Author: Zhang Na
Publisher: Cambridge Scholars Publishing
ISBN: 1527588513
Category : Fiction
Languages : en
Pages : 365
Book Description
This book explores the integration of narratology with posthumanism by examining a large scope of narratives in science fiction over nearly half a century in a range of major Anglophone countries. Based on the rhizome of posthumanism, analysis of the posthuman narrative embodiments in selected contemporary Anglophone science fiction, it investigates Ursula K. Le Guin’s The Left Hand of Darkness (1969), Ian Watson’s The Jonah Kit (1975), Iain Banks’ The Bridge (1986) and Richard Powers’ Galatea 2.2 (1995) as exemplifying various aspects of posthuman becoming-other. The book shows that, in the reactive logic of nihilism, the becoming-other posthuman, rather than posing a threat, proves to be the companion and savior of human beings, whose apocalyptic sacrifice brings back the all-too-human humanity to the chaotic world of presence.
Posthuman Becoming Narratives in Contemporary Anglophone Science Fiction
Author: Zhang Na
Publisher: Cambridge Scholars Publishing
ISBN: 1527588513
Category : Fiction
Languages : en
Pages : 365
Book Description
This book explores the integration of narratology with posthumanism by examining a large scope of narratives in science fiction over nearly half a century in a range of major Anglophone countries. Based on the rhizome of posthumanism, analysis of the posthuman narrative embodiments in selected contemporary Anglophone science fiction, it investigates Ursula K. Le Guin’s The Left Hand of Darkness (1969), Ian Watson’s The Jonah Kit (1975), Iain Banks’ The Bridge (1986) and Richard Powers’ Galatea 2.2 (1995) as exemplifying various aspects of posthuman becoming-other. The book shows that, in the reactive logic of nihilism, the becoming-other posthuman, rather than posing a threat, proves to be the companion and savior of human beings, whose apocalyptic sacrifice brings back the all-too-human humanity to the chaotic world of presence.
Publisher: Cambridge Scholars Publishing
ISBN: 1527588513
Category : Fiction
Languages : en
Pages : 365
Book Description
This book explores the integration of narratology with posthumanism by examining a large scope of narratives in science fiction over nearly half a century in a range of major Anglophone countries. Based on the rhizome of posthumanism, analysis of the posthuman narrative embodiments in selected contemporary Anglophone science fiction, it investigates Ursula K. Le Guin’s The Left Hand of Darkness (1969), Ian Watson’s The Jonah Kit (1975), Iain Banks’ The Bridge (1986) and Richard Powers’ Galatea 2.2 (1995) as exemplifying various aspects of posthuman becoming-other. The book shows that, in the reactive logic of nihilism, the becoming-other posthuman, rather than posing a threat, proves to be the companion and savior of human beings, whose apocalyptic sacrifice brings back the all-too-human humanity to the chaotic world of presence.
The Cambridge Companion to Literature and the Posthuman
Author: Bruce Clarke
Publisher: Cambridge University Press
ISBN: 1107086205
Category : Education
Languages : en
Pages : 273
Book Description
This book gathers diverse critical treatments from fifteen scholars of the posthuman and posthumanism together in a single volume.
Publisher: Cambridge University Press
ISBN: 1107086205
Category : Education
Languages : en
Pages : 273
Book Description
This book gathers diverse critical treatments from fifteen scholars of the posthuman and posthumanism together in a single volume.
