Polychrome Art in the Early Modern World PDF Download
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Author: Ilenia Colón Mendoza
Publisher: Taylor & Francis
ISBN: 1040043348
Category : Art
Languages : en
Pages : 271
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Book Description
This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800. Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent. The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, colonialism, material culture, and European studies.
Author: Ilenia Colón Mendoza
Publisher: Taylor & Francis
ISBN: 1040043348
Category : Art
Languages : en
Pages : 271
Get Book Here
Book Description
This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800. Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent. The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, colonialism, material culture, and European studies.
Author: Ilenia Colón Mendoza
Publisher: Routledge
ISBN: 9780367436353
Category : Art
Languages : en
Pages : 0
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Book Description
"This book focuses on the techniques and materials of polychromy used in early modern Europe and the Americas from 1200 to 1800. Taking a trans-cultural approach, the book studies the production of polychrome sculptures, panels, and altarpieces, as well as colored terracotta and painted representations of marble and stone. The book includes chapters on treatises and contracts that reveal specific use of pigments, distribution of workshops, collaborations between specialized artists, and artistic programs centered on the use of color as an agent. The book will be of interest to scholars working in art history, art conservation, early modern history, sculpture, material culture, European studies, and transatlantic artistic interactions"--
Author: J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 9780892369188
Category : Architecture
Languages : en
Pages : 204
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Book Description
There has been a persistent tradition of enlivening sculptures with color. This book presents five essays on polychromy in classical Greek through contemporary sculpture, along with discussions of over 40 extraordinary polychrome sculptures.
Author: James M. Pearce
Publisher: Boydell & Brewer
ISBN: 1640141871
Category : Literary Criticism
Languages : en
Pages : 147
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Book Description
Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. This volume examines the sacred and the profane in the early modern period. The 2023 volume features essays from the conference held at the University of North Carolina at Chapel Hill, as well as essays submitted directly to the journal. The opening essay juxtaposes Socratic irony and Hermeticism in its exploration of the Neoplatonic influences in Spenser's Faerie Queene. It is followed by three analyses of religious poems; the first demonstrates the ways in which William Baldwin resurrects Edward the sixth in his "Funeralles of King Edward" to promote his own evangelical agenda; the second takes a close look at Herrick's "Rex Tragicus," arguing that it is a powerful expression of "English religious identity." The final essay in this group seeks to complicate the history of the early modern female sonneteer. Returning to the secular, the next essay compares a work by Polish writer Andrzej Modrzewski to Sir Thomas More's Utopia. Art history is the focus of the following triad of essays, which illuminate the visual cultures of the Netherlands and Spain; they address the collaborative organization of the Spanish sculptor Alonso Berruguete's workshop, the related phenomenon of fiction, faith, and spectacle in Maarten van Heemskerck's religious imagery, and the political dimensions of the aesthetics of Habsburg portraiture. The volume concludes with an exuberant analysis of the role of fiction in the art of biographical writing, using the example of Katherine Rundell's Super-Infinite: The Transformations of John Donne. Contributors: Sunmin Cha, Ilenia Colón Mendoza, Scott Lucas, Gerardo Rappazzo Amura, Mary Ruth Robinson, Jesse Russell, Paul J. Stapleton, John Wall, Vaclav Zheng.
Author: Merry E. Wiesner-Hanks
Publisher: Routledge
ISBN: 1317100905
Category : Literary Criticism
Languages : en
Pages : 398
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Book Description
How did gender figure in understandings of spatial realms, from the inner spaces of the body to the furthest reaches of the globe? How did women situate themselves in the early modern world, and how did they move through it, in both real and imaginary locations? How do new disciplinary and geographic connections shape the ways we think about the early modern world, and the role of women and men in it? These are the questions that guide this volume, which includes articles by a select group of scholars from many disciplines: Art History, Comparative Literature, English, German, History, Landscape Architecture, Music, and Women's Studies. Each essay reaches across fields, and several are written by interdisciplinary groups of authors. The essays also focus on many different places, including Rome, Amsterdam, London, and Paris, and on texts and images that crossed the Atlantic and the Mediterranean, or that portrayed real and imagined people who did. Many essays investigate topics key to the ’spatial turn’ in various disciplines, such as borders and their permeability, actual and metaphorical spatial crossings, travel and displacement, and the built environment.
