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Author: Tina Frühauf
Publisher: Boydell & Brewer
ISBN: 1783274964
Category : History
Languages : en
Pages : 328
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Book Description
Postmodernity's Musical Pasts covers topics from classical to popular and neo-traditional musics to concerns of the disciplines of musicology. Such varied topics mirror the eclectic and diverse nature of the postwar era itself.
Author: Tina Frühauf
Publisher: Boydell & Brewer
ISBN: 1783274964
Category : History
Languages : en
Pages : 328
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Book Description
Postmodernity's Musical Pasts covers topics from classical to popular and neo-traditional musics to concerns of the disciplines of musicology. Such varied topics mirror the eclectic and diverse nature of the postwar era itself.
Author: Kenneth Gloag
Publisher: Cambridge University Press
ISBN: 0521151570
Category : Music
Languages : en
Pages : 223
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Book Description
What is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.
Author: Judy Lochhead
Publisher: Routledge
ISBN: 1135717788
Category : Music
Languages : en
Pages : 389
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Book Description
What is postmodern music and how does it differ from earlier styles, including modernist music? What roles have electronic technologies and sound production played in defining postmodern music? Has postmodern music blurred the lines between high and popular music? Addressing these and other questions, this ground-breaking collection gathers together for the first time essays on postmodernism and music written primarily by musicologists, covering a wide range of musical styles including concert music, jazz, film music, and popular music. Topics include: the importance of technology and marketing in postmodern music; the appropriation and reworking of Western music by non-Western bands; postmodern characteristics in the music of Górecki, Rochberg, Zorn, and Bolcom, as well as Björk and Wu Tang Clan; issues of music and race in such films as The Bridges of Madison County, Batman, Bullworth, and He Got Game; and comparisons of postmodern architecture to postmodern music. Also includes 20 musical examples.
Author: Lawrence Kramer
Publisher: Univ of California Press
ISBN: 0520918428
Category : Music
Languages : en
Pages : 315
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Book Description
A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music—the "classical" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its appeal. When this music is regarded esoterically, removed from real-world interests, it increasingly sounds more evasive than transcendent. Now Lawrence Kramer shows how classical music can take on new meaning and new life when approached from postmodernist standpoints. Kramer draws out the musical implications of contemporary efforts to understand reason, language, and subjectivity in relation to concrete human activities rather than to universal principles. Extending the rethinking of musical expression begun in his earlier Music as Cultural Practice, he regards music not only as an object that invites aesthetic reception but also as an activity that vitally shapes the personal, social, and cultural identities of its listeners. In language accessible to nonspecialists but informative to specialists, Kramer provides an original account of the postmodernist ethos, explains its relationship to music, and explores that relationship in a series of case studies ranging from Haydn and Mendelssohn to Ives and Ravel. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music—the "classical" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its
Author: Willie Thompson
Publisher: Bloomsbury Publishing
ISBN: 1350317489
Category : History
Languages : en
Pages : 311
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Book Description
In this clear, jargon-free guide, Willie Thompson provides a concise introduction to postmodernist theory and its significant impact on the study of history. Although this is a hotly-debated topic, with much of the current literature being both polemical and inaccessible to the beginner, Thompson offers straightforward explanations of complex concepts and shows how the debates are relevant to students' own work. Postmodernism and History: - Considers the origins of postmodernism in both the ideas of poststructuralist thinkers, particularly Michel Foucault, and the political and cultural developments of the late 20th century - Explores themes such as the treatment of historical evidence, problems of historical representation, feminist history, ethical judgements on past events, and the validity of metanarrative or long-term historical explanation - Discusses critically the work of a number of current and recent practicing historians - including Joan Scott, Roy Porter, Patrick Joyce and James Vernon - who have used postmodernist ideas in their writing - Enquires how far postmodern thought has been absorbed into mainstream historiography
Author: Robert L. McLaughlin
Publisher: Univ. Press of Mississippi
ISBN: 1496808568
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim (1930–2021) and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean. Sondheim's brilliant array of work, including such musicals as Company, Follies, Sweeney Todd, Sunday in the Park with George, and Into the Woods, established him as the preeminent composer/lyricist of his, if not all, time. Stephen Sondheim and the Reinvention of the American Musical places Sondheim's work in two contexts: the exhaustion of the musical play and the postmodernism that, by the 1960s, deeply influenced all the American arts. Sondheim's musicals are central to the transition from the Rodgers and Hammerstein-style musical that had dominated Broadway stages for twenty years to a new postmodern musical. This new style reclaimed many of the self-aware, performative techniques of the 1930s musical comedy to develop its themes of the breakdown of narrative knowledge and the fragmentation of identity. In his most recent work, Sondheim, who was famously mentored by Oscar Hammerstein II, stretches toward a twenty-first-century musical that seeks to break out of the self-referring web of language. Stephen Sondheim and the Reinvention of the American Musical offers close readings of all of Sondheim's musicals and finds in them critiques of the operation of power, questioning of conventional systems of knowledge, and explorations of contemporary identity.
Author: E. Ann Kaplan
Publisher: Routledge
ISBN: 1317227670
Category : Music
Languages : en
Pages : 182
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Book Description
The first non-stop rock video channel was launched in the US in 1981. As a unique popular culture form, MTV warrants attention, and in this, the first study of the medium, originally published in 1987, Ann Kaplan examines the cultural context of MTV and its relationship to the history of rock music. The first part of the book focuses on MTV as a commercial institution, on the contexts of production and exhibition of videos, on their similarity to ads, and on the different perspectives of directors and viewers. Does the adoption of adolescent styles and iconography signal an open-minded acceptance of youth’s subversive stances; or does it rather suggest a cynicism by which profit has become the only value? In the second part of the book, Kaplan turns to the rock videos themselves, and from the mass of material that flows through MTV she identifies five distinct types of video: the ‘romantic’, the ‘socially conscious’, the ‘nihilistic’, the ‘classical’, and the ‘postmodern’. There are detailed analyses of certain videos; and Kaplan focuses particularly on gender issues in videos by both male and female stars. The final chapter explores the wider implications of MTV. What does the channel tell us about the state of youth culture at the time?
Author: Jonathan D. Kramer
Publisher: Bloomsbury Publishing USA
ISBN: 1501306049
Category : Music
Languages : en
Pages : 401
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Book Description
Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.
Author: Michael Barnett
Publisher: Cognella Academic Publishing
ISBN: 9781516544448
Category :
Languages : en
Pages :
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Book Description
The textbook Rock: Postmodernism in Action features research that examines the impact of rock music as an art form and its ongoing effect on society and culture. It introduces readers to the defining features and historical development of rock, and then explores rock and its subgenres from the 1960s through the 1990s. Students learn about the particular flavors of the music of each decade, as well as its central artists and events. They explore the emotional power and cultural relevance of specific lyrics and review charts that enhance their understanding of form and sectional relationships. Additional charts map out common rock rhythms. With an accompanying active learning component and curated playlist, the book gives non-music majors insight into the world of rock music while also providing meaningful content for music majors seeking a deeper appreciation of this musical form. Rock: Postmodernism in Action is well-suited to courses on American culture and popular music. It can also serve as a supplemental text in classes on the philosophy of music or cultural studies.
Author: Fredric Jameson
Publisher: Duke University Press
ISBN: 9780822310907
Category : Literary Criticism
Languages : en
Pages : 474
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Book Description
Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.
