Principes de la Montre de M. Harrison, Avec Les Planches Relatives À la Même Montre PDF Download
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Author: John Harrison
Publisher:
ISBN:
Category :
Languages : en
Pages : 62
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Book Description
Author: John Harrison
Publisher:
ISBN:
Category :
Languages : en
Pages : 62
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Book Description
Author: John Harrison
Publisher:
ISBN:
Category : Chronometers
Languages : en
Pages : 91
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Book Description
Description of Harrison's chronometer which provided the technical means of solving the centuries old navigational problem of establishing longitude at sea.
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 68
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Book Description
Author: Diana H. Hook
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 626
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Author: Anthony John Turner
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 344
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Book Description
The history of precision technology may seem a small, specialised subject, concerned with the development of such mundane, even banal objects as sun-dials, sand-glasses, clocks or rulers and other measuring instruments. Yet their development, as the author holds, has helped condition how we relate to the natural world and is therefore a key aspect of cultural history. For many classes of instruments there are still no basic narrative accounts of their internal evolution, and a number of these studies represent an effort towards fulfilling that need. In others, starting with an object or an object and its maker, the author asks what did it do, and then who wanted it to do it and why, penetrating into the more general social context. In time the studies range from Antiquity to the 19th century, but the emphasis is on the period from the 16th century onwards.L'histoire de la technologie de précision peut paraître comme étant un sujet spécialisé de moindre importance, se rapportant au développment d'objets quelconque, voire banals, tels les cadrans solaires, les sabliers, les horloges, les règles et autres instruments de mesure. D'après l'auteur, leur développement a cependant contribué à déterminer la façon dont nous nous rapportons au monde naturel et fait de ceux-ci l'un des aspects à la clef de notre histoire culturelle. Pour un bon nombre de catégories d'instruments, il n'existe toujours pas de relation de base concernant leur évolution interne; un effort a été accompli au travers de certaines des études contenues dans ce recueil, afin de combler cette lacune. Dans d'autres, l'auteur, débutant par un objet seul, ou bien encore un objet et son créateur, pose la question de savoir ce à quoi celui-ci servait, à qui il était destiné à servir et pourquoi, pénétrant ainsi dans un contexte social plus généralisé. Du point de vue de la chronologie, les études partent de l'Antiquité et vont jusqu'au 19e siècle, l'accent étant surtout mis à partir du 16e siècle.
Author: James Patty
Publisher: University Press of Kentucky
ISBN: 0813171938
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.
Author: Clarence Walworth Alvord
Publisher: Springfield, Ill. : Trustees of the Illinois State Historical Library
ISBN:
Category : Archives
Languages : fr
Pages : 786
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Author: Jody Blake
Publisher: Penn State Press
ISBN: 9780271017532
Category : Art
Languages : en
Pages : 232
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Book Description
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892362081
Category : Art
Languages : en
Pages : 190
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Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.
Author: Stphane Mallarm
Publisher: Harvard University Press
ISBN: 0674032403
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
"This is a book just the way I don't like them," the father of French Symbolism, Stphane Mallarm, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, Mallarm's diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most. The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If Mallarm captured the tone and very feel of fin-de-sicle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from Valry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as Mallarm arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality. Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, Mallarm remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important. But it is also, in Johnson's masterful translation, endlessly mesmerizing.