Author: Elizabeth Horodowich
Publisher: Cambridge University Press
ISBN: 1107122872
Category : History
Languages : en
Pages : 371
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Book Description
This volume considers Italy's history and examines how Italians became fascinated with the New World in the early modern period.
Author: Catherine Hall-Van den Elsen
Publisher: Illuminating Women Artists
ISBN: 9781848224469
Category : Christian art and symbolism
Languages : en
Pages : 0
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Book Description
This beautifully illustrated monograph presents the first overview in English of the life and work of Luisa Roldán (1652-1706), a prolific and celebrated sculptor of the Spanish Golden Age. The daughter of Pedro Roldán, a well-known sculptor from Seville, she developed her talent in her father's workshop. Early in her career she produced large polychromed wooden sculptures for churches in Seville, Cádiz, and surrounding towns. She spent the second half of her career in Madrid, where she worked in both polychromed wood and polychromed terracotta, developing new products for a domestic, devotional market. In recognition of her talent, she was awarded the title of Sculptor to the Royal Chambers of two kings of Spain, Charles II and Philip V. This book places Roldán within a wider historical and social context, exploring what life would have been like for her as a woman sculptor in early modern Spain. It considers her work alongside that of other artists of the Baroque period, including Velázquez, Murillo, and Zurbarán. Reflecting on the opportunities available to her during this time, as well as the challenges she faced, Catherine Hall-van den Elsen weaves the narrative of Roldán's story with analysis, revealing the complexities of her oeuvre. Every year, newly discovered sculptures in wood and in terracotta enter into Roldán's oeuvre. As her artistic output begins to attract greater attention from scholars and art lovers, Luisa Roldán provides invaluable insights into her artistic achievements.
Author: EdwardH. Wouk
Publisher: Routledge
ISBN: 1351553216
Category : Art
Languages : en
Pages : 297
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Book Description
Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original 'meanings' may be lost, reconfigured, or subverted in surprising ways, whether a Netherlandish motif graces a cabinet in Italy or the print itself, colored or copied, is integrated into the calligraphic scheme of a Persian royal album. These intertwined relationships yield unexpected yet surprisingly prevalent modes of perception. Andrea Mantegna's 1470/1500 Battle of the Sea Gods, an engraving that emulates the properties of sculpted relief, was in fact reborn as relief sculpture, and fabrics based on print designs were reapplied to prints, returning color and tactility to the very objects from which the derived. Together, the essays in this volume witness a methodological shift in the study of print, from examining the printed image as an index of an absent invention in another medium - a painting, sculpture, or drawing - to considering its role as a generative, active agent driving modes of invention and perception far beyond the locus of its production.
Author: Erin Kathleen Rowe
Publisher: Cambridge University Press
ISBN: 1108421210
Category : History
Languages : en
Pages : 317
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Book Description
This is the untold story of how black saints - and the slaves who venerated them - transformed the early modern church. It speaks to race, the Atlantic slave trade, and global Christianity, and provides new ways of thinking about blackness, holiness, and cultural authority.
Author: Michael Gaudio
Publisher: Routledge
ISBN: 1351545949
Category : Art
Languages : en
Pages : 402
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Book Description
The first book-length study of the fifteen surviving Little Gidding bible concordances, this book examines the visual culture of print in seventeenth-century England through the lens of one extraordinary family and their hand-made biblical manuscripts. The volumes were created by the women of the Ferrar-Collet family of Little Gidding, who selected works from the family's collection of Catholic religious prints, and then cut and pasted prints and print fragments, along with verses excised from the bible, and composed them in artful arrangements on the page in the manner of collage. Gaudio shows that by cutting, recombining, and pasting multi-scaled print fragments, the Ferrar-Collet family put into practice a remarkably flexible pictorial language. The Little Gidding concordances provide an occasion to explore how the manipulation of print could be a means of thinking through some of the most pressing religious and political questions of the pre-civil war period: the coherence of printed scripture, the nature of sovereignty, the relevance of the Mosaic law, and the protestant reform of images. By foregrounding the Ferrar-Collets' engagement with the print fragment, this book extends the scope of early modern print history beyond the printmaker's studio and expands our understanding of the ways an early modern Protestant community could productively engage with the religious image. Contrary to the long-held view that the English Reformation led to a decline in the importance of the religious image, this study demonstrates the ongoing vitality of religious prints in early modern England as instruments for thinking.
