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Author: J. McLaverty
Publisher:
ISBN: 9780198184973
Category : Design
Languages : en
Pages : 284
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Book Description
Pope's fascination with print--with annotations, illustrations, parallel texts, title-pages, revisions-- shapes this reading of his work. The book offers fresh insights into Pope's self-presentation and his relation to his readers: he emerges as a figure marginalized socially, politically, and sexually, who gambles with his private life in confronting his opponents.
Author: J. McLaverty
Publisher:
ISBN: 9780198184973
Category : Design
Languages : en
Pages : 284
Get Book Here
Book Description
Pope's fascination with print--with annotations, illustrations, parallel texts, title-pages, revisions-- shapes this reading of his work. The book offers fresh insights into Pope's self-presentation and his relation to his readers: he emerges as a figure marginalized socially, politically, and sexually, who gambles with his private life in confronting his opponents.
Author: Brean S. Hammond
Publisher: Routledge
ISBN: 1317890639
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
This collection of essays represents some of the best critical thinking on Pope in recent years. Professor Hammond examines the main issues in the debate, in particular why Pope's writing has been so resistant to modern methodologies, such as deconstruction. The essays focus on particular poems or themes and exemplify different theoretical perspectives, both traditional and modern. The editor's notes clarify the differences that exist, and what those differences can teach the student about theory in practice.
Author: Alexander Pope
Publisher: Oxford University Press
ISBN: 0199537615
Category : Poetry
Languages : en
Pages : 769
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Book Description
First published with revisions as an Oxford World's Classics paperback: 2006.
Author: Pat Rogers
Publisher: Bloomsbury Publishing USA
ISBN: 031306153X
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Alexander Pope (1688-1744) was the most important English poet of the 18th century, as well as an essayist, satirist, and critic. Many of his sayings are still quoted today. His Essay on Criticism shaped the aesthetic views of English Neoclassicism, while his Essay on Man reflected the moral views of the Enlightenment. He participated fully in the critical debates of his time and was one of the few poets who supported himself through his writing. This reference conveniently summarizes his life and works. Included are several-hundred alphabetically arranged entries on Pope's works, subjects that interested him, historical events that impacted Pope's life and work, cultural terms and categories, Pope's family members and acquaintances, major scholars and critics, and various other topics related to his writings. The entries reflect current scholarship and cite works for further reading. The encyclopedia also provides a chronology and concludes with a selected, general bibliography. Because of Pope's central importance to the Enlightenment, this book is also a useful companion to 18th-century literary and intellectual culture.
Author: Julian Ferraro
Publisher: Routledge
ISBN: 1317644417
Category : Literary Collections
Languages : en
Pages : 1499
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Book Description
The Poems of Alexander Pope is a multi-volume edition of the poetry of Alexander Pope (1688–1744) resulting from a thorough reappraisal of his work, from composition through to reception. The annotations and headnotes are full and informative, and the layout is designed to enable the reader to navigate easily between the poems, the record of variants and the editorial commentary. The poems are presented in chronological order of publication, with original capitalisation, italicisation, punctuation and spelling preserved. A record of variants to each poem illustrates the changes Pope made in subsequent editions, and full editorial annotation sets the poems in appropriate literary, historical and cultural contexts. This volume contains the poetry that appeared between 1709 and 1714, including the Pastorals and the ‘Rape of the Locke’. Much of the publication history of these poems shows Pope collaborating with the major writers and publishers of his time, as might be expected of a writer whose preparation for a literary career was so meticulous. But Pope was also beginning to establish himself on his own account, publishing (at first anonymously) a substantial statement of ideas, An Essay on Criticism. Another separate pamphlet, Windsor-Forest, constituted his distinctive contribution to the heavy freight of ‘Peace’ poems prompted by the Treaty of Utrecht. In all, the poems presented in this volume reveal an engagement with the literary and publishing industry that is at once amenable and independent.
