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Author: Keith McMahon
Publisher: University of Hawaii Press
ISBN: 0824837649
Category : Social Science
Languages : en
Pages : 226
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Book Description
For centuries of Chinese history, polygamy and prostitution were closely linked practices that legitimized the "polygynous male," the man with multiple sexual partners. Despite their strict hierarchies, these practices also addressed fundamental antagonisms in sexual relations in serious and constructive ways. Qing fiction abounds in stories of female resistance and superiority. Women—main wives, concubines, and prostitutes—were adept at exerting control and gaining status for themselves, while men indulged in elaborate fantasies about female power. In Polygamy and Sublime Passion, Keith McMahon introduces a new concept, "passive polygamy," to explain the unusual number of Qing stories in which women take charge of a man’s desires, turning him into an instrument of female will. To this he adds a story that haunted the institutions of polygamy and prostitution: the tale of "sublime passion," in which the main characters are a "remarkable" woman and her male lover. Throughout the book McMahon examines how polygamy, prostitution, and the story of sublime passion encountered the first stages of paradigmatic change in the nineteenth century, decades before the legal abolition of polygamy. By the end of the Qing dynasty in 1911, love stories were celebrating the exploits of street-smart prostitutes who fleeced gullible patrons in the bustling city of Shanghai. What do these characters have in common with their early counterparts as men and women became inhabitants of a new city in an era flooded with ideas from radically foreign sources—all of this taking place in a time of economic and cultural dislocation? McMahon reads late Qing love stories in a historically symbolic way, taking them as part of a larger fantasy of Chinese civilization undergoing a fundamental crisis. The polygamous marriage and the affairs of the brothel became metaphorical staging grounds for portraying the destiny of China on the verge of modernity. Finally, McMahon speculates on the changes polygamous sexuality underwent after the Qing dynasty ended and whether it exerted a residual influence in later times. Polygamy and Sublime Passion will undoubtedly engage those interested in Chinese society, culture, literature, and gender studies as well as comparativists seeking to understand the diverse responses to modernization around the world.
Author: Keith McMahon
Publisher: University of Hawaii Press
ISBN: 0824837649
Category : Social Science
Languages : en
Pages : 226
Get Book Here
Book Description
For centuries of Chinese history, polygamy and prostitution were closely linked practices that legitimized the "polygynous male," the man with multiple sexual partners. Despite their strict hierarchies, these practices also addressed fundamental antagonisms in sexual relations in serious and constructive ways. Qing fiction abounds in stories of female resistance and superiority. Women—main wives, concubines, and prostitutes—were adept at exerting control and gaining status for themselves, while men indulged in elaborate fantasies about female power. In Polygamy and Sublime Passion, Keith McMahon introduces a new concept, "passive polygamy," to explain the unusual number of Qing stories in which women take charge of a man’s desires, turning him into an instrument of female will. To this he adds a story that haunted the institutions of polygamy and prostitution: the tale of "sublime passion," in which the main characters are a "remarkable" woman and her male lover. Throughout the book McMahon examines how polygamy, prostitution, and the story of sublime passion encountered the first stages of paradigmatic change in the nineteenth century, decades before the legal abolition of polygamy. By the end of the Qing dynasty in 1911, love stories were celebrating the exploits of street-smart prostitutes who fleeced gullible patrons in the bustling city of Shanghai. What do these characters have in common with their early counterparts as men and women became inhabitants of a new city in an era flooded with ideas from radically foreign sources—all of this taking place in a time of economic and cultural dislocation? McMahon reads late Qing love stories in a historically symbolic way, taking them as part of a larger fantasy of Chinese civilization undergoing a fundamental crisis. The polygamous marriage and the affairs of the brothel became metaphorical staging grounds for portraying the destiny of China on the verge of modernity. Finally, McMahon speculates on the changes polygamous sexuality underwent after the Qing dynasty ended and whether it exerted a residual influence in later times. Polygamy and Sublime Passion will undoubtedly engage those interested in Chinese society, culture, literature, and gender studies as well as comparativists seeking to understand the diverse responses to modernization around the world.
