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Author: Ben Grant
Publisher: Routledge
ISBN: 1134106432
Category : History
Languages : en
Pages : 391
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Book Description
By engaging closely with the work of Richard Francis Burton (1821-90), the iconic nineteenth-century imperial spy, explorer, anthropologist and translator, Postcolonialism, Psychoanalysis and Burton explores the White Man’s ‘imperial fantasies’, and the ways in which the many metropolitan discourses to which Burton contributed drew upon and reinforced an intimate connection between fantasy and power in the space of Empire. This original study sheds new light on the mechanisms of imperial appropriation and pays particular attention to Burton’s relationship with his alter ego, Abdullah, the name by which he famously travelled to Mecca and Medina disguised as a Muslim pilgrim. In this context, Grant also provides insightful readings of a number of Burton’s contemporaries, such as Müller, du Chaillu, Darwin and Huxley, and engages with postcolonial and psychoanalytic theory in order to highlight the problematic relationship between the individual and imperialism, and to encourage readers to think about what it means to read colonial history and imperial narrative today.
Author: Ben Grant
Publisher: Routledge
ISBN: 1134106432
Category : History
Languages : en
Pages : 391
Get Book Here
Book Description
By engaging closely with the work of Richard Francis Burton (1821-90), the iconic nineteenth-century imperial spy, explorer, anthropologist and translator, Postcolonialism, Psychoanalysis and Burton explores the White Man’s ‘imperial fantasies’, and the ways in which the many metropolitan discourses to which Burton contributed drew upon and reinforced an intimate connection between fantasy and power in the space of Empire. This original study sheds new light on the mechanisms of imperial appropriation and pays particular attention to Burton’s relationship with his alter ego, Abdullah, the name by which he famously travelled to Mecca and Medina disguised as a Muslim pilgrim. In this context, Grant also provides insightful readings of a number of Burton’s contemporaries, such as Müller, du Chaillu, Darwin and Huxley, and engages with postcolonial and psychoanalytic theory in order to highlight the problematic relationship between the individual and imperialism, and to encourage readers to think about what it means to read colonial history and imperial narrative today.
Author: Feras Alkabani
Publisher: Bloomsbury Publishing
ISBN: 1838603646
Category : History
Languages : en
Pages : 499
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Book Description
In the 19th and early 20th centuries, the Arabic-speaking regions of the Ottoman Empire saw a crucial change in attitudes towards sexuality. Notions of 'respectability', 'propriety' and 'sexual morality' were being transformed in literary and cultural discourses, a shift that was related to the gradual rise in anti-Ottoman Arab nationalism. However, contemporary Orientalists such as Sir Richard Burton and T.E. Lawrence were oblivious to certain aspects of this process of cultural reconfiguration. While accounts of male-love poetry (ghazal al-mudhakkar) were being gradually expurgated from the Arab literary heritage, elaborate narratives of Oriental homoerotic desire distinctively characterise the encounters of both Burton and Lawrence with the Arab East. By comparing their literary and autobiographical accounts of the Arab Orient with contemporary Arabic literature, Feras Alkabani is able to expose this critical disparity in cross-cultural portrayals of sexual morality and homoerotic desire. Alkabani relates the conflicting agendas of contemporary Orientalists and Arab scholars to the shifts in international imperial power relations and the eventual collapse of the Ottoman Empire. His detailed comparative study reveals the significance of homoerotic desire within Orientalist and Arab literary discourses at a time when the meaning and connotations of poetic male-love were undergoing a critical change in Arab culture and literature. It will prove invaluable for those researching Orientalism, nationalism, imperialism and manifestations of homoerotic desire in the fin-de-siècle Middle East.
Author: Silvia Albertazzi
Publisher: Cambridge Scholars Publishing
ISBN: 1527525627
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
While entailing a subversive re-vision of colonial histories, geographies, and subjectivities, the (post)colonial condition has unleashed a chain of movements, relocations, and re-writings that interrogate the globalized and neoliberal society. Ethnic, “racial”, religious, gendered, and sexual identities have been called into question, and requested to (re)define, name, and re-name themselves, to find new ways to tell their stories/histories. The very term “postcolonial” has triggered well-known controversial debates: its adoption is significant of a cultural politics involving the colonial past, controversial crisis in the present, and an open perspective toward alternative futures. Confronting literature and the arts from a postcolonial perspective is a critical and political task involving theories and cultural productions crossing barriers amongst fields of knowledge. The essays gathered here discuss postcolonialism as a transdisciplinary field of passages that negotiate among diverse yet interrelated cultural fields.
Author: Sorcha Gunne
Publisher: Routledge
ISBN: 1136615849
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
The essays in this volume discuss narrative strategies employed by international writers when dealing with rape and sexual violence, whether in fiction, poetry, memoir, or drama. In developing these new feminist readings of rape narratives, the contributors aim to incorporate arguments about trauma and resistance in order to establish new dimensions of healing. This book makes a vital contribution to the fields of literary studies and feminism, since while other volumes have focused on retroactive portrayals of rape in literature, to date none has focused entirely on the subversive work that is being done to retheorize sexual violence. Split into four sections, the volume considers sexual violence from a number of different angles. 'Subverting the Story' considers how the characters of the victim and rapist might be subverted in narratives of sexual violence. In 'Metaphors for Resistance,' the essays explore how writers approach the subject of rape obliquely using metaphors to represent their suffering and pain. The controversy of not speaking about sexual violence is the focus of 'The Protest of Silence,' while 'The Question of the Visual' considers the problems of making sexual violence visible in the poetic image, in film and on stage. These four sections cover an impressive range of world writing which includes curriculum staples like Toni Morrison, Sarah Kane, Sandra Cisneros, Yvonne Vera, and Sharon Olds.