Posthumanism in Young Adult Fiction
Author: Anita Tarr
Publisher: Univ. Press of Mississippi
ISBN: 1496816706
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
Contributions by Torsten Caeners, Phoebe Chen, Mathieu Donner, Shannon Hervey, Angela S. Insenga, Patricia Kennon, Maryna Matlock, Ferne Merrylees, Lars Schmeink, Anita Tarr, Tony M. Vinci, and Donna R. White For centuries, humanism has provided a paradigm for what it means to be human: a rational, unique, unified, universal, autonomous being. Recently, however, a new philosophical approach, posthumanism, has questioned these assumptions, asserting that being human is not a fixed state but one always dynamic and evolving. Restrictive boundaries are no longer in play, and we do not define who we are by delineating what we are not (animal, machine, monster). There is no one aspect that makes a being human—self-awareness, emotion, artistic expression, or problem-solving—since human characteristics reside in other species along with shared DNA. Instead, posthumanism looks at the ways our bodies, intelligence, and behavior connect and interact with the environment, technology, and other species. In Posthumanism in Young Adult Fiction: Finding Humanity in a Posthuman World, editors Anita Tarr and Donna R. White collect twelve essays that explore this new discipline's relevance in young adult literature. Adolescents often tangle with many issues raised by posthumanist theory, such as body issues. The in-betweenness of adolescence makes stories for young adults ripe for posthumanist study. Contributors to the volume explore ideas of posthumanism, including democratization of power, body enhancements, hybridity, multiplicity/plurality, and the environment, by analyzing recent works for young adults, including award-winners like Paolo Bacigalupi's Ship Breaker and Nancy Farmer's The House of the Scorpion, as well as the works of Octavia Butler and China Miéville.
Publisher: Univ. Press of Mississippi
ISBN: 1496816706
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
Contributions by Torsten Caeners, Phoebe Chen, Mathieu Donner, Shannon Hervey, Angela S. Insenga, Patricia Kennon, Maryna Matlock, Ferne Merrylees, Lars Schmeink, Anita Tarr, Tony M. Vinci, and Donna R. White For centuries, humanism has provided a paradigm for what it means to be human: a rational, unique, unified, universal, autonomous being. Recently, however, a new philosophical approach, posthumanism, has questioned these assumptions, asserting that being human is not a fixed state but one always dynamic and evolving. Restrictive boundaries are no longer in play, and we do not define who we are by delineating what we are not (animal, machine, monster). There is no one aspect that makes a being human—self-awareness, emotion, artistic expression, or problem-solving—since human characteristics reside in other species along with shared DNA. Instead, posthumanism looks at the ways our bodies, intelligence, and behavior connect and interact with the environment, technology, and other species. In Posthumanism in Young Adult Fiction: Finding Humanity in a Posthuman World, editors Anita Tarr and Donna R. White collect twelve essays that explore this new discipline's relevance in young adult literature. Adolescents often tangle with many issues raised by posthumanist theory, such as body issues. The in-betweenness of adolescence makes stories for young adults ripe for posthumanist study. Contributors to the volume explore ideas of posthumanism, including democratization of power, body enhancements, hybridity, multiplicity/plurality, and the environment, by analyzing recent works for young adults, including award-winners like Paolo Bacigalupi's Ship Breaker and Nancy Farmer's The House of the Scorpion, as well as the works of Octavia Butler and China Miéville.
Alien Chic
Author: Neil Badmington
Publisher: Psychology Press
ISBN: 9780415310239
Category : Body, Mind & Spirit
Languages : en
Pages : 230
Book Description
From The War of the Worlds, Mars Attacks!, Mission to Mars and Independence Day; Neil Badmington explores our relationship with aliens and how thinkers such as Descartes, Barthes, Freud, Lyotard and Derrida have conceptualised what it means to be human (and post-human).
Publisher: Psychology Press
ISBN: 9780415310239
Category : Body, Mind & Spirit
Languages : en
Pages : 230
Book Description
From The War of the Worlds, Mars Attacks!, Mission to Mars and Independence Day; Neil Badmington explores our relationship with aliens and how thinkers such as Descartes, Barthes, Freud, Lyotard and Derrida have conceptualised what it means to be human (and post-human).
