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Author: Agata Luksza
Publisher: University of Iowa Press
ISBN: 1609389301
Category : Performing Arts
Languages : en
Pages : 368
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Book Description
Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Agata Łuksza places special emphasis on the most engaged spectators, known as “theatremaniacs”—from what they wore, to what they bought, to what they ate. Her source material is elusive ephemera from fans’ lives, such as notes scribbled on a weekly list of shows in the Warsaw theatres, collections of theatre postcards, and recipes for sweets named after famous actors. The fannish behavior of theatremaniacs was usually deemed excessive or in poor taste by people in positions of power, as it clashed with the ongoing embourgeoisement of the theatre and the disciplining of audiences. Nevertheless, the theatre was one of the key areas where early fan cultures emerged, and theatremaniacs indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship.
Author: Agata Luksza
Publisher: University of Iowa Press
ISBN: 1609389301
Category : Performing Arts
Languages : en
Pages : 368
Get Book Here
Book Description
Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Agata Łuksza places special emphasis on the most engaged spectators, known as “theatremaniacs”—from what they wore, to what they bought, to what they ate. Her source material is elusive ephemera from fans’ lives, such as notes scribbled on a weekly list of shows in the Warsaw theatres, collections of theatre postcards, and recipes for sweets named after famous actors. The fannish behavior of theatremaniacs was usually deemed excessive or in poor taste by people in positions of power, as it clashed with the ongoing embourgeoisement of the theatre and the disciplining of audiences. Nevertheless, the theatre was one of the key areas where early fan cultures emerged, and theatremaniacs indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship.
Author: Agata Luksza
Publisher: University of Iowa Press
ISBN: 1609389298
Category : History
Languages : en
Pages : 368
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Book Description
Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Agata Luksza places special emphasis on the most engaged spectators, known as "theatremaniacs"--from what they wore, to what they bought, to what they ate. The theatre was one of the key areas where early fan cultures emerged, and theatremaniacs indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship.
Author: Jonas Vanderschueren
Publisher: Springer Nature
ISBN: 3031645383
Category :
Languages : en
Pages : 259
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Book Description
Author: J. Chris Westgate
Publisher: University of Iowa Press
ISBN: 1609389484
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
Rowdy Carousals makes important interventions in nineteenth-century theatre history with regard to the Bowery Boy, a raucous, white, urban character most famously exemplified by Mose from A Glance at New York in 1848. Theatrical representations of the Bowery Boy emphasized the privileges of whiteness against nonwhite workers including enslaved and free African Americans during the Antebellum Period, an articulation of white superiority that continued through the early twentieth century with Jewish, Italian, and Chinese immigrants. The book’s examination of working-class whiteness on stage, in the theatre, and in print culture invites theatre historians and critics to check the impulse to downplay or ignore questions about race and ethnicity in discussion of the Bowery Boy. J. Chris Westgate further explores links between the Bowery Boy’s rowdyism in the nineteenth century and the resurgence of white supremacy in the early twenty-first century.
Author: Graham Seton Hutchison
Publisher:
ISBN:
Category : Coal
Languages : en
Pages : 136
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Book Description
Author: Conference The Other in Polish Theatre and Drama
Publisher:
ISBN:
Category : National characteristics, Polish, in drama
Languages : en
Pages : 214
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Book Description
Author: Jakub Dabrowski
Publisher: Mosaic Press
ISBN: 1771614692
Category : Art
Languages : en
Pages : 691
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Book Description
Censorship in Polish Art After 1989 is a pioneering work on censorship in Polish art after the fall of the USSR available in English for the first time with a skilled translation by Lukasz Mojsak. Polish Art Historian Jakub Dabrowski, with contributions from Anna Demenko, offers the first comprehensive study to analyze the problems of restricting the freedom of artistic expression in the Third Polish Republic. The book includes two complementary approaches - legal and historical (including political and social aspects of the phenomenon). Based on the collected factographic material, Dabrowski captures the characteristic qualitative and quantitative characteristics of the phenomenon studied in time. He enters his considerations in a wider social, political, artistic and media context, at the same time pointing to symbolic breakthroughs, precedents, sequences or correlations of events.
