Author: Mary Douglas Vavrus
Publisher: State University of New York Press
ISBN: 0791488349
Category : Social Science
Languages : en
Pages : 238
Book Description
Winner of the 2003 Diamond Anniversary Book Award presented by the National Communication Association In the media-saturated decade of the 1990s, news reports shaped public sentiment about women in electoral politics and beyond. Mary Douglas Vavrus explores the process of representing political women in media, and argues that contemporary news accounts promote a postfeminist politics that encourages women's private, consumer lifestyles and middle-class aspirations, while it discourages public life and political activism. The author discusses the Anita Hill-Clarence Thomas hearings of 1991, the 1991–92 "Year of the Woman" in politics, the 1996 presidential campaign's use of "soccer moms," and Hillary Rodham Clinton's campaign for Senate in 2000. Vavrus assesses the logic that emerges in these narratives' recurrent themes about gender and explores their significance for women and for feminism, ultimately arguing that feminism has been supplanted by postfeminism in news accounts of political women.
Postfeminist News
Author: Mary Douglas Vavrus
Publisher: State University of New York Press
ISBN: 0791488349
Category : Social Science
Languages : en
Pages : 238
Book Description
Winner of the 2003 Diamond Anniversary Book Award presented by the National Communication Association In the media-saturated decade of the 1990s, news reports shaped public sentiment about women in electoral politics and beyond. Mary Douglas Vavrus explores the process of representing political women in media, and argues that contemporary news accounts promote a postfeminist politics that encourages women's private, consumer lifestyles and middle-class aspirations, while it discourages public life and political activism. The author discusses the Anita Hill-Clarence Thomas hearings of 1991, the 1991–92 "Year of the Woman" in politics, the 1996 presidential campaign's use of "soccer moms," and Hillary Rodham Clinton's campaign for Senate in 2000. Vavrus assesses the logic that emerges in these narratives' recurrent themes about gender and explores their significance for women and for feminism, ultimately arguing that feminism has been supplanted by postfeminism in news accounts of political women.
Publisher: State University of New York Press
ISBN: 0791488349
Category : Social Science
Languages : en
Pages : 238
Book Description
Winner of the 2003 Diamond Anniversary Book Award presented by the National Communication Association In the media-saturated decade of the 1990s, news reports shaped public sentiment about women in electoral politics and beyond. Mary Douglas Vavrus explores the process of representing political women in media, and argues that contemporary news accounts promote a postfeminist politics that encourages women's private, consumer lifestyles and middle-class aspirations, while it discourages public life and political activism. The author discusses the Anita Hill-Clarence Thomas hearings of 1991, the 1991–92 "Year of the Woman" in politics, the 1996 presidential campaign's use of "soccer moms," and Hillary Rodham Clinton's campaign for Senate in 2000. Vavrus assesses the logic that emerges in these narratives' recurrent themes about gender and explores their significance for women and for feminism, ultimately arguing that feminism has been supplanted by postfeminism in news accounts of political women.
Taking a Stand in a Postfeminist World
Author: Frances E. Mascia-Lees
Publisher: SUNY Press
ISBN: 9780791447161
Category : Social Science
Languages : en
Pages : 260
Book Description
Ranging across contemporary culture from the academy to shopping malls, this book offers engaged cultural criticism in a postfeminist context.
Publisher: SUNY Press
ISBN: 9780791447161
Category : Social Science
Languages : en
Pages : 260
Book Description
Ranging across contemporary culture from the academy to shopping malls, this book offers engaged cultural criticism in a postfeminist context.
Woman President
Author: Kristina Horn Sheeler
Publisher: Texas A&M University Press
ISBN: 1623490103
Category : Political Science
Languages : en
Pages : 372
Book Description
What elements of American political and rhetorical culture block the imagining—and thus, the electing—of a woman as president? Examining both major-party and third-party campaigns by women, including the 2008 campaigns of Hillary Clinton and Sarah Palin, the authors of Woman President: Confronting Postfeminist Political Culture identify the factors that limit electoral possibilities for women. Pundits have been predicting women’s political ascendency for years. And yet, although the 2008 presidential campaign featured Hillary Clinton as an early frontrunner for the Democratic presidential nomination and Sarah Palin as the first female Republican vice-presidential nominee, no woman has yet held either of the top two offices. The reasons for this are complex and varied, but the authors assert that the question certainly encompasses more than the shortcomings of women candidates or the demands of the particular political moment. Instead, the authors identify a pernicious backlash against women presidential candidates—one that is expressed in both political and popular culture. In Woman President: Confronting Postfeminist Political Culture, Kristina Horn Sheeler and Karrin Vasby Anderson provide a discussion of US presidentiality as a unique rhetorical role. Within that framework, they review women’s historical and contemporary presidential bids, placing special emphasis on the 2008 campaign. They also consider how presidentiality is framed in candidate oratory, campaign journalism, film and television, digital media, and political parody.
