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Author: Michael Kennedy
Publisher:
ISBN:
Category :
Languages : en
Pages : 351
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Author: Humphrey Burton
Publisher: Oxford University Press, USA
ISBN: 9780198162353
Category : Music
Languages : en
Pages : 182
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Book Description
Almost two decades after his death Walton's reputation is higher than ever - many of his masterworks remain firm favourites in the concert repertoire, notably his eloquent concertos for violin, viola and cello, his dramatic cantata Belshazzar's Feast, his vivid film scores (such as Henry V), his powerful First Symphony (the creative outcome of a tempestuous love affair) and the sparkling entertainment Facade, a brilliant divertissement based on Edith Sitwell's poems and composed before hewas twenty. Born in the cotton town of Oldham, young Billie's life was transformed when he won a boy chorister's scholarship to Christ Church, Oxford. He soon lost his Lancashire accent but never his innate canniness. His remarkable creative gifts were spotted early both by Hubert Parry (of "Jerusalem" fame) and the intellectually adventurous circle surrounding the Sitwell family, who persuaded him, since he was determined not to return to the narrow confines of life in Oldham, that he should quit Oxford without a degree to live with them in Jazz-Age London and earn his living purely as a composer. He stuck to music but it made him only a pittance, however, and he became a self-acknowledged scrounger, lodging with the Sitwells for over ten years. His evident genius and his romantic good looks saw him taken up by rich admirers such as the poet Siegfried Sassoon and the rich industrialist Samuel Corutauld, to whose mistress, Christabel Aberconway, he dedicated his first orchestral masterpiece, the 1929 Viola Concerto. His idyllic relationship with a beautiful but impecunious German princess ended in an emotional turmoil that held up completion of his First Symphony for over a year. Walton then became the lover of a woman 22 years his senior, Alice, Viscountess Wimborne, a powerful society hostess who guided his career and chose the librettist, Christopher Hassall, for his first opera Troilus and Cressida. Within a year of her death in 1948 (when he was 46) hemet the vivacous 22 year old Susana Gil Passo and they married after a whirlwind courtship. On their honeymoon he announced that he did not want children and intended to live in Italy. They settled on the island of Ischia in the Bay of Naples, eventually acquiring a plot of rocky hillside land upon which they developed the villas and estate of La Mortella, now one of Italy's best-known gardens. A professional composer to his fingertips, always writing to commission, Walton's critical reputation sagged during his self-imposed Italian exile. But he demonstrated an uncanny flair for tapping a patriotic vein in such popular works as Crown Imperial, Orb and Sceptre and the Coronation Te Deum. A knighthood awarded in 1951 was followed by other honours, notably the Order of Merit. His final years were dogged by ill health - including a near fatal attack of lung cancer - and by a depressing sense of creative impotence; lack of inspiration forced him to abandon plans in his seventies to compose a Third Symphony. The authors Humphrey Burton and Maureen Murray worked with Walton on Ischia and have retained their Waltonian links since his death in 1983: she is curator of the Walton Archive and he is a member of the Walton Trust. With their shared background in television documentary they have adopted a filmic approach to this new pictorial biography. Each of its eight chapters opens with a succinct descriptive essay highlighting Walton's life and his significant musicalachievements: the narrative text is followed by many pages of illustrations, in which portraits by Cecil Beaton, Bill Brandt, Norman Parkinson and many others are interspersed with hitherto unpublished family photographs, music manuscript, press cuttings, playbills etc., all accompanied by commentary, reminiscences, anecdotes and liberal quotations from Walton's typically trenchant letters and self-deprecating interviews for radio and television. Much more than a coffee-table book, this centenary tribute conveys the essence of Walton's personality and provides a measure of his colossal artistic achievement. It will be essential reading for all lovers of his music and students of twentieth century musical life.
Author: Leslye Walton
Publisher: Candlewick Press
ISBN: 0763670340
Category : Young Adult Fiction
Languages : en
Pages : 317
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Book Description
A 2015 William C. Morris YA Debut Award Finalist Magical realism, lyrical prose, and the pain and passion of human love haunt this hypnotic generational saga. Foolish love appears to be the Roux family birthright, an ominous forecast for its most recent progeny, Ava Lavender. Ava — in all other ways a normal girl — is born with the wings of a bird. In a quest to understand her peculiar disposition and a growing desire to fit in with her peers, sixteen-year old Ava ventures into the wider world, ill-prepared for what she might discover and naive to the twisted motives of others. Others like the pious Nathaniel Sorrows, who mistakes Ava for an angel and whose obsession with her grows until the night of the summer solstice celebration. That night, the skies open up, rain and feathers fill the air, and Ava’s quest and her family’s saga build to a devastating crescendo. First-time author Leslye Walton has constructed a layered and unforgettable mythology of what it means to be born with hearts that are tragically, exquisitely human.
Author: Essi Rönkkö
Publisher: Block Museum
ISBN: 9781732568419
Category : Art
Languages : en
Pages : 112
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Book Description
An illustrated guide to the research conducted on a mummified child discovered by archaeologists at a site in Roman-era Egypt.
Author: Susana Walton
Publisher:
ISBN:
Category :
Languages : en
Pages : 255
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Book Description
Author: Michael Kennedy
Publisher:
ISBN:
Category :
Languages : en
Pages : 351
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Book Description
Author: Jessica Martin
Publisher:
ISBN: 9780198270157
Category : Biography as a literary form
Languages : en
Pages : 384
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Book Description
This book argues that Walton's practice, in his Lives, was crucial in shaping modern expectations of biography: how it should be organised, how it should treat evidence, how seriously it should regard narrative coherence, and most particularly in the modern expectation of an intimaterelationship between author, reader, and subject. Dr Martin considers Walton's biographical ethics in relation to the tributary genres influencing him as they emerged from post-Reformation commendatory practice after 1546, most particularly classical funeral oratory and the emergent Protestantfuneral sermon, the Plutarchan parallel, the didactic Character, martyrological narrative, and finally Walton's direct model, the exemplary biographical commemoration of the conformist minister.Dr Martin considers how Walton develops his literary inheritance, arguing that his lay status required him to initiate a different kind of mediation between reader and subject from the straightforwardly imitative. Walton presents himself as a channel for the words and acts of an authoritativesubject, a preference implicitly followed both in his stress on personal connections with his subjects (which spectacularly particularizes his portraits) and in his very extensive use of their own writings. His Lives attempt posthumous autobiography. They are also considered as prominent andaccomplished examples of the many politically intended narratives which exploit a consensual interpretation of private virtue to support, without having to argue for, a sectarian interpretation of public rectitude.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
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Author: Hans Maes
Publisher: Routledge
ISBN: 0429581254
Category : Art
Languages : en
Pages : 314
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Book Description
Portraits are everywhere. One finds them not only in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn’t received much philosophical attention. While there are countless art historical studies of portraiture, contemporary philosophy has largely remained silent on the subject. This book aims to address that lacuna. It brings together philosophers (and philosophically minded historians) with different areas of expertise to discuss this enduring and continuously fascinating genre. The chapters in this collection are ranged under five broad themes. Part I examines the general nature of portraiture and what makes it distinctive as a genre. Part II looks at some of the subgenres of portraiture, such as double portraiture, and at some special cases, such as sport card portraits and portraits of people not present. How emotions are expressed and evoked by portraits is the central focus of Part III, while Part IV explores the relation between portraiture, fiction, and depiction more generally. Finally, in Part V, some of the ethical issues surrounding portraiture are addressed. The book closes with an epilogue about portraits of philosophers. Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Book Description
Author: Izaak Walton
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 550
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Book Description