Author: Kris Van Heuckelom
Publisher: Springer
ISBN: 3030042189
Category : Performing Arts
Languages : en
Pages : 294
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Book Description
This study explores the representation of international migration on screen and how it has gained prominence and salience in European filmmaking over the past 100 years. Using Polish migration as a key example due to its long-standing cultural resonance across the continent, this book moves beyond a director-oriented approach and beyond the dominant focus on postcolonial migrant cinemas. It succeeds in being both transnational and longitudinal by including a diverse corpus of more than 150 films from some twenty different countries, of which Roman Polański’s The Tenant, Jean-Luc Godard’s Passion and Krzysztof Kieślowski’s Trois couleurs: Blanc are the best-known examples. Engaging with contemporary debates on modernisation and Europeanisation, the author proposes the notion of “close Otherness” to delineate the liminal position of fictional characters with a Polish background. Polish Migrants in European Film 1918-2017 takes the reader through a wide range of genres, from interwar musicals to Cold War defection films; from communist-era exile right up to the contemporary moment. It is suitable for scholars interested in European or Slavic studies, as well as anyone who is interested in topics such as identity construction, ethnic representation, East-West cultural exchanges and transnationalism.
Author: Alina Molisak
Publisher: Cambridge Scholars Publishing
ISBN: 1527502678
Category : Social Science
Languages : en
Pages : 400
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Book Description
Are the literary works of Polish Jews one unified literature in three languages: Yiddish, Hebrew and Polish, or is the literal corpus of each of these languages a separated literary and cultural phenomenon? Twenty-seven scholars from Europe, the United States, and Israel explore different aspects of the multilingual literature of Eastern European Jews, with a particular focus on the trilingual literature of Polish Jews until World War II. The work of the great Yiddish and Hebrew writer Isaac Leib Peretz (1852–1915) represents the center of the book, though it does not concentrate solely on Peretz’s work, but, rather, discusses the oeuvre of other unique authors in the cultural space of Jews in Central and Eastern Europe generally, and in Poland particularly. The book looks at this issue from three aspects, namely the literal, cultural, and historical, and also examines the dialogue of Polish Jewish literature with other languages and cultures.
Author: Joel Berkowitz
Publisher: Wayne State University Press
ISBN: 0814335047
Category : Foreign Language Study
Languages : en
Pages : 398
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Book Description
Collects leading scholars' insight on the plays, production, music, audiences, and political and aesthetic concerns of modern Yiddish theater. While Yiddish theater is best known as popular entertainment, it has been shaped by its creators' responses to changing social and political conditions. Inventing the Modern Yiddish Stage: Essays in Drama, Performance, and Show Business showcases the diversity of modern Yiddish theater by focusing on the relentless and far-ranging capacity of its performers, producers, critics, and audiences for self-invention. Editors Joel Berkowitz and Barbara Henry have assembled essays from leading scholars that trace the roots of modern Yiddish drama and performance in nineteenth-century Eastern Europe and span a century and a half and three continents, beyond the heyday of a Yiddish stage that was nearly eradicated by the Holocaust, to its post-war life in Western Europe and Israel. Each chapter takes its own distinct approach to its subject and is accompanied by an appendix consisting of primary material, much of it available in English translation for the first time, to enrich readers' appreciation of the issues explored and also to serve as supplementary classroom texts. Chapters explore Yiddish theater across a broad geographical span--from Poland and Russia to France, the United States, Argentina, and Israel and Palestine. Readers will spend time with notable individuals and troupes; meet creators, critics, and audiences; sample different dramatic genres; and learn about issues that preoccupied both artists and audiences. The final section presents an extensive bibliography of book-length works and scholarly articles on Yiddish drama and theater, the most comprehensive resource of its kind. Collectively these essays illuminate the modern Yiddish stage as a phenomenon that was constantly reinventing itself and simultaneously examining and questioning that very process. Scholars of Jewish performance and those interested in theater history will appreciate this wide-ranging volume.
