Pre-restoration Stage Studies

Pre-restoration Stage Studies PDF Author: William John Lawrence
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 462

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Book Description

Pre-restoration Stage Studies

Pre-restoration Stage Studies PDF Author: William John Lawrence
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 462

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Book Description


Pre-restoration stage studies

Pre-restoration stage studies PDF Author: William John Lawrence
Publisher:
ISBN:
Category :
Languages : en
Pages : 435

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Book Description


Pre-restoration Stage Studies

Pre-restoration Stage Studies PDF Author: William John Lawrence
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 476

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Book Description


Pre-Restoration Stage Studies

Pre-Restoration Stage Studies PDF Author: William John Lawrence
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 435

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Book Description


Shakespeare on Page & Stage

Shakespeare on Page & Stage PDF Author: Stanley Wells
Publisher: Oxford University Press
ISBN: 0198786549
Category : Drama
Languages : en
Pages : 495

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Book Description
This volume presents a winning selection of the very best essays from the long and distinguished career of Stanley Wells, one of the most well-known and respected Shakespeare scholars in the world. Its chapters are divided into themed sections, on Shakespearian influences, particular works, theatre, and text.

Lighting the Shakespearean Stage, 1567 - 1642

Lighting the Shakespearean Stage, 1567 - 1642 PDF Author: R. B. Graves
Publisher: SIU Press
ISBN: 9780809322756
Category : Literary Criticism
Languages : en
Pages : 310

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Book Description
In Lighting the Shakespearean Stage, 1567–1642,R. B. Graves examines the lighting of early modern English drama from both historical and aesthetic perspectives. He traces the contrasting traditions of sunlit amphitheaters and candlelit hall playhouses, describes the different lighting techniques, and estimates the effect of these techniques both indoors and outdoors. Graves discusses the importance of stage lighting in determining the dramatic effect, even in cases where the manipulation of light was not under the direct control of the theater artists. He devotes a chapter to the early modern lighting equipment available to English Renaissance actors and surveys theatrical lighting before the construction of permanent playhouses in London. Elizabethan stage lighting, he argues, drew on both classical and medieval precedents.

Research in Progress

Research in Progress PDF Author: North Carolina State University. Graduate School
Publisher:
ISBN:
Category :
Languages : en
Pages : 866

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Book Description


A New Companion to Renaissance Drama

A New Companion to Renaissance Drama PDF Author: Arthur F. Kinney
Publisher: John Wiley & Sons
ISBN: 1118824032
Category : Literary Criticism
Languages : en
Pages : 572

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Book Description
A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field

The Boar's Head Theatre (Routledge Revivals)

The Boar's Head Theatre (Routledge Revivals) PDF Author: C. J. Sisson
Publisher: CRC Press
ISBN: 131749976X
Category : Performing Arts
Languages : en
Pages : 123

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Book Description
The Boar’s Head Theatre, first published in 1972, provides an account of one of the Elizabethan inn-yard theatres. It is a reconstruction of considerable importance in our understanding of the performance conditions affecting Elizabethan drama, the mode of presentation and the nature of the audience. C. J. Sisson (1885-1966) was known especially for his research into Elizabethan court cases and the light they can throw on the literature and drama of the period. His discoveries included material on the Elizabethan inn-yard theatres which provides unquestionable evidence of great importance in relation to the evolution of the theatre in England. This book, which has been edited for publication by Stanley Wells, was to have been his major work on the subject. Historians of the theatre of this period will find this book indispensable, and those with a more general interest in the greatest age of English drama will be engrossed by the detailed and intimate glimpses of the theatre world which this story affords.

Unfixable Forms

Unfixable Forms PDF Author: Katherine Schaap Williams
Publisher: Cornell University Press
ISBN: 1501753517
Category : Literary Criticism
Languages : en
Pages : 213

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Book Description
Unfixable Forms explores how theatrical form remakes—and is in turn remade by—early modern disability. Figures described as "deformed," "lame," "crippled," "ugly," "sick," and "monstrous" crowd the stage in English drama of the sixteenth and seventeenth centuries. In each case, such a description distills cultural expectations about how a body should look and what a body should do—yet, crucially, demands the actor's embodied performance. In the early modern theater, concepts of disability collide with the deforming, vulnerable body of the actor. Reading dramatic texts alongside a diverse array of sources, ranging from physic manuals to philosophical essays to monster pamphlets, Katherine Schaap Williams excavates an archive of formal innovation to argue that disability is at the heart of the early modern theater's exploration of what it means to put the body of an actor on the stage. Offering new interpretations of canonical works by William Shakespeare, Ben Jonson, Thomas Dekker, Thomas Middleton, and William Rowley, and close readings of little-known plays such as The Fair Maid of the Exchange and A Larum For London, Williams demonstrates how disability cuts across foundational distinctions between nature and art, form and matter, and being and seeming. Situated at the intersections of early modern drama, disability studies, and performance theory, Unfixable Forms locates disability on the early modern stage as both a product of cultural constraints and a spark for performance's unsettling demands and electrifying eventfulness.