Publisher: Texas A&M University Press
ISBN: 1623490103
Category : Political Science
Languages : en
Pages : 372
Book Description
What elements of American political and rhetorical culture block the imagining—and thus, the electing—of a woman as president? Examining both major-party and third-party campaigns by women, including the 2008 campaigns of Hillary Clinton and Sarah Palin, the authors of Woman President: Confronting Postfeminist Political Culture identify the factors that limit electoral possibilities for women. Pundits have been predicting women’s political ascendency for years. And yet, although the 2008 presidential campaign featured Hillary Clinton as an early frontrunner for the Democratic presidential nomination and Sarah Palin as the first female Republican vice-presidential nominee, no woman has yet held either of the top two offices. The reasons for this are complex and varied, but the authors assert that the question certainly encompasses more than the shortcomings of women candidates or the demands of the particular political moment. Instead, the authors identify a pernicious backlash against women presidential candidates—one that is expressed in both political and popular culture. In Woman President: Confronting Postfeminist Political Culture, Kristina Horn Sheeler and Karrin Vasby Anderson provide a discussion of US presidentiality as a unique rhetorical role. Within that framework, they review women’s historical and contemporary presidential bids, placing special emphasis on the 2008 campaign. They also consider how presidentiality is framed in candidate oratory, campaign journalism, film and television, digital media, and political parody.
Postfeminist War
Author: Mary Douglas Vavrus
Publisher: Rutgers University Press
ISBN: 0813576814
Category : History
Languages : en
Pages : 248
Book Description
By examining news and documentary media produced since September 11, 2001, Vavrus demonstrates that news narratives that include women use feminism selectively in gender equality narratives. She ultimately asserts that such reporting advances post-feminism, which, in tandem with banal militarism, subtly pushes military solutions for an array of problems women and girls face.
Publisher: Rutgers University Press
ISBN: 0813576814
Category : History
Languages : en
Pages : 248
Book Description
By examining news and documentary media produced since September 11, 2001, Vavrus demonstrates that news narratives that include women use feminism selectively in gender equality narratives. She ultimately asserts that such reporting advances post-feminism, which, in tandem with banal militarism, subtly pushes military solutions for an array of problems women and girls face.
Fashioning Postfeminism
Author: Simidele Dosekun
Publisher: University of Illinois Press
ISBN: 0252052099
Category : Social Science
Languages : en
Pages : 292
Book Description
Women in Lagos, Nigeria, practice a spectacularly feminine form of black beauty. From cascading hair extensions to immaculate makeup to high heels, their style permeates both day-to-day life and media representations of women not only in a swatch of Africa but across an increasingly globalized world. Simidele Dosekun's interviews and critical analysis consider the female subjectivities these women are performing and desiring. She finds that the women embody the postfeminist idea that their unapologetically immaculate beauty signals—but also constitutes—feminine power. As empowered global consumers and media citizens, the women deny any need to critique their culture or to take part in feminism's collective political struggle. Throughout, Dosekun unearths evocative details around the practical challenges to attaining their style, examines the gap between how others view these women and how they view themselves, and engages with ideas about postfeminist self-fashioning and subjectivity across cultures and class. Intellectually provocative and rich with theory, Fashioning Postfeminism reveals why women choose to live, embody, and even suffer for a fascinating performative culture.
Publisher: University of Illinois Press
ISBN: 0252052099
Category : Social Science
Languages : en
Pages : 292
Book Description
Women in Lagos, Nigeria, practice a spectacularly feminine form of black beauty. From cascading hair extensions to immaculate makeup to high heels, their style permeates both day-to-day life and media representations of women not only in a swatch of Africa but across an increasingly globalized world. Simidele Dosekun's interviews and critical analysis consider the female subjectivities these women are performing and desiring. She finds that the women embody the postfeminist idea that their unapologetically immaculate beauty signals—but also constitutes—feminine power. As empowered global consumers and media citizens, the women deny any need to critique their culture or to take part in feminism's collective political struggle. Throughout, Dosekun unearths evocative details around the practical challenges to attaining their style, examines the gap between how others view these women and how they view themselves, and engages with ideas about postfeminist self-fashioning and subjectivity across cultures and class. Intellectually provocative and rich with theory, Fashioning Postfeminism reveals why women choose to live, embody, and even suffer for a fascinating performative culture.
