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Author: Christina J. Hodge
Publisher: Taylor & Francis
ISBN: 1003832830
Category : Social Science
Languages : en
Pages : 283
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Book Description
Pragmatic Imagination and the New Museum Anthropology shifts museum anthropology’s relationship to the broader field from marginal to central by revealing the sophisticated transdisciplinary praxis (theory + practice) at the heart of current museum anthropologies. The book features international case studies that operate at the interfaces of critical museology, anthropology, material culture studies, art practice, and more. The theory of pragmatics proposes that meaning-making is collaborative and best evaluated through its impact in the world. Collectively the chapters in this volume evidence a ‘pragmatic imagination’ at work as museum anthropology practitioners ingeniously combine inventiveness (the possible) and practicality (the actual) in ways that drive the field forward. Defining museum anthropology as a pragmatic practice explicitly theorizes this work in order to mark its significance; demystify its processes of knowledge production; connect it more readily to debates within and beyond anthropology; and facilitate critique.
Author: Christina J. Hodge
Publisher: Taylor & Francis
ISBN: 1003832830
Category : Social Science
Languages : en
Pages : 283
Get Book Here
Book Description
Pragmatic Imagination and the New Museum Anthropology shifts museum anthropology’s relationship to the broader field from marginal to central by revealing the sophisticated transdisciplinary praxis (theory + practice) at the heart of current museum anthropologies. The book features international case studies that operate at the interfaces of critical museology, anthropology, material culture studies, art practice, and more. The theory of pragmatics proposes that meaning-making is collaborative and best evaluated through its impact in the world. Collectively the chapters in this volume evidence a ‘pragmatic imagination’ at work as museum anthropology practitioners ingeniously combine inventiveness (the possible) and practicality (the actual) in ways that drive the field forward. Defining museum anthropology as a pragmatic practice explicitly theorizes this work in order to mark its significance; demystify its processes of knowledge production; connect it more readily to debates within and beyond anthropology; and facilitate critique.
Author: Christina J Hodge
Publisher: Routledge
ISBN: 9780367641832
Category :
Languages : en
Pages : 0
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Book Description
Pragmatic Imagination and the New Museum Anthropology shifts museum anthropology's relationship to the broader field from marginal to central by revealing the sophisticated transdisciplinary praxis (theory + practice) at the heart of current museum anthropologies. The book features international case studies that operate at the interfaces of critical museology, anthropology, material culture studies, art practice, and more. The theory of pragmatics proposes that meaning-making is collaborative and best evaluated through its impact in the world. Collectively the chapters in this volume evidence a 'pragmatic imagination' at work as museum anthropology practitioners ingeniously combine inventiveness (the possible) and practicality (the actual) in ways that drive the field forward. Defining museum anthropology as a pragmatic practice explicitly theorizes this work in order to mark its significance; demystify its processes of knowledge production; connect it more readily to debates within and beyond anthropology; and facilitate critique.
Author: Yunci Cai
Publisher: Taylor & Francis
ISBN: 1040304338
Category : Art
Languages : en
Pages : 427
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Book Description
The Museum in Asia advances an understanding of the flourishing museum landscape in the region by offering a variety of conceptual tools and frameworks through which museum development can be analysed and understood. Informed by the key theoretical tenets of critical museology and heritage studies, this volume seeks to deconstruct the idea of museology and the museum phenomenon in East, South and Southeast Asia to identify common themes and trends unique to Asia. Drawing on case studies from ten different countries in Asia, including China and India, it proffers a set of analytical tools to think through how we can understand and conceptualise the study of museums and museology in Asia. Contributions to this edited volume are drawn from both Asian and Western academic contexts, thus offering both ‘inside’ and ‘outside’ perspectives on the museum phenomenon in Asia. The Museum in Asia is the first academic book to explore the museum phenomenon in Asia from theoretical perspectives informed by critical museology and heritage studies, making it an essential text for the teaching of courses relating to museum studies, cultural heritage studies or Asian studies. Academics, students and professionals who are interested in learning more about the theory behind the museum phenomenon in Asia will find this book to be a useful resource.
Author: Shelley L. Smith
Publisher: Taylor & Francis
ISBN: 1040134645
Category : Science
Languages : en
Pages : 203
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Book Description
This book focuses on the development of the National Museum of Natural History’s David H. Koch Hall of Human Origins. As one of the most visited human evolution exhibits in the world and the largest such exhibit in the United States, it has tremendous influence on public perception and knowledge of human evolution. The chapters explore how this exhibit came about, how it has changed since opening, and the associated educational and public outreach activities of members of the Smithsonian’s Human Origins Program. The author uses the term “adaptive resilience” to describe a central theme of the exhibit, our species’ adaptation to changing environments as a key feature of our success, and to refer to the resilience of Richard B. Potts in creating his vision for the hall. Contextual sections situate the hall’s development within the history of paleoanthropology, the politics of evolution and climate change, and African contributions. The book will be of particular interest to scholars of anthropology and museum studies as well as the history of science and science communication.