Posthuman Capital and Biotechnology in Contemporary Novels
Author: Justin Omar Johnston
Publisher: Springer Nature
ISBN: 303026257X
Category : Fiction
Languages : en
Pages : 193
Book Description
This book examines several distinctive literary figurations of posthuman embodiment as they proliferate across a range of internationally acclaimed contemporary novels: clones in Kazuo Ishiguro’s Never Let Me Go, animal-human hybrids in Margaret Atwood’s Oryx and Crake, toxic bodies in Indra Sinha’s Animal’s People, and cyborgs in Jeanette Winterson’s The Stone Gods. While these works explore the transformational power of the “biotech century,” they also foreground the key role human capital theory has played in framing human belonging as an aspirational category that is always and structurally just out of reach, making contemporary subjects never-human-enough. In these novels, the dystopian character of human capital theory is linked to fantasies of apocalyptic release. As such, these novels help expose how two interconnected genres of futurity (the dystopian and the apocalyptic) work in tandem to propel each other forward so that fears of global disaster become alibis for dystopian control, which, in turn, becomes the predicate for intensifying catastrophes. In analyzing these novels, Justin Omar Johnston draws attention to the entanglement of bodies in technological environments, economic networks, and deteriorating ecological settings.
Publisher: Springer Nature
ISBN: 303026257X
Category : Fiction
Languages : en
Pages : 193
Book Description
This book examines several distinctive literary figurations of posthuman embodiment as they proliferate across a range of internationally acclaimed contemporary novels: clones in Kazuo Ishiguro’s Never Let Me Go, animal-human hybrids in Margaret Atwood’s Oryx and Crake, toxic bodies in Indra Sinha’s Animal’s People, and cyborgs in Jeanette Winterson’s The Stone Gods. While these works explore the transformational power of the “biotech century,” they also foreground the key role human capital theory has played in framing human belonging as an aspirational category that is always and structurally just out of reach, making contemporary subjects never-human-enough. In these novels, the dystopian character of human capital theory is linked to fantasies of apocalyptic release. As such, these novels help expose how two interconnected genres of futurity (the dystopian and the apocalyptic) work in tandem to propel each other forward so that fears of global disaster become alibis for dystopian control, which, in turn, becomes the predicate for intensifying catastrophes. In analyzing these novels, Justin Omar Johnston draws attention to the entanglement of bodies in technological environments, economic networks, and deteriorating ecological settings.
The Oxford Handbook of Science Fiction
Author: Rob Latham
Publisher: Oxford University Press
ISBN: 0199838852
Category : Literary Criticism
Languages : en
Pages : 641
Book Description
The excitement of possible futures found in science fiction has long fired the human imagination, but the genre's acceptance by academe is relatively recent. No longer marginalized and fighting for respectability, science-fictional works are now studied alongside more traditional art forms. Tracing the capacious genre's birth, evolution, and impact across nations, time periods, subgenres, and media, The Oxford Handbook of Science Fiction offers an in-depth, comprehensive assessment of this robust area of scholarly inquiry and considers the future directions that will dictate the terms of the scholarly discourse. The Handbook begins with a focus on questions of genre, covering topics such as critical history, keywords, narrative, the fantastic, and fandom. A subsequent section on media engages with film, television, comics, architecture, music, video games, and more. The genre's role in the convergence of art and everyday life animates a third section, which addresses topics such as UFOs,
Publisher: Oxford University Press
ISBN: 0199838852
Category : Literary Criticism
Languages : en
Pages : 641
Book Description
The excitement of possible futures found in science fiction has long fired the human imagination, but the genre's acceptance by academe is relatively recent. No longer marginalized and fighting for respectability, science-fictional works are now studied alongside more traditional art forms. Tracing the capacious genre's birth, evolution, and impact across nations, time periods, subgenres, and media, The Oxford Handbook of Science Fiction offers an in-depth, comprehensive assessment of this robust area of scholarly inquiry and considers the future directions that will dictate the terms of the scholarly discourse. The Handbook begins with a focus on questions of genre, covering topics such as critical history, keywords, narrative, the fantastic, and fandom. A subsequent section on media engages with film, television, comics, architecture, music, video games, and more. The genre's role in the convergence of art and everyday life animates a third section, which addresses topics such as UFOs,
War on the Human
Author: Konstantinos Blatanis
Publisher: Cambridge Scholars Publishing
ISBN: 1443893781
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
The essays in this collection explore the question of the human, both as a contested concept and as it relates to, and functions within, the wider global conjuncture. The authors explore the theoretical underpinnings of the term “human,” inviting the reader to reflect upon the contemporary human condition, to identify opportunities and threats in the changes ahead, and to determine what aspects of our species we should abandon or strive to maintain. The volume approaches these ideas from a myriad of perspectives, but the authors are united in their abstention from rejecting humanism outright or, indeed, fully endorsing posthumanism‘s teleological narrative of accelerated progress and perfectability. Instead, the authors argue that the term “human” itself is better understood as a concept perpetually undergoing revision, and is necessarily subject to scrutiny. The contributors here are thus concerned with investigating the following questions: What does it mean to be human, or to have a self? What is the current place or status of the human in the contemporary world? As technology is increasingly used to modify our bodies and minds, to what extent should we alter – and how can we improve – our very understanding of human nature? The authors contend that literature is the art form best placed to answer these questions. In its dynamism and discursiveness, literature has the capacity to both reflect dominant discourses and ideologies, as well as to generate and even anticipate social change; to critique and refine conventional ideas and existing cultural modes, and to envision new possibilities for the future. The human and its literary representation, in other words, are inherently intertwined.
