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Author: Robert Justin Goldstein
Publisher: Springer
ISBN: 1137316497
Category : History
Languages : en
Pages : 288
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Book Description
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
Author: Robert Justin Goldstein
Publisher: Springer
ISBN: 1137316497
Category : History
Languages : en
Pages : 288
Get Book Here
Book Description
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
Author: Robert Justin Goldstein
Publisher: Springer
ISBN: 1137316497
Category : History
Languages : en
Pages : 288
Get Book Here
Book Description
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
Author: Robert Justin Goldstein
Publisher: Springer
ISBN: 1349201286
Category : Political Science
Languages : en
Pages : 268
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Book Description
Political Censorship of the Arts and the Press in Nineteenth-Century Europe presents a comprehensive account of the attempts by authorities throughout Europe to stifle the growth of political opposition during the nineteenth-century by censoring newspapers, books, caricatures, plays, operas and film. Appeals for democracy and social reform were especially suspect to the authorities, so in Russia cookbooks which refered to 'free air' in ovens were censored as subversive, while in England in 1829 the censor struck from a play the remark that 'honest men at court don't take up much room'. While nineteenth-century European political censorship blocked the open circulation of much opposition writing and art, it never succeeded entirely in its aim since writers, artists and 'consumers' often evaded the censors by clandestine circulation of forbidden material and by the widely practised skill of 'reading between the lines'.
Author: Robert Justin Goldstein
Publisher: Palgrave Macmillan
ISBN: 9780312024703
Category : Arte - Censura - Europa - Historia - Siglo XIX
Languages : en
Pages : 232
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Book Description
Author: Robert Justin Goldstein
Publisher: Routledge
ISBN: 113502670X
Category : Political Science
Languages : en
Pages : 423
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Book Description
Originally published in 1983. The nineteenth century was a time of great economic, social and political change. As Europe modernized, previously ignorant and apathetic elements in the population began to demand political freedoms. There was pressure also for a freer press, for the rights of assembly and association. The apprehension of the existing elites manifested itself in an intensification of often brutal form of political repression. The first part of this book summarizes on a pan-European basis, the major techniques of repression such as the denial of popular franchise and press censorship. This is followed by a chronological survey of these techniques from 1815 – 1914 in each European country. The book analyzes the long and short-term importance of these events for European historical development in the 19th and 20th centuries.
Author: Robert Justin Goldstein
Publisher: Routledge
ISBN: 1135026696
Category : Political Science
Languages : en
Pages : 371
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Book Description
Originally published in 1983. The nineteenth century was a time of great economic, social and political change. As Europe modernized, previously ignorant and apathetic elements in the population began to demand political freedoms. There was pressure also for a freer press, for the rights of assembly and association. The apprehension of the existing elites manifested itself in an intensification of often brutal form of political repression. The first part of this book summarizes on a pan-European basis, the major techniques of repression such as the denial of popular franchise and press censorship. This is followed by a chronological survey of these techniques from 1815 – 1914 in each European country. The book analyzes the long and short-term importance of these events for European historical development in the 19th and 20th centuries.
Author: Anna Ross
Publisher: Oxford University Press
ISBN: 0192570552
Category : History
Languages : en
Pages : 367
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Book Description
Beyond the Barricades is an original study of government after the 1848 revolutions. It focuses on the state of Prussia, where a number of conservative ministers sought to learn lessons from their experiences of upheaval and introduce a wave of reform in the 1850s. Using extensive archival research, the work explores Prussia's entry into the constitutional age, charting initiatives to transform criminal justice, agriculture, industry, communications, urban life, and the press. Reform strengthened contact with the Prussian population, making this a classic episode of state-building, but Beyond the Barricades seeks to go further. It makes a case for taking notice of government activity at this particular juncture because the measures endorsed by conservative statesmen in the 1850s sought to remove the feudal intermediaries that had lingered long into the nineteenth century and replace them with an array of government institutions, legal regimes, and official practices. In sum, this book recasts the post-revolutionary decade as a period which saw the transition from an old to a new world, pivotal to the making of modern Prussia and ultimately, modern Germany.
Author: Thomas Smits
Publisher: Routledge
ISBN: 1000767221
Category : History
Languages : en
Pages : 264
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Book Description
This book looks at the roots of a global visual news culture: the trade in illustrations of the news between European illustrated newspapers in the mid-nineteenth century. In the age of nationalism, we might suspect these publications to be filled with nationally produced content, supporting a national imagined community. However, the large-scale transnational trade in illustrations, which this book uncovers, points out that nineteenth-century news consumers already looked at the same world. By exchanging images, European illustrated newspapers provided them with a shared, transnational, experience.
Author: Samuel Raybone
Publisher: Bloomsbury Publishing USA
ISBN: 1501339966
Category : Art
Languages : en
Pages : 265
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Book Description
Gustave Caillebotte was more than a painter: he collected and researched postage stamps; designed and built yachts; administered and participated in the sport of yachting; collected paintings; cultivated and collected rare orchids; designed and tended his gardens; and engaged in local politics. Gustave Caillebotte as Worker, Collector, Painter presents the first comprehensive account of Caillebotte's manifold activities. It presents a completely new critical interpretation of Caillebotte's broad career that highlights the singular salience of 'work', and which intersects histories and theories of visual culture, ideology, and psychoanalysis. Where the recent art historical 'rediscovery' of Caillebotte offers multiple narratives of his identification with working men, this book goes beyond them towards excavating what his work was in its own terms. Born to an haut bourgeois milieu in which he was never completely comfortable and assailed by traumatic familial bereavements, Caillebotte adopted and adapted the ideologically normative category of work for his own purposes, deconstructing its ostensibly class-determinate parameters in order to bridge the chasm of his social alienation.
Author: Heidi Hakkarainen
Publisher: Berghahn Books
ISBN: 1789202744
Category : History
Languages : en
Pages : 288
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Book Description
Though long associated with a small group of coffeehouse elites around the turn of the twentieth century, Viennese “modernist” culture had roots that reached much further back and beyond the rarefied sphere of high culture. In Comical Modernity, Heidi Hakkarainen looks at Vienna in the second half of the nineteenth century, a period of dramatic urban renewal during which the city’s rapidly changing face was a mainstay of humorous magazines, books, and other publications aimed at middle-class audiences. As she shows, humor provided a widely accessible means of negotiating an era of radical change.