Postfeminist War
Author: Mary Douglas Vavrus
Publisher: Rutgers University Press
ISBN: 9780813576824
Category : Social Science
Languages : en
Pages : 0
Book Description
Media representations and practices that have emerged out of contemporary wars have been well documented by a wide array of books and articles. These treatments, however, have been less attentive to how cultural constructions of military personnel and war itself figure in the depiction of the incursions in Iraq and Afghanistan. In Post-Feminist War, Mary Douglas Vavrus argues that all of these identity categories are integral to our understanding of those fighting, saved, or victimized by war. She considers two important questions: how the construction of gender, race, and class in media are productive of régimes of truth regarding war and military life, and how such constructions may also intensify militarism. By examining news and documentary media produced since September 11, 2001, Vavrus demonstrates that news narratives that include women use feminism selectively in gender equality narratives, which tend to reinforce historically resonant gender, race, and class identity constructions. She ultimately asserts that such reporting advances post-feminism, which, in tandem with banal militarism, subtly pushes military solutions for an array of problems women and girls face.
Publisher: Rutgers University Press
ISBN: 9780813576824
Category : Social Science
Languages : en
Pages : 0
Book Description
Media representations and practices that have emerged out of contemporary wars have been well documented by a wide array of books and articles. These treatments, however, have been less attentive to how cultural constructions of military personnel and war itself figure in the depiction of the incursions in Iraq and Afghanistan. In Post-Feminist War, Mary Douglas Vavrus argues that all of these identity categories are integral to our understanding of those fighting, saved, or victimized by war. She considers two important questions: how the construction of gender, race, and class in media are productive of régimes of truth regarding war and military life, and how such constructions may also intensify militarism. By examining news and documentary media produced since September 11, 2001, Vavrus demonstrates that news narratives that include women use feminism selectively in gender equality narratives, which tend to reinforce historically resonant gender, race, and class identity constructions. She ultimately asserts that such reporting advances post-feminism, which, in tandem with banal militarism, subtly pushes military solutions for an array of problems women and girls face.
Women in Neoliberal Postfeminist Television Drama
Author: Cat Mahoney
Publisher: Springer Nature
ISBN: 3030304493
Category : Social Science
Languages : en
Pages : 140
Book Description
“In this insightful book, Cat Mahoney offers a fascinating analysis of contemporary TV dramas such as Home Fires, Land Girls and The Bletchley Circle. Developing the idea that history is told through the preoccupations of the present, she argues compellingly that these are postfeminist dramas which work through troubling ideas about heteronormative romance, domesticity, beauty and whiteness, while reinforcing the idea that feminism as a political movement is not necessary. A bold and original contribution to television studies, gender studies and popular history.” ̶ Rosalind Gill, City, University of London, UK By examining contemporary television drama set during and immediately after the Second World War, this book illustrates the ways in which postfeminism has shaped representations of women in contemporary culture. Mahoney offers a new perspective to debates that have previously been concerned with questions of historical accuracy. She argues that depictions of women from the past in modern television drama spawn from the neoliberal postfeminist media climate which originated in the 1990s. These depictions respond to a cultural need to naturalise and de-historicise a version of neoliberal postfeminist femininity that is compatible with the current media climate and far more reflective of the concerns of the present than any “real” or lived experience of women in the past. The result of this process of naturalisation is the assertion that postfeminist values are natural and eternal, rather than a product of the 1980s economic turn and the present political moment. By identifying and interrogating postfeminist norms within four television drama series produced since the 2008 financial crash, this book argues that postfeminism is a dominant structuring force in their depiction of female characters and of the past.
