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Author: Mariana Liz
Publisher: Bloomsbury Publishing
ISBN: 1786732750
Category : Business & Economics
Languages : en
Pages : 304
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Book Description
Portuguese cinema has become increasingly prominent on the international film festival circuit, proving the country's size belies its cultural impact. From the prestige of directors Manoel de Oliveira, Pedro Costa and Miguel Gomes, to box-office hit La Cage Doree, aspects of Portuguese national cinema are widely visible although the output is comparatively small compared to European players like the UK, Germany and France. Considering this strange discrepancy prompts the question: how can Portuguese cinema be characterised and thought about in a global context? Accumulating expertise from an international group of scholars, this book investigates the shifting significance of the nation, Europe and the globe for the way in which Portuguese film is managed on the international stage. Chapters argue that film industry professionals and artisans must navigate complex globalised systems that inform their filmmaking decisions. Expectations from multi-cultural audiences, as well as demands from business investors and the criteria for critical accolades put pressure on Portuguese cinema to negotiate, for example, how far to retain national identities on screen and how to interact with `popular' and `art' film tropes and labels. Exploring themes typical of Portuguese visual culture - including social exclusion and unemployment, issues of realism and authenticity, and addressing Portugal's postcolonial status - this book is a valuable study of interest to the ever-growing number of scholars looking outside the usual canons of European cinema, and those researching the ongoing implications of national cinema's global networks.
Author: Mariana Liz
Publisher: Bloomsbury Publishing
ISBN: 1786732750
Category : Business & Economics
Languages : en
Pages : 304
Get Book Here
Book Description
Portuguese cinema has become increasingly prominent on the international film festival circuit, proving the country's size belies its cultural impact. From the prestige of directors Manoel de Oliveira, Pedro Costa and Miguel Gomes, to box-office hit La Cage Doree, aspects of Portuguese national cinema are widely visible although the output is comparatively small compared to European players like the UK, Germany and France. Considering this strange discrepancy prompts the question: how can Portuguese cinema be characterised and thought about in a global context? Accumulating expertise from an international group of scholars, this book investigates the shifting significance of the nation, Europe and the globe for the way in which Portuguese film is managed on the international stage. Chapters argue that film industry professionals and artisans must navigate complex globalised systems that inform their filmmaking decisions. Expectations from multi-cultural audiences, as well as demands from business investors and the criteria for critical accolades put pressure on Portuguese cinema to negotiate, for example, how far to retain national identities on screen and how to interact with `popular' and `art' film tropes and labels. Exploring themes typical of Portuguese visual culture - including social exclusion and unemployment, issues of realism and authenticity, and addressing Portugal's postcolonial status - this book is a valuable study of interest to the ever-growing number of scholars looking outside the usual canons of European cinema, and those researching the ongoing implications of national cinema's global networks.
Author: Mariana Liz
Publisher: Bloomsbury Publishing USA
ISBN: 1501349732
Category : Performing Arts
Languages : en
Pages : 275
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Book Description
Women's Cinema in Contemporary Portugal brings together scholars from Portugal, UK and the USA, to discuss 14 women film directors in Portugal, focussing on their production in both feature film and documentary genres over the last half-century. It charts the specific cinematic visions that these women have brought to the re-emergence of Portuguese national cinema in the wake of the 1974 Revolution and African decolonisation, and to the growing internationalisation of Portugal's arguably 'minor' or 'small nation' cinema, with significant young women directors such as Leonor Teles achieving prominence abroad. The history of Portuguese women's cinema only begins systematically after the 1974 revolution and democratisation. This collection shows how female auteurs made their mark on Portugal's post-revolutionary conceptualisation of a differently 'national' cinema, through the ethnographic output of the late 1970s. It goes on to explore women's decisively gendered interventions in the cinematic memory practices that opened up around the masculine domain of the Colonial Wars in Africa. Feminist political issues such as Portugal's 30-year abortion campaign and LGBT status have become more visible since the 1990s, alongside preoccupations with global concerns relating to immigration, transit and minority status communities. The book also demonstrates how women have contributed to the evolution of soundscapes, the genre of essay cinema, film's relationship to the archive, and the adaptation of the written word. The result is a powerful, provocative and definitive challenge to the marginalisation of Portuguese female-directed film in terms of 'double minority'.
Author: André Rui Graça
Publisher: Boydell & Brewer
ISBN: 1855663430
Category : History
Languages : en
Pages : 286
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Book Description
Why has Portugal's vibrant and creative cinema industry not been more commercially successful?
Author: Elena Cordero-Hoyo
Publisher: Intellect (UK)
ISBN: 9781789381719
Category : Feminist film criticism
Languages : en
Pages : 216
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Book Description
Though cinema arrived in Spain and Portugal at the end of the nineteenth century, national and industrial problems as well as the dictatorships of Salazar and Caetano (in Portugal) and Franco (in Spain) meant Iberian cinemas were isolated from European cultural trends. The strict censorship in both countries limited the themes and artistic practices adopted. A specific cinematographic language, in many cases full of metaphors and symbolism, sought alternatives to the imposed official discourse and preconceived definitions of supposed national identities. By contrast, from the 1970s onwards, Spain and Portugal experienced a great change in their societies: the arrival of democracy widened not just the panorama of film production and criticism, but also opened the film industry to women participation in areas historically assigned to men. Focusing on Portuguese and Spanish cinema, this collection brings together research about women and their status in relation to Iberian visual culture. The volume contributes to ongoing debates about the position of women in the cinemas of Portugal and Spain through a revision of feminist theory as well as new accounts of film history. It also aims to promote comparisons between Iberian cinemas and visual culture from different regions, a topic that is almost unexplored in academia, despite the similar histories of the two Iberian countries, particularly throughout the twentieth century.
