "W. D. Smithers: Pictorial Chronicler of the Big Bend Country of Texas" * B. Huseman, "The Beginnings of Lithography in Texas" * K. J. Adams, "Texas Impressions: Graphic Arts and the Republic of Texas, 1836-1845" * J. P. McGuire and D. Haynes, "William DeRyee, Carl G. von Iwonski, and Homeography, a Printing Process" * C. Brandimarte, "Immaterial Girls: Prints of Pageantry and Dance, 1900-1936" * R. Flukinger, "The Panoramic Photography of E. O. Goldbeck"
Publisher: Texas State Historical Assn
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
This eclectic collection pulls together some of the best presentations made at the North American Print Conference held in Austin, Texas. Focusing on the printing arts in Texas, this group of leading scholars and authorities covered a wide range of subjects from early lithography and photography in Texas to today's armadillo posters and T-shirts. The high arts and popular culture alike are treated in this broad overview of prints and printmaking on the Texas frontier and in its urban centers. Contributors: * R. Pearce-Moses, "From Niépce to Now: Thirty Million Photographs in Texas" * R. Cox, "Dust Bowl Realism: Texas Printmakers and the FSA Photographers of the Great Depression" * F. Carraro, "Jerry Bywaters: A Texas Printmaker" * D. Farmer, "The Printmakers Guild and Women Printmakers in Texas, 1939-1965" * P. H. Brink, "The Galveston That Was: Requiem or Inspiration?" * N. Jacobson, "Armadillos, Peccadilloes, and the Maverick Posterists of Austin, Texas" * J. H. Fox, "TexStyle Art: The Evolution of Quality Silkscreened Imagery upon T-Shirts in Austin, Texas, 1968-1988" * K. B. Ragsdale, "W. D. Smithers: Pictorial Chronicler of the Big Bend Country of Texas" * B. Huseman, "The Beginnings of Lithography in Texas" * K. J. Adams, "Texas Impressions: Graphic Arts and the Republic of Texas, 1836-1845" * J. P. McGuire and D. Haynes, "William DeRyee, Carl G. von Iwonski, and Homeography, a Printing Process" * C. Brandimarte, "Immaterial Girls: Prints of Pageantry and Dance, 1900-1936" * R. Flukinger, "The Panoramic Photography of E. O. Goldbeck"
Forty Texas Printmakers
Author:
Publisher: Modern Art Museum Fort Worth
ISBN: 9780929865065
Category : Art
Languages : en
Pages : 146
Book Description
Highlights the work and lives of 40 artists who have contributed toward the advancement of printmaking.
Publisher: Modern Art Museum Fort Worth
ISBN: 9780929865065
Category : Art
Languages : en
Pages : 146
Book Description
Highlights the work and lives of 40 artists who have contributed toward the advancement of printmaking.
The Texas Printmakers
Author: Paul Rogers Harris
Publisher: Meadows Museum
ISBN: 9780935937084
Category : Art
Languages : en
Pages : 20
Book Description
Publisher: Meadows Museum
ISBN: 9780935937084
Category : Art
Languages : en
Pages : 20
Book Description
Prints and Their Makers
Author: Phil Sanders
Publisher:
ISBN: 9781616898182
Category : ART
Languages : en
Pages : 0
Book Description
"An exploration of historical and contemporary fine art printmaking, with an emphasis on the roles and processes of the artist, master printer, and publisher"--
Publisher:
ISBN: 9781616898182
Category : ART
Languages : en
Pages : 0
Book Description
"An exploration of historical and contemporary fine art printmaking, with an emphasis on the roles and processes of the artist, master printer, and publisher"--
Third Circuit of Prints by Texas Artists 1940-1941, Lone Star Printmakers
Author: Lone Star Printmakers, Dallas, Tex
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 10
Book Description
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 10
Book Description
Engraved Prints of Texas
Author: Mavis Parrott Kelsey
Publisher: Texas A&M University Press
ISBN: 9781585442706
Category : Art
Languages : en
Pages : 508
Book Description
A collection of illustrated black-and-white engravings depicting the history of Texas from 1554 to 1900 presented chronologically and featuring a brief introduction to the historical background of each era.
Publisher: Texas A&M University Press
ISBN: 9781585442706
Category : Art
Languages : en
Pages : 508
Book Description
A collection of illustrated black-and-white engravings depicting the history of Texas from 1554 to 1900 presented chronologically and featuring a brief introduction to the historical background of each era.
