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Author: David McKitterick
Publisher: Cambridge University Press
ISBN: 9780521826907
Category : Design
Languages : en
Pages : 32
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Author: David McKitterick
Publisher: Cambridge University Press
ISBN: 9780521826907
Category : Design
Languages : en
Pages : 32
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Book Description
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Author: Elizabeth L. Eisenstein
Publisher: Cambridge University Press
ISBN: 9780521845434
Category : Business & Economics
Languages : en
Pages : 412
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Book Description
New illustrated and abridged edition surveys the communications revolution of the fifteenth century.
Author: Margaret Dampier Anderson
Publisher: CUP Archive
ISBN: 9780521082020
Category : Language Arts & Disciplines
Languages : en
Pages : 44
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Book Description
Author: Barbara I. Gusick
Publisher: Camden House
ISBN: 1571134751
Category : History
Languages : en
Pages : 228
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Book Description
Annual collection on diverse aspects of the fifteenth century, with an emphasis on manuscripts and manuscript culture. The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. Fifteenth-Century Studiesoffers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Essays within this thirty-sixth volume treat a wide range of topics: the importance of manuscript culture as reflected in Cárcel de amor; the wanderings of René d'Anjou and Olivier de la Marche as reflected in literary texts; the art of compiling in Jean de Bueil's Jouvencel; a diplomatic transcription of Princeton MS153 (reception and compilation practices of the Rose); historical approaches in the chronicles of Jean le Bel and Jean Froissart; the Fairfax Sequence in Bodleian MS Fairfax 16; anticlerical critique in the Croxton Playof the Sacrament; the Chester cycle of mystery plays; the conquering Turk in Carnival Nürnberg: Hans Rosenplüt's Des Turken Vasnachtspil; and Tolkien's eucatastrophe and Malory's Morte Darthur. Book reviews conclude the volume. Contributors: Ethan Campbell, Emily C. Francomano, D. Thomas Hanks, Jr., Theodore K. Lerud, John Moreau, Gerald Nachtwey, Mariana Neilly, Marco Nievergelt, Michelle Szkilnik, Martin W. Walsh. Barbara I. Gusick is Professor Emerita of English at Troy University, Dothan, Alabama; Matthew Z. Heintzelman is curator of the Austria/Germany Study Center and Rare Book Cataloger at Hill Museum & Manuscript Library, Saint John'sUniversity, Collegeville, Minnesota.
Author: Rachael Scarborough King
Publisher: JHU Press
ISBN: 1421425491
Category : Social Science
Languages : en
Pages : 408
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Book Description
“King’s pitch for the indebtedness of the genres we know well—the novel, the biography, the magazine piece—to letter writing is stylish and convincing.” —Christina Lupton, author of Reading and the Making of Time in the Eighteenth Century In Writing to the World, Rachael Scarborough King examines the shift from manuscript to print media culture in the long eighteenth century. She introduces the concept of the “bridge genre,” which enables such change by transferring existing textual conventions to emerging modes of composition and circulation. She draws on this concept to reveal how four crucial genres that emerged during this time—the newspaper, the periodical, the novel, and the biography—were united by their reliance on letters to accustom readers to these new forms of print media. King explains that as newspapers, scientific journals, book reviews, and other new genres began to circulate widely, much of their form and content was borrowed from letters, allowing for easier access to these unfamiliar modes of printing and reading texts. Arguing that bridge genres encouraged people to see themselves as connected by networks of communication—as members of what they called “the world” of writing—King combines techniques of genre theory with archival research and literary interpretation, analyzing canonical works such as Addison and Steele’s Spectator, Samuel Johnson’s Lives of the Poets, and Jane Austen’s Northanger Abbey alongside anonymous periodicals and the letters of middle-class housewives. This original and groundbreaking work in media and literary history offers a model for the process of genre formation. Ultimately, Writing to the World is a sophisticated look at the intersection of print and the public sphere. “This erudite, sophisticated, beautifully written book is a major achievement.” —Thomas Keymer, author of Poetics of the Pillory
Author: Lisa M. Maruca
Publisher: University of Washington Press
ISBN: 0295801751
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The Work of Print traces a shift in the very definition of literature, from one that encompasses the material conditions of the production and distribution of books to the more familiar emphasis on the solitary author's ownership of an abstract text. Drawing on contemporary accounts of those involved in the trade - printers, booksellers, publishers, and distributors - Lisa Maruca examines attitudes about the creative process and approaches to the commodification of writing. The "work of print" describes the labors through which literature was produced: both the physical labor of making books and the underlying cultural work performed by a set of ideologies about who counted as a maker of texts. Printers' manuals, tracts on typography, legal documents, and booksellers' autobiographies reveal that print workers conceived of their roles as central to the production of literature. Maruca's insightful readings of these documents alongside traditional works of fiction and authors' correspondence show that the claims of print workers and booksellers were part of a struggle for ownership and control as the concept of author as proprietor of his or her intellectual property began to take hold in the mid-1700s, gradually eclipsing print workers' contributions to the process of textual creation. The print trade asserted its authority using a rhetoric of hierarchical and binary sexuality and gender, which affected women working in the industry and limited the type of work they were allowed to perform. In response, women developed strategies to redeploy conventional ideas of gender to gain concessions for themselves as publishers and distributors of printed material, strategies that formed a foundation for the rise of female authorship later in the eighteenth century. Encompassing the histories of literature, labor, technology, publishing, and gender, The Work of Print ultimately offers significant insights into the ideology of authorship and intellectual property and our understanding of textuality and print in the digital age.