Publisher: Springer Nature
ISBN: 3030304493
Category : Social Science
Languages : en
Pages : 140
Book Description
“In this insightful book, Cat Mahoney offers a fascinating analysis of contemporary TV dramas such as Home Fires, Land Girls and The Bletchley Circle. Developing the idea that history is told through the preoccupations of the present, she argues compellingly that these are postfeminist dramas which work through troubling ideas about heteronormative romance, domesticity, beauty and whiteness, while reinforcing the idea that feminism as a political movement is not necessary. A bold and original contribution to television studies, gender studies and popular history.” ̶ Rosalind Gill, City, University of London, UK By examining contemporary television drama set during and immediately after the Second World War, this book illustrates the ways in which postfeminism has shaped representations of women in contemporary culture. Mahoney offers a new perspective to debates that have previously been concerned with questions of historical accuracy. She argues that depictions of women from the past in modern television drama spawn from the neoliberal postfeminist media climate which originated in the 1990s. These depictions respond to a cultural need to naturalise and de-historicise a version of neoliberal postfeminist femininity that is compatible with the current media climate and far more reflective of the concerns of the present than any “real” or lived experience of women in the past. The result of this process of naturalisation is the assertion that postfeminist values are natural and eternal, rather than a product of the 1980s economic turn and the present political moment. By identifying and interrogating postfeminist norms within four television drama series produced since the 2008 financial crash, this book argues that postfeminism is a dominant structuring force in their depiction of female characters and of the past.
Interrogating Postfeminism
Author: Yvonne Tasker
Publisher: Duke University Press
ISBN: 9780822340324
Category : Social Science
Languages : en
Pages : 364
Book Description
DIVFeminist essays examining postfeminism in American and British popular culture./div
Publisher: Duke University Press
ISBN: 9780822340324
Category : Social Science
Languages : en
Pages : 364
Book Description
DIVFeminist essays examining postfeminism in American and British popular culture./div
Postfeminist Education?
Author: Jessica Ringrose
Publisher: Routledge
ISBN: 0415557488
Category : Education
Languages : en
Pages : 202
Book Description
Using feminist post-structuralist and Foucaldian frameworks, this book explores and critiques how educational discourses have directly contributed to post-feminist notions about female power and success.
Publisher: Routledge
ISBN: 0415557488
Category : Education
Languages : en
Pages : 202
Book Description
Using feminist post-structuralist and Foucaldian frameworks, this book explores and critiques how educational discourses have directly contributed to post-feminist notions about female power and success.
Postfeminism in Context
Author: Margaret Henderson
Publisher: Routledge
ISBN: 1351717642
Category : Social Science
Languages : en
Pages : 353
Book Description
Postfeminism in Context studies the representation of women in Australian popular culture over the past three decades to locate postfeminism in a specific time and place. Margaret Henderson and Anthea Taylor argue that ‘postfeminism’, as a critical term, has been too often deployed in ways that fail to account for historical and cultural specificity. This book analyses Australian popular culture – chick lit novels; ‘dramedy’ television shows; women’s magazines; YouTube beauty vlogs; self-help manuals; and newspapers – to reveal the tensions, contradictions and ambiguities that have always been constitutive of postfeminism, including in Australia. Examining how these popular forms intervene in dominant conversations about contemporary Australian femininities, Postfeminism in Context maps the ways in which various aspects of Australia’s history and national identity have shaped its postfeminism. While Henderson and Taylor identify some of the limited postfeminist tropes and patterns of representation evident in comparable locales, they also find that Australian popular culture has responded to feminism in a much more hopeful way. Adding some much-needed cultural specificity to the ongoing debate around this loaded term, Postfeminism in Context is essential reading for those interested in Australian popular culture, feminism, and the gendered politics of representation.
Publisher: Routledge
ISBN: 1351717642
Category : Social Science
Languages : en
Pages : 353
Book Description
Postfeminism in Context studies the representation of women in Australian popular culture over the past three decades to locate postfeminism in a specific time and place. Margaret Henderson and Anthea Taylor argue that ‘postfeminism’, as a critical term, has been too often deployed in ways that fail to account for historical and cultural specificity. This book analyses Australian popular culture – chick lit novels; ‘dramedy’ television shows; women’s magazines; YouTube beauty vlogs; self-help manuals; and newspapers – to reveal the tensions, contradictions and ambiguities that have always been constitutive of postfeminism, including in Australia. Examining how these popular forms intervene in dominant conversations about contemporary Australian femininities, Postfeminism in Context maps the ways in which various aspects of Australia’s history and national identity have shaped its postfeminism. While Henderson and Taylor identify some of the limited postfeminist tropes and patterns of representation evident in comparable locales, they also find that Australian popular culture has responded to feminism in a much more hopeful way. Adding some much-needed cultural specificity to the ongoing debate around this loaded term, Postfeminism in Context is essential reading for those interested in Australian popular culture, feminism, and the gendered politics of representation.