Publisher: Cambridge Scholars Publishing
ISBN: 1443893781
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
The essays in this collection explore the question of the human, both as a contested concept and as it relates to, and functions within, the wider global conjuncture. The authors explore the theoretical underpinnings of the term “human,” inviting the reader to reflect upon the contemporary human condition, to identify opportunities and threats in the changes ahead, and to determine what aspects of our species we should abandon or strive to maintain. The volume approaches these ideas from a myriad of perspectives, but the authors are united in their abstention from rejecting humanism outright or, indeed, fully endorsing posthumanism‘s teleological narrative of accelerated progress and perfectability. Instead, the authors argue that the term “human” itself is better understood as a concept perpetually undergoing revision, and is necessarily subject to scrutiny. The contributors here are thus concerned with investigating the following questions: What does it mean to be human, or to have a self? What is the current place or status of the human in the contemporary world? As technology is increasingly used to modify our bodies and minds, to what extent should we alter – and how can we improve – our very understanding of human nature? The authors contend that literature is the art form best placed to answer these questions. In its dynamism and discursiveness, literature has the capacity to both reflect dominant discourses and ideologies, as well as to generate and even anticipate social change; to critique and refine conventional ideas and existing cultural modes, and to envision new possibilities for the future. The human and its literary representation, in other words, are inherently intertwined.
Transhumanism and Posthumanism in Twenty-First Century Narrative
Author: Sonia Baelo-Allué
Publisher: Routledge
ISBN: 1000374017
Category : Literary Criticism
Languages : en
Pages : 335
Book Description
Transhumanism and Posthumanism in Twenty-First Century Narrative brings together fifteen scholars from five different countries to explore the different ways in which the posthuman has been addressed in contemporary culture and more specifically in key narratives, written in the second decade of the 21st century, by Dave Eggers, William Gibson, John Shirley, Tom McCarthy, Jeff Vandermeer, Don DeLillo, Margaret Atwood, Cixin Liu and Helen Marshall. Some of these works engage in the premises and perils of transhumanism, while others explore the qualities of the (post)human in a variety of dystopian futures marked by the planetary influence of human action. From a critical posthumanist perspective that questions anthropocentrism, human exceptionalism and the centrality of the ‘human’ subject in the era of the Anthropocene, the scholars in this collection analyse the aesthetic choices these authors make to depict the posthuman and its aftereffects.
Publisher: Routledge
ISBN: 1000374017
Category : Literary Criticism
Languages : en
Pages : 335
Book Description
Transhumanism and Posthumanism in Twenty-First Century Narrative brings together fifteen scholars from five different countries to explore the different ways in which the posthuman has been addressed in contemporary culture and more specifically in key narratives, written in the second decade of the 21st century, by Dave Eggers, William Gibson, John Shirley, Tom McCarthy, Jeff Vandermeer, Don DeLillo, Margaret Atwood, Cixin Liu and Helen Marshall. Some of these works engage in the premises and perils of transhumanism, while others explore the qualities of the (post)human in a variety of dystopian futures marked by the planetary influence of human action. From a critical posthumanist perspective that questions anthropocentrism, human exceptionalism and the centrality of the ‘human’ subject in the era of the Anthropocene, the scholars in this collection analyse the aesthetic choices these authors make to depict the posthuman and its aftereffects.