Author: Malyn Newitt
Publisher: Reaktion Books
ISBN: 1861897014
Category : History
Languages : en
Pages : 258
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Book Description
Despite its modest size, Portugal has played a major part in the development of Europe and the modern world. In Portugal in European and World History Malyn Newitt offers a fresh appraisal of Portuguese history and its role in the world—from early Moorish times to the English Alliance of 1650–1900 and through the country’s liberal revolution in 1974. Newitt specifically examines episodes where Portugal was a key player or innovator in history. Chapters focus on such topics as Moorish Portugal, describing the cultural impact of contact with the Moors—one of the oldest points of contact between Western Europe and Islam; the opening up of trade with western Africa; and the explorations of Vasco de Gama and the evolution of Portugal as the first commercial empire of modern times. Newitt also examines Portugal’s role in the Counter-reformation, in Spain’s wars in Europe, and in the Anglo-Portuguese alliance. Finally, Newitt analyzes the fall of fascism and the Portuguese decolonization within the context of larger global empires and movements. This new account of a country with a rich historyshows how Portugal has moved from being the last colonial power to one of the most enthusiastic proponents of the modern European ideal.
Author: Benjamin Fraser
Publisher: Columbia University Press
ISBN: 0231850964
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
Cultures of Representation is the first book to explore the cinematic portrayal of disability in films from across the globe. Contributors explore classic and recent works from Belgium, France, Germany, India, Italy, Iran, Japan, Korea, Mexico, Netherlands, Russia, Senegal, and Spain, along with a pair of globally resonant Anglophone films. Anchored by David T. Mitchell and Sharon L. Snyder's coauthored essay on global disability-film festivals, the volume's content spans from 1950 to today, addressing socially disabling forces rendered visible in the representation of physical, developmental, cognitive, and psychiatric disabilities. Essays emphasize well-known global figures, directors, and industries – from Temple Grandin to Pedro Almodóvar, from Akira Kurosawa to Bollywood – while also shining a light on films from less frequently studied cultural locations such as those portrayed in the Iranian and Korean New Waves. Whether covering postwar Italy, postcolonial Senegal, or twenty-first century Russia, the essays in this volume will appeal to scholars, undergraduates, and general readers alike.
Author: Stephanie Dennison
Publisher: Wallflower Press
ISBN: 9781904764625
Category : Performing Arts
Languages : en
Pages : 220
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Book Description
"Covering a broad scope, this collection examines the cinemas of Europe, East Asia, India, Africa and Latin America, and will be of interest to scholars and students of film studies, cultural studies and postcolonial studies, as well as to film enthusiasts keen to explore a wider range of world cinema."--Jacket.
Author: Mariana Liz
Publisher: Bloomsbury Publishing USA
ISBN: 1628922990
Category : History
Languages : en
Pages : 201
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Book Description
European cinema not only occupies a dominant place in film history, it is also a field that has been raising more interest with the expanding work on the transnational. Euro-Visions asks what idea of Europe emerges, is represented and constructed by contemporary European film. Adopting a broad and wide-ranging approach, Euro-Visions mixes political sources, historical documents and filmic texts and offers an integration of policy and economic contexts with textual analysis. Mariana Liz examines costume dramas, biopics and war films, mainstream co-productions and tales of 'Fortress Europe' by renowned auteurs, showing how films from different European nations depict and contribute to the formation of the idea of Europe. Case studies include Girl with a Pearl Earring, La Vie en Rose, Black Book, Good Bye Lenin!, Match Point and The Silence of Lorna.
Author: Luís Trindade
Publisher: Cambridge Scholars Publishing
ISBN: 1443853690
Category : History
Languages : en
Pages : 320
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Book Description
This book can be read in two different ways: as an introductory synthesis on Modern Portugal, or as a collection of twelve studies focusing on familiar aspects of the State formation of any modern nation throughout the nineteenth and twentieth centuries. In this second reading, each chapter opens comparative perspectives on specific topics within some key fields of studies and international debates on modernity, including population, police, empire, technology, bureaucracy, social sciences, rural life, education, religion, nationalism, communism, and economy. Such a wide range of subjects, however, proves comprehensive enough to create a narrative where the reader may also locate the chief trends and dynamics developing in Portuguese history and society during the last two centuries. From this perspective, Portugal emerges as a country traversed by social conflict and struggling for modernization. Granted, this is not a very surprising picture, especially if we consider it in the historical context of European modernity. And yet, it is precisely this familiarity, one might argue, that allows The Making of Modern Portugal to become a useful tool for inserting the Portuguese case into the debates of a wide range of fields and disciplines in Europe and beyond.
Author: Scott MacKenzie
Publisher: University of California Press
ISBN: 0520377478
Category : Performing Arts
Languages : en
Pages : 674
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Book Description
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