Adirondack Prints and Printmakers
Author: Caroline M. Welsh
Publisher: Syracuse University Press
ISBN: 9780815605195
Category : Art
Languages : en
Pages : 248
Book Description
Since the late eighteenth century, the Adirondacks—first characterized as a "Dismal Wilderness" and then a "Sportsman's Paradise"—has challenged cartographers, scientists, sportsmen, travelers, and artists. In a volume that covers nearly three hundred years of artistic achievement, Adirondack Museum curator Caroline M. Welsh includes essays that were originally presented at the 1995 North American Print Conference at the Adirondack Museum. Comprehensive in scope and lavishly illustrated, the book embodies the artistic spectrum from the documentary to the aesthetic. Paintings of Adirondack scenery were frequently reproduced as prints. Lithographs after original paintings disseminated affordable fine art to a broad middle class, exemplifying a pervasive nineteenth-century faith that art. By 1850, this northern expanse became a sanctuary for artists. Inspired by the drama of the landscape, the purity of the light, and the grandeur of its rugged wilderness, artists flocked to the region. From Winslow Homer, Dr. Arpad Gerster, and the French naturalist Jacques Gerard Milbert to Canadian artist David Milne, Adirondack Prints and Printmakers underscores the importance of the wilderness landscape in American art and culture and the role that prints have played to document, promote, and celebrate the Adirondacks.
Publisher: Syracuse University Press
ISBN: 9780815605195
Category : Art
Languages : en
Pages : 248
Book Description
Since the late eighteenth century, the Adirondacks—first characterized as a "Dismal Wilderness" and then a "Sportsman's Paradise"—has challenged cartographers, scientists, sportsmen, travelers, and artists. In a volume that covers nearly three hundred years of artistic achievement, Adirondack Museum curator Caroline M. Welsh includes essays that were originally presented at the 1995 North American Print Conference at the Adirondack Museum. Comprehensive in scope and lavishly illustrated, the book embodies the artistic spectrum from the documentary to the aesthetic. Paintings of Adirondack scenery were frequently reproduced as prints. Lithographs after original paintings disseminated affordable fine art to a broad middle class, exemplifying a pervasive nineteenth-century faith that art. By 1850, this northern expanse became a sanctuary for artists. Inspired by the drama of the landscape, the purity of the light, and the grandeur of its rugged wilderness, artists flocked to the region. From Winslow Homer, Dr. Arpad Gerster, and the French naturalist Jacques Gerard Milbert to Canadian artist David Milne, Adirondack Prints and Printmakers underscores the importance of the wilderness landscape in American art and culture and the role that prints have played to document, promote, and celebrate the Adirondacks.
Printmaking from 1400 to 1700 with a Catalogue of the Print Collection at the Dallas Museum of Art
Author: Sally Savage Kemble
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 734
Book Description
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 734
Book Description
Limited Edition Print Catalog
Author: Texas Art Press
Publisher:
ISBN:
Category : Prints, American
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Prints, American
Languages : en
Pages : 32
Book Description
Paths to the Press
Author: Marianna Kistler Beach Museum of Art
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 268
Book Description
In 1910, Bertha Jaques co-founded the Chicago Society of Etchers and helped launch a revival of American fine art printmaking. In the decades following, women artists produced some of the most compelling images in U.S. printmaking history and helped advance the medium technically and stylistically. Paths to the Press examines American women artists' contributions to printmaking in the U.S. during the early to mid twentieth century. It features work by internationally and nationally recognized figures such as Isabel Bishop, Louise Nevelson, and Elizabeth Catlett; well-known regional figures such as Chicago artist Bertha Jaques, New Mexico artist Gener Kloss, and Louisiana artist Caroline Durieux; and relatively unknown printmakers such as Chicago artist Fritzi Brod, San Franciscan Pele deLappe, and Texan Mary Bonner. The contributors include David Acton, Nancy E. Green, Melanie Herzog, Helen Langa, Bill North, Mark Pascale, and Mark B. Pohlad.
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 268
Book Description
In 1910, Bertha Jaques co-founded the Chicago Society of Etchers and helped launch a revival of American fine art printmaking. In the decades following, women artists produced some of the most compelling images in U.S. printmaking history and helped advance the medium technically and stylistically. Paths to the Press examines American women artists' contributions to printmaking in the U.S. during the early to mid twentieth century. It features work by internationally and nationally recognized figures such as Isabel Bishop, Louise Nevelson, and Elizabeth Catlett; well-known regional figures such as Chicago artist Bertha Jaques, New Mexico artist Gener Kloss, and Louisiana artist Caroline Durieux; and relatively unknown printmakers such as Chicago artist Fritzi Brod, San Franciscan Pele deLappe, and Texan Mary Bonner. The contributors include David Acton, Nancy E. Green, Melanie Herzog, Helen Langa, Bill North, Mark Pascale, and Mark B. Pohlad.