Author: Hala Auji
Publisher: BRILL
ISBN: 9004314350
Category : Art
Languages : en
Pages : 171
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Book Description
During the nineteenth century, the American Mission Press in Beirut printed religious and secular publications written by foreign missionaries and Syrian scholars such as Nāṣīf al-Yāzijī and Buṭrus al-Bustānī, of later nahḍa fame. In a region where presses were still not prevalent, letterpress-printed and lithographed works circulated within a larger network that was dominated by manuscript production. In this book, Hala Auji analyzes the American Press publications as important visual and material objects that provide unique insights into an era of changing societal concerns and shifting intellectual attitudes of Syria’s Muslim and Christian populations. Contending that printed books are worthy of close visual scrutiny, this study highlights an important place for print culture during a time of an emerging Arab modernity.
Author: Dennis Duncan
Publisher: Oxford University Press, USA
ISBN: 0198812469
Category : Book design
Languages : en
Pages : 351
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Book Description
What would an anatomy of the book look like? There is the main text, of course, the file that the author proudly submits to their publisher. But around this, hemming it in on the page or enclosing it at the front and back of the book, there are dozens of other texts - page numbers and running heads, copyright statements and errata lists - each possessed of particular conventions, each with their own lively histories. To consider these paratexts - recalling them from the margins, letting them take centre stage - is to be reminded that no book is the sole work of the author whose name appears on the cover; rather, every book is the sum of a series of collaborations. It is to be reminded, also, that not everything is intended for us, the readers. There are sections0that are solely directed at others - binders, librarians, lawyers - parts of the book that, if they are working well, are working discreetly, like a theatrical prompt, whispering out of the audience's ear-shot. 0'Book Parts' is a bold and imaginative intervention in the fast growing field of book history: it pulls the book apart. Over twenty-two chapters, 'Book Parts' tells the story of the components of the book: from title pages to endleaves; from dust jackets to indexes-and just about everything in between. 'Book Parts' covers a broad historical range that runs from the pre-print era to the digital, bringing together the expertise of some of the most exciting scholars working on book history today in order to shine a new light on these elements hiding in plain sight in the books we all read.
Author: Yaacob Dweck
Publisher: Princeton University Press
ISBN: 0691162158
Category : History
Languages : en
Pages : 297
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Book Description
The Scandal of Kabbalah is the first book about the origins of a culture war that began in early modern Europe and continues to this day: the debate between kabbalists and their critics on the nature of Judaism and the meaning of religious tradition. From its medieval beginnings as an esoteric form of Jewish mysticism, Kabbalah spread throughout the early modern world and became a central feature of Jewish life. Scholars have long studied the revolutionary impact of Kabbalah, but, as Yaacob Dweck argues, they have misunderstood the character and timing of opposition to it. Drawing on a rang.
Author: Ioana Feodorov
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110786990
Category : History
Languages : en
Pages : 466
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Book Description
Arabic printing began in Eastern Europe and the Ottoman Levant through the association of the scholar and printer Antim the Iberian, later a metropolitan of Wallachia, and Athanasios III Dabbās, twice patriarch of Antioch, when the latter, as metropolitan of Aleppo, was sojourning in Bucharest. This partnership resulted in the first Greek and Arabic editions of the Book of the Divine Liturgies (Snagov, 1701) and the Horologion (Bucharest, 1702). With the tools and expertise that he acquired in Wallachia, Dabbās established in Aleppo in 1705 the first Arabic-type press in the Ottoman Empire. After the Church of Antioch divided into separate Greek Orthodox and Greek Catholic Patriarchates in 1724, a new press was opened for Arabic-speaking Greek Catholics by ʻAbdallāh Zāḫir in Ḫinšāra (Ḍūr al-Šuwayr), Lebanon. Likewise, in 1752-1753, a press active at the Church of Saint George in Beirut printed Orthodox books that preserved elements of the Aleppo editions and were reprinted for decades. This book tells the story of the first Arabic-type presses in the Ottoman Empire which provided church books to the Arabic-speaking Christians, irrespective of their confession, through the efforts of ecclesiastical leaders such as the patriarchs Silvester of Antioch and Sofronios II of Constantinople and financial support from East European rulers like prince Constantin Brâncoveanu and hetman Ivan Mazepa.