Author: Keith McMahon
Publisher: BRILL
ISBN: 1684176565
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
In Saying All That Can Be Said, Keith McMahon presents the first full analysis of the sexually explicit portrayals in the Ming novel Jin Ping Mei 金瓶梅 (The Plum in the Golden Vase). Countering common views of those portrayals as “just sex” or as “bad sex,” he shows that they are rich in thematic meaning and loaded with social and aesthetic purpose. McMahon places the novel in the historical context of Chinese sexual culture, from which Jin Ping Mei inherits the style of the elegant, metaphorical description of erotic pleasure, but which the anonymous author extends in an exploration of the explicit, the obscene, and the graphic. The novel uses explicit description to evaluate and comment on characters, situations, and sexual and psychic states of being. Echoing the novel’s way of taking sex as a vehicle for reading the world, McMahon celebrates the richness and exuberance of Jin Ping Mei’s language of sex, which refuses imprisonment within the boundaries of orthodox culture’s cleanly authoritative style, and which continues to inspire admiration from readers around the world. Saying All That Can Be Said will change the way we think about sexual culture in premodern China.
Author: Jessica Dvorak Moyer
Publisher: BRILL
ISBN: 9004437924
Category : Law
Languages : en
Pages : 236
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Book Description
In Woman Rules Within: Domestic Space and Genre in Qing Vernacular Literature, Jessica Dvorak Moyer compares depictions of household space and women’s networks in texts across a range of genres from about 1600 to 1800 C.E. Analyzing vernacular transformations of classical source texts as well as vernacular stories and novels, Moyer shows that vernacular genres use expansive detail about architectural space and the everyday domestic world to navigate a variety of ideological tensions, particularly that between qing (emotion) and li (ritual propriety), and to flesh out characters whose actions challenge the norms of gendered spatial practice even as they ultimately uphold the gender order. Woman Rules Within contributes a new understanding of the role of colloquial language in late imperial literature.
Author: Julia Moses
Publisher: Bloomsbury Publishing
ISBN: 1474276121
Category : History
Languages : en
Pages : 290
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Book Description
Marriage, Law and Modernity offers a global perspective on the modern history of marriage. Widespread recent debate has focused on the changing nature of families, characterized by both the rise of unmarried cohabitation and the legalization of same-sex marriage. However, historical understanding of these developments remains limited. How has marriage come to be the target of national legislation? Are recent policies on same-sex marriage part of a broader transformation? And, has marriage come to be similar across the globe despite claims about national, cultural and religious difference? This collection brings together scholars from across the world in order to offer a global perspective on the history of marriage. It unites legal, political and social history, and seeks to draw out commonalities and differences by exploring connections through empire, international law and international migration.
Author: Hui Faye Xiao
Publisher: University of Washington Press
ISBN: 029580498X
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
As state control of private life in China has loosened since 1980, citizens have experienced an unprecedented family revolution—an overhaul of family structure, marital practices, and gender relationships. While the nuclear family has become a privileged realm of romance and individualism symbolizing the post-revolutionary “freedoms” of economic and affective autonomy, women’s roles in particular have been transformed, with the ideal “iron girl” of socialism replaced by the feminine, family-oriented “good wife and wise mother.” Problems and contradictions in this new domestic culture have been exposed by China's soaring divorce rate. Reading popular “divorce narratives” in fiction, film, and TV drama, Hui Faye Xiao shows that the representation of marital discord has become a cultural battleground for competing ideologies within post-revolutionary China. While these narratives present women’s cultivation of wifely and maternal qualities as the cure for family disintegration and social unrest, Xiao shows that they in fact reflect a problematic resurgence of traditional gender roles and a powerful mode of control over supposedly autonomous private life.
Author:
Publisher: Columbia University Press
ISBN: 0231546491
Category : Literary Collections
Languages : en
Pages : 235
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Book Description
The Tale of Cho Ung is one of the most widely read and beloved stories of Chosŏn Korea. The anonymously written tale recounts the adventures of protagonist Cho Ung as he fearlessly confronts and overcomes obstacles and grows into a heroic young man. As a child, Ung flees a wicked tyrant who wrongfully killed his father and took advantage of the emperor’s death to seize the throne from the young prince. Driven by his passion, righteousness, and sense of duty, he pursues retribution and restores justice. His journey, from its innocent beginnings to his final triumph, unfolds as a complex tapestry of loyalty, honor, retribution, and love interspersed with threads of romance and the supernatural. This first translation into English of The Tale of Cho Ung offers a glimpse into the vernacular and popular literature of the late Chosŏn period, exemplifying the types of stories and heroes that were favored by its reading public. The tale emphasizes individual affections and ethics between child and parent, husband and wife, subject and ruler, pupil and teacher, yet explores human life in all its complexity, even subtly dissenting against traditional Korean social norms. This unabridged translation draws upon the many surviving editions of the novel, which vary in length and format. In her introduction, Sookja Cho addresses how the novel evolved and changed over time, while her annotations help to reveal the depths of a text that conveys the richness and complexity of premodern Korean literature and culture.
