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Author: Christopher Wright
Publisher: Yale University Press
ISBN: 9780300117301
Category : Art
Languages : en
Pages : 950
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Book Description
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Author: Christopher Wright
Publisher: Yale University Press
ISBN: 9780300117301
Category : Art
Languages : en
Pages : 950
Get Book Here
Book Description
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Author: Zan Cammack
Publisher: Liverpool University Press
ISBN: 1949979776
Category : History
Languages : en
Pages : 248
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Book Description
Because gramophonic technology grew up alongside Ireland’s progressively more outspoken and violent struggles for political autonomy and national stability, Irish Modernism inherently links the gramophone to representations of these dramatic cultural upheavals. Many key works of Irish literary modernism—like those by James Joyce, Elizabeth Bowen, and Sean O’Casey—depend upon the gramophone for their ability to record Irish cultural traumas both symbolically and literally during one of the country’s most fraught developmental eras. In each work the gramophone testifies of its own complexity as a physical object and its multiform value in the artistic development of textual material. In each work, too, the object seems virtually self-placed—less an aesthetic device than a “thing” belonging primordially to the text. The machine is also often an agent and counterpart to literary characters. Thus, the gramophone points to a deeper connection between object and culture than we perceive if we consider it as only an image, enhancement, or instrument. This book examines the gramophone as an object that refuses to remain in the background of scenes in which it appears, forcing us to confront its mnemonic heritage during a period of Irish history burdened with political and cultural turbulence.
Author: Eric Bulson
Publisher: Cambridge University Press
ISBN: 1139457942
Category : Literary Criticism
Languages : en
Pages : 123
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Book Description
James Joyce has a reputation for being one of modern literature's most difficult writers. This introduction gives students the necessary tools they will need to get the most out of reading him. It provides the essential biographical information and situates his life and works in broader cultural, historical, and literary contexts. Students will also find detailed examinations of the major works including Ulysses and Finnegans Wake. In addition, Bulson lets students see how Joyce evolved as a writer. This introduction also provides a brief history of the critical reception of Joyce's life and works and explains what a variety of critical approaches can teach us. A guide to further reading has been included for those interested in consulting some of the more influential secondary works. This accessible and lively introduction gives students everything they will need to get started reading, understanding, and appreciating Joyce.
Author: William Laffan
Publisher: Yale University Press
ISBN: 0300210604
Category : Art
Languages : en
Pages : 289
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Book Description
A sweeping survey of the arts of Ireland spanning 150 years and an astonishing range of artists and media This groundbreaking book captures a period in Ireland's history when countless foreign architects, artisans, and artists worked side by side with their native counterparts. Nearly all of the works within this remarkable volume--many of them never published before--have been drawn from North American collections. This catalogue accompanies the first exhibition to celebrate the Irish as artists, collectors, and patrons over 150 years of Ireland's sometimes turbulent history. Featuring the work of a wide range of artists--known and unknown--and a diverse array of media, the catalogue also includes an impressive assembly of essays by a pre-eminent group of international experts working on the art and cultural history of Ireland. Major essays discuss the subjects of the Irish landscape and tourism, Irish country houses, and Dublin's role as a center of culture and commerce. Also included are numerous shorter essays covering a full spectrum of topics and artworks, including bookbinding, ceramics, furniture, glass, mezzotints, miniatures, musical instruments, pastels, silver, and textiles.
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1368
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Book Description
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1512
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 244
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Book Description
Author: John Sproule
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 562
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Book Description
Author: Marcus Tanner
Publisher: Yale University Press
ISBN: 9780300092813
Category : History
Languages : en
Pages : 532
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Book Description
For much of the twentieth century, Ireland has been synonymous with conflict, the painful struggle for its national soul part of the regular fabric of life. And because the Irish have emigrated to all parts of the world--while always remaining Irish--"the troubles" have become part of a common heritage, well beyond their own borders. In most accounts of Irish history, the focus is on the political rivalry between Unionism and Republicanism. But the roots of the Irish conflict are profoundly and inescapably religious. As Marcus Tanner shows in this vivid, warm, and perceptive book, only by understanding the consequences over five centuries of the failed attempt by the English to make Ireland into a Protestant state can the pervasive tribal hatreds of today be seen in context. Tanner traces the creation of a modern Irish national identity through the popular resistance to imposed Protestantism and the common defense of Catholicism by the Gaelic Irish and the Old English of the Pale, who settled in Ireland after its twelfth-century conquest. The book is based on detailed research into the Irish past and a personal encounter with today's Ireland, from Belfast to Cork. Tanner has walked with the Apprentice Boys of Derry and explored the so-called Bandit Country of South Armagh. He has visited churches and religious organizations across the thirty-two counties of Ireland, spoken with priests, pastors, and their congregations, and crossed and re-crossed the lines that for centuries have isolated the faiths of Ireland and their history.
Author: D. Stubbings
Publisher: Springer
ISBN: 023028678X
Category : Fiction
Languages : en
Pages : 250
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Book Description
Anglo-Irish Modernism and the Maternal argues that a focus on the construction of mother-figures in Irish culture illuminates the extraordinary achievement of the Irish modernists. Essentially, the seminal Irish modernists - Moore, Joyce, Synge, Yeats and O'Casey - resisted those mother-figures sanctioned by cultural discourses, re-writing her in order to elude her. In this, they not only re-constituted language and representation, they accessed and re-figured their own creative selves.