Author: Hansjörg Dilger
Publisher: Taylor & Francis
ISBN: 1040210074
Category : Social Science
Languages : en
Pages : 286
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Book Description
This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relations—between and among objects and media, people, and material and immaterial contexts—define, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves. The contributors argue that a focus on the—often contested—making and remaking of relations provides a unique conceptual entrypoint for understanding collections’—and ‘their’ objects’ and media’s—complex histories, contemporary webs of interactions, and potential futures. The chapters examine the local, translocal, and transregional relations of collections with regard to their affective, aesthetic, performative, and socio-moral qualities and situate them in the larger geopolitical constellations of precolonial, colonial, and postcolonial settings. Together they investigate ongoing shifts in the relations of collections and collecting institutions by identifying alternative approaches to conceive of, and deal with, anthropological and global art collections, objects, and media in the future. The book is of interest to scholars from anthropology, global art history, museum studies, and heritage studies.
Author: Øivind Fuglerud
Publisher: Berghahn Books
ISBN: 1782385673
Category : Social Science
Languages : en
Pages : 270
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Book Description
Despite the wide interest in material culture, art, and aesthetics, few studies have considered them in light of the importance of the social imagination - the complex ways in which we conceptualize our social surroundings. This collection engages the “material turn” in the arts, humanities, and social sciences through a range of original contributions on creativity in diverse global and contemporary social settings. The authors engage with everyday objects, art, rituals, and ethnographic exhibitions to analyze the relationship between material culture and the social imagination. What results is a better understanding of how the material embodies and influences our idea of the social world.
Author: Immanuel Kant
Publisher: SIU Press
ISBN: 9780809320608
Category : Philosophy
Languages : en
Pages : 324
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Book Description
In the fall semester of 1772/73 at the Albertus University of Königsberg, Immanuel Kant, metaphysician and professor of logic and metaphysics, began lectures on anthropology, which he continued until 1776, shortly before his retirement from public life. His lecture notes and papers were first published in 1798, eight years after the publication of the Critique of Judgment, the third of his famous Critiques. The present edition of the Anthropology is a translation of the text found in volume 7 of Kants gesammelte Schriften, edited by Oswald Külpe. Kant describes the Anthropology as a systematic doctrine of the knowledge of humankind. (He does not yet distinguish between the academic discipline of anthropology as we understand it today and the philosophical.) Kant’s lectures stressed the "pragmatic" approach to the subject because he intended to establish pragmatic anthropology as a regular academic discipline. He differentiates the physiological knowledge of the human race—the investigation of "what Nature makes of man"—from the pragmatic—"what man as a free being makes of himself, what he can make of himself, and what he ought to make of himself." Kant believed that anthropology teaches the knowledge of humankind and makes us familiar with what is pragmatic, not speculative, in relation to humanity. He shows us as world citizens within the context of the cosmos. Summarizing the cloth edition of the Anthropology, Library Journal concludes: "Kant’s allusions to such issues as sensation, imagination, judgment, (aesthetic) taste, emotion, passion, moral character, and the character of the human species in regard to the ideal of a cosmopolitan society make this work an important resource for English readers who seek to grasp the connections among Kant’s metaphysics of nature, metaphysics of morals, and political theory. The notes of the editor and translator, which incorporate material from Ernst Cassirer’s edition and from Kant’s marginalia in the original manuscript, shed considerable light on the text."
Author: Carlo Severi
Publisher: HAU Books
ISBN: 0990505057
Category : Social Science
Languages : en
Pages : 401
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Book Description
Available in English for the first time, anthropologist Carlo Severi’s The Chimera Principle breaks new theoretical ground for the study of ritual, iconographic technologies, and oral traditions among non-literate peoples. Setting himself against a tradition that has long seen the memory of people “without writing”—which relies on such ephemeral records as ornaments, body painting, and masks—as fundamentally disordered or doomed to failure, he argues strenuously that ritual actions in these societies pragmatically produce religious meaning and that they demonstrate what he calls a “chimeric” imagination. Deploying philosophical and ethnographic theory, Severi unfolds new approaches to research in the anthropology of ritual and memory, ultimately building a new theory of imagination and an original anthropology of thought. This English-language edition, beautifully translated by Janet Lloyd and complete with a foreword by David Graeber, will spark widespread debate and be heralded as an instant classic for anthropologists, historians, and philosophers.
Author: Akitoshi Shimizu
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 318
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Book Description
Author: Christopher Alan Long
Publisher: Yale University Press
ISBN: 0300206275
Category : Design
Languages : en
Pages : 305
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Book Description
The first major look at the renowned industrial designer and architect, who helped to shape the look of American modernism from the 1920s through the early 1950s For German-born Kem Weber (1889-1963), design was not about finding a new expression; it was about responding to "structural, economic, and social requirements . . . characteristic of our daily routine of living." He sought to ensure that each design he produced--whether a piece of furniture or a building or an interior--was an improvement that responded to modern needs and modern life. Weber was a leading figure of modernism on the West Coast from the 1920s through the early 1950s, and his work greatly influenced the California style of the time. His most iconic designs were his Bentlock line, the Air Line chair, the interiors for the Bixby House, and his tubular-steel furniture for Lloyd. This book, a result of significant new primary research in the Weber family's archives, represents the first major study of the life and career of this important designer. Christopher Long details the full range of Weber's contributions, focusing particularly on the part he played in the advancement of American modernism, and his role in heralding a new way of making and living.