Author: Master of Silent Whistle Studio
Publisher: University of Washington Press
ISBN: 0295747730
Category : Literary Collections
Languages : en
Pages : 279
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Book Description
As the audacious Monkey King battles his way through a landscape of inexplicable places and unfamiliar passions, Further Adventures on the Journey to the West offers a wry, revisionist critique of the late-Ming fascination with desire. Building on the great sixteenth-century novel Journey to the West, which recounts the escapades of a monk and three companions traveling to India in search of Buddhist scriptures to carry back to China, this sequel is a parable of self-delusion that explores the tension between desire and emptiness from a Buddhist perspective. The consummate literati novel, written by an accomplished artist for a well-educated readership, it is filled with allusions and parodies and features a dream-sequence narrative that is innovative and sophisticated even by modern standards. This new, fully annotated translation by two acclaimed scholars and translators brings to life this remarkably inventive, playful early modern text. The volume includes the original commentaries and illustrations, a critical introduction and afterword, and notes that highlight the sources of the novel’s intertextual references, revealing the author’s erudition and versatility. The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.
Author: Shu Yang
Publisher: Cornell University Press
ISBN: 1501770624
Category : Social Science
Languages : en
Pages : 307
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Book Description
Untamed Shrews traces the evolution of unruly women in Chinese literature, from the reviled "shrew" to the celebrated "new woman." Notorious for her violence, jealousy, and promiscuity, the character of the shrew personified the threat of unruly femininity to the Confucian social order and served as a justification for punishing any woman exhibiting these qualities. In this book, Shu Yang connects these shrewish qualities to symbols of female empowerment in modern China. Rather than meeting her demise, the shrew persisted, and her negative qualities became the basis for many forms of the new woman, ranging from the early Republican suffragettes and Chinese Noras, to the Communist and socialist radicals. Criticism of the shrew endured, but her vicious, sexualized, and transgressive nature became a source of pride, placing her among the ranks of liberated female models. Untamed Shrews shows that whether male writers and the state hate, fear, or love them, there will always be a place for the vitality of unruly women. Unlike in imperial times, the shrew in modern China stayed untamed as an inspiration for the new woman.
Author: Yu Zhang
Publisher: Lexington Books
ISBN: 1498557864
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Employing an interdisciplinary approach, this is the first monograph to frame three once widely-read tanci fiction (a type of lyrical narrative) from nineteenth-century China, Meng ying yuan (1843), Yu xuan cao (1894), and Jing zhong zhuan (1895), as interrelated texts composed by three generation of members from one extended gentry family in South China. Based on the framework of family bonds, this book uses the three tanci works, authored by a mother, her daughter, and a nephew, to examine the history of how the changing aesthetics of tanci developed over China’s turbulent nineteenth century. It also demonstrates how the three writers used the genre of tanci to blur the boundaries of orthodox Confucian norms, in order to depict the evolving nature of gendered power relations at the dawn of China’s modernity.
Author: Y. Yvon Wang
Publisher: Cornell University Press
ISBN: 1501752995
Category : Social Science
Languages : en
Pages : 306
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Book Description
Reinventing Licentiousness navigates an overlooked history of representation during the transition from the Qing Empire to the Chinese Republic—a time when older, hierarchical notions of licentiousness were overlaid by a new, pornographic regime. Y. Yvon Wang draws on previously untapped archives—ranging from police archives and surveys to ephemeral texts and pictures—to argue that pornography in China represents a unique configuration of power and desire that both reflects and shapes historical processes. On the one hand, since the late imperial period, pornography has democratized pleasure in China and opened up new possibilities of imagining desire. On the other, ongoing controversies over its definition and control show how the regulatory ideas of premodern cultural politics and the popular products of early modern cultural markets have contoured the globalized world. Reinventing Licentiousness emphasizes the material factors, particularly at the grassroots level of consumption and trade, that governed "proper" sexual desire and led to ideological shifts around the definition of pornography. By linking the past to the present and beyond, Wang's social and intellectual history showcases circulated pornographic material as a motor for cultural change. The result is an astonishing foray into what historicizing pornography can mean for our understandings of desire, legitimacy, capitalism, and culture.
