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Author: Ashis Sengupta
Publisher: Bloomsbury Publishing
ISBN: 1350154091
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
This book revisits Hans-Thies Lehmann's theory of the postdramatic and participates in the ongoing debate on the theatre paradigm by placing contemporary Indian performance within it. None of the Indian theatre-makers under study built their works directly on the Euro-American model of postdramatic theatre, but many have used its vocabulary and apparatus in innovative, transnational ways. Their principal aim was to invigorate the language of Indian urban theatre, which had turned stale under the stronghold of realism inherited from colonial stage practice or prescriptive under the decolonizing drive of the 'theatre of roots' movement after independence. Emerging out of a set of different historical and cultural contexts, their productions have eventually expanded and diversified the postdramatic framework by crosspollinating it with regional performance forms. Theatre in India today includes devised performance, storytelling across forms, theatre solos, cross-media performance, theatre installations, scenographic theatre, theatre-as-event, reality theatre, and so on. The book balances theory, context and praxis, developing a new area of scholarship in Indian theatre. Interspersed throughout are Indian theatre-makers' clarifications of their own practices vis-à-vis those in Europe and the US.
Author: Ashis Sengupta
Publisher: Bloomsbury Publishing
ISBN: 1350154091
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
This book revisits Hans-Thies Lehmann's theory of the postdramatic and participates in the ongoing debate on the theatre paradigm by placing contemporary Indian performance within it. None of the Indian theatre-makers under study built their works directly on the Euro-American model of postdramatic theatre, but many have used its vocabulary and apparatus in innovative, transnational ways. Their principal aim was to invigorate the language of Indian urban theatre, which had turned stale under the stronghold of realism inherited from colonial stage practice or prescriptive under the decolonizing drive of the 'theatre of roots' movement after independence. Emerging out of a set of different historical and cultural contexts, their productions have eventually expanded and diversified the postdramatic framework by crosspollinating it with regional performance forms. Theatre in India today includes devised performance, storytelling across forms, theatre solos, cross-media performance, theatre installations, scenographic theatre, theatre-as-event, reality theatre, and so on. The book balances theory, context and praxis, developing a new area of scholarship in Indian theatre. Interspersed throughout are Indian theatre-makers' clarifications of their own practices vis-à-vis those in Europe and the US.
Author: Ashis Sengupta
Publisher: Bloomsbury Publishing
ISBN: 1350154105
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
This book revisits Hans-Thies Lehmann's theory of the postdramatic and participates in the ongoing debate on the theatre paradigm by placing contemporary Indian performance within it. None of the Indian theatre-makers under study built their works directly on the Euro-American model of postdramatic theatre, but many have used its vocabulary and apparatus in innovative, transnational ways. Their principal aim was to invigorate the language of Indian urban theatre, which had turned stale under the stronghold of realism inherited from colonial stage practice or prescriptive under the decolonizing drive of the 'theatre of roots' movement after independence. Emerging out of a set of different historical and cultural contexts, their productions have eventually expanded and diversified the postdramatic framework by crosspollinating it with regional performance forms. Theatre in India today includes devised performance, storytelling across forms, theatre solos, cross-media performance, theatre installations, scenographic theatre, theatre-as-event, reality theatre, and so on. The book balances theory, context and praxis, developing a new area of scholarship in Indian theatre. Interspersed throughout are Indian theatre-makers' clarifications of their own practices vis-à-vis those in Europe and the US.
Author: Aparna Bhargava Dharwadker
Publisher: University of Iowa Press
ISBN: 158729642X
Category : Drama
Languages : en
Pages : 505
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Book Description
Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.
Author: Dr. Pinaki Ranjan Das
Publisher: Partridge Publishing
ISBN: 1543707688
Category : Social Science
Languages : en
Pages : 232
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Book Description
In an age where academic curriculum has essentially pushed theatre studies into ‘post-script’, and the cultural ‘space’ of making and watching theatre has been largely usurped by the immense popularity of television and ‘mainstream’ cinemas, it is important to understand why theatre still remains a ‘space’ to be reckoned as one’s ‘own’. This book argues for a ‘theatre’ of ‘their own’ of the Indian women playwrights (and directors), and explores the possibilities that modern Indian theatre can provide as an instrument of subjective as well as social/ political/ cultural articulations and at the same time analyses the course of Indian theatre which gradually underwent broadening of thematic and dramaturgic scope in order to accommodate the independent voices of the women playwrights and directors.
Author: Farley P. Richmond
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120809819
Category : Folklore
Languages : en
Pages : 518
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Book Description
Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.