Author: Mark Rose
Publisher: Harvard University Press
ISBN: 0674048040
Category : History
Languages : en
Pages : 234
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Book Description
Through a series of vivid case studies, Authors in Court charts the 300-year-long dance between authorship and copyright that has shaped each institution’s response to changing social norms of identity, privacy, and celebrity. “A literary historian by training, Rose is completely at home in the world of law, as well as the history of photography and art. This is the work of an interdisciplinary scholar at the height of his powers. The arguments are sophisticated and the elegant text is a work of real craftsmanship. It is superb.” —Lionel Bently, University of Cambridge “Authors in Court is well-written, erudite, informative, and engaging throughout. As the chapters go along, we see the way that personalities inflect the supposedly impartial law; we see the role of gender in authorial self-fashioning; we see some of the fault lines which produce litigation; and we get a nice history of the evolution of the fair use doctrine. This is a book that should at least be on reserve for any IP–related course. Going forward, no one writing about any of the cases Rose discusses can afford to ignore his contribution.” —Lewis Hyde, Kenyon College
Author: Janine Barchas
Publisher: Cambridge University Press
ISBN: 9780521819084
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
The uniformity of the eighteenth-century novel in today's paperbacks and critical editions no longer conveys the early novel's visual exuberance. Janine Barchas explains how during the genre's formation in the first half of the eighteenth century, the novel's material embodiment as printed book rivalled its narrative content in diversity and creativity. Innovations in layout, ornamentation, and even punctuation found in, for example, the novels of Richardson, an author who printed his own books, help shape a tradition of early visual ingenuity. From the beginning of the novel's emergence in Britain, prose writers including Daniel Defoe, Jonathan Swift, and Henry and Sarah Fielding experimented with the novel's appearance. Lavishly illustrated with more than 100 graphic features found in eighteenth-century editions, this important study aims to recover the visual context in which the eighteenth-century novel was produced and read.
Author: Helen Williams
Publisher: Cambridge University Press
ISBN: 1108912834
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Scrutinising Sterne's fiction through a book history lens, Helen Williams creates novel readings of his work based on meticulous examination of its material and bibliographical conditions. Alongside multiple editions and manuscripts of Sterne's own letters and works, a panorama of interdisciplinary sources are explored, including dance manuals, letter-writing handbooks, newspaper advertisements, medical pamphlets and disposable packaging. For the first time, this wealth of previously overlooked material is critically analysed in relation to the design history of Tristram Shandy, conceptualising the eighteenth-century novel as an artefact that developed in close conjunction with other media. In examining the complex interrelation between a period's literature and the print matter of everyday life, this study sheds new light on Sterne and eighteenth-century literature by re-defining the origins of his work and of the eighteenth-century novel more broadly, whilst introducing readers to diverse print cultural forms and their production histories.
Author: Richard Wendorf
Publisher: Oxford University Press
ISBN: 0192653121
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
This study provides one of the most detailed and comprehensive examinations ever devoted to a critical transformation in the material substance of the printed page; it carries out this exploration in the history of the book, moreover, by embedding these typographical changes in the context of other cultural phenomena in eighteenth-century Britain. The gradual abandonment of pervasive capitalization, italics, and caps and small caps in books printed in London, Dublin, and the American colonies between 1740 and 1780 is mapped in five-year increments which reveal that the appearance of the modern page in English began to emerge around 1765. This descriptive and analytical account focuses on poetry, classical texts, Shakespeare, contemporary plays, the novel, the Bible, the Book of Common Prayer, sermons and religious writings, newspapers, magazines, anthologies, government publications, and private correspondence; it also examines the reading public, canon formation, editorial theory and practice, and the role of typography in textual interpretation. These changes in printing conventions are then compared to other aspects of cultural change: the adoption of the Gregorian calendar in 1752, the publication of Johnson's Dictionary in 1755, the transformation of shop signs and the imposition of house numbers in London beginning in 1762, and the evolution of the English language and of English prose style. This study concludes that this fundamental shift in printing conventions was closely tied to a pervasive interest in refinement, regularity, and standardization in the second half of the century—and that it was therefore an important component in the self-conscious process of modernizing British culture.
Author: Michael O'Neill
Publisher: Cambridge University Press
ISBN: 1316184412
Category : Literary Criticism
Languages : en
Pages : 1117
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Book Description
Poetry written in English is uniquely powerful and suggestive in its capacity to surprise, unsettle, shock, console, and move. The Cambridge History of English Poetry offers sparklingly fresh and dynamic readings of an extraordinary range of poets and poems from Beowulf to Alice Oswald. An international team of experts explores how poets in England, Scotland, Wales and Ireland use language and to what effect, examining questions of form, tone, and voice; they comment, too, on how formal choices are inflected by the poet's time and place. The Cambridge History of English Poetry is the most comprehensive and authoritative history of the field from early medieval times to the present. It traces patterns of continuity, transformation, transition, and development. Covering a remarkable array of poets and poems, and featuring an extensive bibliography, the scope and depth of this major work of reference make it required reading for anyone interested in poetry.