The Way Spring Arrives and Other Stories
Author: Yu Chen
Publisher: Tordotcom
ISBN: 1250768934
Category : Fiction
Languages : en
Pages : 331
Book Description
An Oprah Daily Top 25 Fantasy Book of 2022 From an award-winning team of authors, editors, and translators comes a groundbreaking short story collection that explores the expanse of Chinese science fiction and fantasy. In The Way Spring Arrives and Other Stories, you can dine at a restaurant at the end of the universe, cultivate to immortality in the high mountains, watch roses perform Shakespeare, or arrive at the island of the gods on the backs of giant fish to ensure that the world can bloom. Written, edited, and translated by a female and nonbinary team, these stories have never before been published in English and represent both the richly complicated past and the vivid future of Chinese science fiction and fantasy. Time travel to a winter's day on the West Lake, explore the very boundaries of death itself, and meet old gods and new heroes in this stunning new collection. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Publisher: Tordotcom
ISBN: 1250768934
Category : Fiction
Languages : en
Pages : 331
Book Description
An Oprah Daily Top 25 Fantasy Book of 2022 From an award-winning team of authors, editors, and translators comes a groundbreaking short story collection that explores the expanse of Chinese science fiction and fantasy. In The Way Spring Arrives and Other Stories, you can dine at a restaurant at the end of the universe, cultivate to immortality in the high mountains, watch roses perform Shakespeare, or arrive at the island of the gods on the backs of giant fish to ensure that the world can bloom. Written, edited, and translated by a female and nonbinary team, these stories have never before been published in English and represent both the richly complicated past and the vivid future of Chinese science fiction and fantasy. Time travel to a winter's day on the West Lake, explore the very boundaries of death itself, and meet old gods and new heroes in this stunning new collection. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Philosophical Posthumanism
Author: Francesca Ferrando
Publisher: Bloomsbury Publishing
ISBN: 1350059498
Category : Philosophy
Languages : en
Pages : 291
Book Description
The notion of 'the human' is in need of urgent redefinition. At a time of radical bio-technological developments, and in light of the political and environmental imperatives of our age, the term 'posthuman' provides an alternative. The philosophical landscape which has developed as a response to the crisis of the human, includes several movements, such as: Posthumanism, Transhumanism, Antihumanism and Object Oriented Ontology. This book explains the similarities and differences between these currents and offers a detailed examination of a number of topics that fall under the “posthuman” umbrella, including the anthropocene, artificial intelligence and the deconstruction of the human. Francesca Ferrando affords particular focus to Philosophical Posthumanism, defined as a philosophy of mediation which addresses the meaning of humanity not in separation, but in relation to technology and ecology. The posthuman shift thus emerges in the global call for social change, responsible science and multispecies coexistence.
Publisher: Bloomsbury Publishing
ISBN: 1350059498
Category : Philosophy
Languages : en
Pages : 291
Book Description
The notion of 'the human' is in need of urgent redefinition. At a time of radical bio-technological developments, and in light of the political and environmental imperatives of our age, the term 'posthuman' provides an alternative. The philosophical landscape which has developed as a response to the crisis of the human, includes several movements, such as: Posthumanism, Transhumanism, Antihumanism and Object Oriented Ontology. This book explains the similarities and differences between these currents and offers a detailed examination of a number of topics that fall under the “posthuman” umbrella, including the anthropocene, artificial intelligence and the deconstruction of the human. Francesca Ferrando affords particular focus to Philosophical Posthumanism, defined as a philosophy of mediation which addresses the meaning of humanity not in separation, but in relation to technology and ecology. The posthuman shift thus emerges in the global call for social change, responsible science and multispecies coexistence.