Author: Vikram Singh Thakur
Publisher: Bloomsbury Publishing
ISBN: 9389812658
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
This book looks at adaptations, translations and performance of Shakespeare's productions in India from the mid-18th century, when British officers in India staged Shakespeare's plays along with other English playwrights for entertainment, through various Indian adaptations of his plays during the colonial period to post-Independence period. It studies Shakespeare in Bengali and Parsi theatre at length. Other theatre traditions, such as Marathi, Kannada, Malayalam and Hindi, have been included. The book dwells on the fascinating story of the languages of India that have absorbed Shakespeare's work and have transformed the original educated Indian's Shakespeare into the popular Shakespeare practice of the 19th and 20th centuries, and the unique urban-folkish tradition in postcolonial India.
Author: Dr. Prateek
Publisher: Routledge
ISBN: 1000222497
Category : Performing Arts
Languages : en
Pages : 299
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Book Description
Brecht in India analyses the dramaturgy and theatrical practices of the German playwright Bertolt Brecht in post-independence India. The book explores how post-independence Indian drama is an instance of a cultural palimpsest, a site celebrating a dialogue between Western and Indian theatrical traditions, rather than a homogenous and isolated canon. Analysing the dissemination of a selection of Brecht’s plays in the Hindi belt between the 1960s and the 1990s, this study demonstrates that Brecht’s work provided aesthetic and ideological paradigms to modern Hindi playwrights, helping them develop and stage a national identity. The book also traces how the reception of Brecht was mediated in India, how it helped post-independence Indian playwrights formulate a political theatre, and how the dissemination of Brechtian aesthetics in India addressed the anxiety related to the stasis in Brechtian theatre in Europe. Tracking the dialogue between Brechtian aesthetics in India and Europe and a history of deliberate cultural resistance, Brecht in India is an invaluable resource for academics and students of theatre studies and theatre historiography, as well as scholars of post-colonial history and literature.
Author: Tulsi Gaddam
Publisher:
ISBN: 9783346244024
Category :
Languages : en
Pages : 40
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Book Description
Author: Nemicandra Jaina
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 128
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Book Description
Author: Manohar Laxman Varadpande
Publisher: Abhinav Publications
ISBN: 9788170172215
Category : Performing Arts
Languages : en
Pages : 380
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Book Description
This Is The First Volume Of The Six-Volume History Of Indian Theatre. Written By An Eminent Scholar M.L, Varadpande This Veritable Encyclopedia Speaks About An Early Phase Of India S Theatre History, Which Also Is The History Of India S Fine Arts. For The First Time The Origin And Evolution Of Theatrical Arts In India Is Traced In An Elaborate Manner Providing An Insight Into One Of The Oldest Theatrical Traditions Of The World. The Book Draws From The Sources Including Mesolithic Cave Paintings, Ancient Archaeological Finds And Mass Of Literature Belonging To The Vedic And Buddhist Era To Give You The Complete Picture Of India S Theatre History.In A Lucid Style It Tells About Ritualistic Dances And Hunt Dramas Of Aboriginals; Statuettes Of Dancers, Jesters And String Manipulated Puppet Toys Belonging To Earliest Known Urban Civilization Of India The Indus Civilization; Dramatic Rituals Full Of Dancing, Singing And Music; The Dancing Gods And Compositions In Dialogue Form Of Early Aryans; The Troupes Of Actors Moving In The Country Enacting Humorous Plays And Erotic Dances; Efforts Of The State Administration To Impose Entertainment Tax And Strict Code Of Censors And The Flourishing Theatre Of The People. The Book Also Tells About The Advent Of Greeks In India And Their Theatrical Activities, Staging Of A Play Agen In The Military Camp Of Alexander The Great And The Play Written In Greek And Indian Languages Found In Egypt. It Discusses The Problem Of Greek Influence On Indian Theatre In Detail And Speaks About Indian View Of Theatre.This Well-Documented And Profusely Illustrated Work Presents An Enchanting Panorama Of India S Early Theatre History In A Manner At Once Scholarly And Interesting. Known For His Erudition And Profound Scholarship, M.L. Varadpande (B; 1936) Is An Eminent Theatre Historian Of India. His Major Works Published By Abhinav Publications Are Traditions Of Indian Theatre, Ancient Indian And Indo-Greek Theatre, Religion And Theatre And Krishna Theatre In India. His Other Well-Known Works On Indian Theatre Are Invitation To An Indian Theatre And The Critique Of Indian Theatre (Ed.). The Sahita Akademi, India S National Academy Of Letters, Has Published His Book Shripad Krishna Kolhatkar In Marathi (Out Of Print), Hindi (Second Edition) And Punjabi. It Is Now Being Translated Into English. His Forthcoming Works Are The Mahabharata In Performance And Ankia Nat: Vaishnava Opera Of Assam. As A Research Fellow Of The Indian Council Of Historical Research He Is Working On The Research Project Temple Theatre In India.