Author: Gail Low
Publisher: Routledge
ISBN: 100015548X
Category : Literary Criticism
Languages : en
Pages : 189
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Book Description
This book explores how writers such as Amos Tutuola, George Lamming, Samuel Selvon, VS Naipaul, Chinua Achebe, Derek Walcott, Kamau Brathwaite, and Wole Soyinka came to be published in London in important educational series such as the Three Crown Series and African Writers Series. Low takes account of recent debates in the discipline of book history, especially issues that deal with social, cultural, and economic questions of authorship, publishing histories, canon formation, and the production, distribution and reception of texts in the literary market place. Searching publishing archives for readers reports, editorial correspondence, and interventions, this book represents a necessary exploration of postwar publishing contexts and the dissemination of texts from London that is crucial to literary histories of the postcolonial book. Taken together as a postwar generation, this cohort of now canonical writers helped "imagine" their respective national communities, yet their intellectual labors entered an elite transnational literary circuit, and correspondingly, were transformed into textual commodities by the economic, social, cultural, and institutional transactions that were part of an expanding print capitalism.
Author: Sharae Deckard
Publisher: Routledge
ISBN: 1135224021
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
In this volume, Deckard analyzes authors such as Malcolm Lowry, Leonard Woolf, Juan Rulfo, Wilson Harris, Abdulrazak Gurnah, and Romesh Gunesekera to make a materialist study of the relation between paradise myths and the ideologies and economies of colonialism and neo-imperialism in literature from Mexico, Zanzibar and Sri Lanka.
Author: Alex Tickell
Publisher: Routledge
ISBN: 1136618406
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
In this ground-breaking interdisciplinary study of terrorism, insurgency and the literature of colonial India, Alex Tickell re-envisages the political aesthetics of empire. Organized around key crisis moments in the history of British colonial rule such as the ‘Black Hole’ of Calcutta, the anti-thug campaigns of the 1830s, the 1857 Rebellion, anti-colonial terrorism in Edwardian London and the Amritsar massacre in 1919, this timely book reveals how the terrorizing threat of violence mutually defined discursive relations between colonizer and colonized. Based on original research and drawing on theoretical work on sovereignty and the exception, this book examines Indian-English literary traditions in transaction and covers fiction and journalism by both colonial and Indian authors. It includes critical readings of several significant early Indian works for the first time: from neglected fictions such as Kylas Chunder Dutt’s story of anticolonial rebellion A Journal of Forty-Eight Hours of the Year 1945 (1835) and Sarath Kumar Ghosh’s nationalist epic The Prince of Destiny (1909) to dissident periodicals like Hurrish Chunder Mookerji’s Hindoo Patriot (1856–66) and Shyamaji Krishnavarma’s Indian Sociologist (1905–14). These are read alongside canonical works by metropolitan and ‘Anglo-Indian’ authors such as Philip Meadows Taylor’s Confessions of a Thug (1839), Rudyard Kipling’s short fictions, and novels by Edmund Candler and E. M. Forster. Reflecting on the wider cross-cultural politics of terror during the Indian independence struggle, Tickell also reappraises sacrificial violence in Indian revolutionary nationalism and locates Gandhi’s philosophy of ahimsa or non-violence as an inspired tactical response to the terror-effects of colonial rule.
Author: Stefan Helgesson
Publisher: Routledge
ISBN: 1134042531
Category : History
Languages : en
Pages : 177
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Book Description
This innovative study examines both Anglophone and lusophone African literature. Helgesson argues that the prevalence of ‘colonial’ languages in ‘postcolonial’ African literature is caused by the print network, demystifying their authority through the materiality of print, and placing emphasis on the strong transnational, transcontinental vectors of southern African literature.
Author: C. Rooney
Publisher: Springer
ISBN: 0230290477
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Featuring an internationally distinguished list of contributors, Kipling and Beyond reassesses Kipling's texts and their reception in order to explore new approaches in postcolonial studies. The collection asks why Kipling continues to be a significant cultural icon and what this legacy means in the context of today's Anglo-American globalization.
Author: Javier Uriarte
Publisher: Routledge
ISBN: 1317210808
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
This book studies how the rhetoric of travel introduces different conceptualizations of space and time in scenarios of war during the last decades of the 19th century, in Argentina, Brazil, Paraguay, and Uruguay. By examining accounts of war and travel in the context of the consolidation of state apparatuses in these countries, Uriarte underlines the essential role that war (in connection to empire and capital) has played in the Latin American process of modernization and state formation. In this book, the analysis of British and Latin American travel narratives proves particularly productive in reading the ways in which national spaces are reconfigured, reimagined, and reappropriated by the state apparatus. War turns out to be a central instrument not just for making possible this logic of appropriation, but also for bringing temporal notions such as modernization and progress to spaces that were described — albeit problematically — as being outside of history. The book argues that wars waged against "deserts" (as Patagonia, the sertão, Paraguay, and the Uruguayan countryside were described and imagined) were in fact means of generating empty spaces, real voids that were the condition for new foundations. The study of travel writing is an essential tool for understanding the transformations of space brought by war, and for analyzing in detail the forms and connotations of movement in connection to violence. Uriarte pays particular attention to the effects that witnessing war had on the traveler’s identity and on the relation that is established with the oikos or point of departure of their own voyage. Written at the intersection of literary analysis, critical geography, political science, and history, this book will be of interest to those studying Latin American literature, Travel Writing, and neocolonialism and Empire writing.
