Author: Alexis R. Culotta
Publisher: BRILL
ISBN: 9004430482
Category : Art
Languages : en
Pages : 238
Book Description
In Tracing the Visual Language of Raphael’s Circle to 1527, Alexis Culotta examines how the Renaissance master’s style – one infused with borrowed visual quotations from other artists both past and present – proved influential in his relationship with associate Baldassare Peruzzi and in the development of the artists within his thriving workshop. Shedding new light on the important, yet often-overshadowed, figures within this network, this book calls upon key case studies to convincingly illustrate how this visual language and its recombination evolved during Raphael’s Roman career and subsequently served as a springboard for artistic innovation for these close associates as they collaborated in the years following Raphael’s death.
Tracing the Visual Language of Raphael’s Circle to 1527
Author: Alexis R. Culotta
Publisher: BRILL
ISBN: 9004430482
Category : Art
Languages : en
Pages : 238
Book Description
In Tracing the Visual Language of Raphael’s Circle to 1527, Alexis Culotta examines how the Renaissance master’s style – one infused with borrowed visual quotations from other artists both past and present – proved influential in his relationship with associate Baldassare Peruzzi and in the development of the artists within his thriving workshop. Shedding new light on the important, yet often-overshadowed, figures within this network, this book calls upon key case studies to convincingly illustrate how this visual language and its recombination evolved during Raphael’s Roman career and subsequently served as a springboard for artistic innovation for these close associates as they collaborated in the years following Raphael’s death.
Publisher: BRILL
ISBN: 9004430482
Category : Art
Languages : en
Pages : 238
Book Description
In Tracing the Visual Language of Raphael’s Circle to 1527, Alexis Culotta examines how the Renaissance master’s style – one infused with borrowed visual quotations from other artists both past and present – proved influential in his relationship with associate Baldassare Peruzzi and in the development of the artists within his thriving workshop. Shedding new light on the important, yet often-overshadowed, figures within this network, this book calls upon key case studies to convincingly illustrate how this visual language and its recombination evolved during Raphael’s Roman career and subsequently served as a springboard for artistic innovation for these close associates as they collaborated in the years following Raphael’s death.
Literature and Artistic Practice in Sixteenth-Century Italy
Author: Angela Cerasuolo
Publisher: BRILL
ISBN: 900433534X
Category : History
Languages : en
Pages : 498
Book Description
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
Publisher: BRILL
ISBN: 900433534X
Category : History
Languages : en
Pages : 498
Book Description
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
The Picture Collector's Manual ...
Author: James R. Hobbes
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 650
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 650
Book Description
Sculpture in Print, 1480–1600
Author: Anne Bloemacher
Publisher: BRILL
ISBN: 9004445862
Category : Art
Languages : en
Pages : 392
Book Description
Sculpture in Print, 1480–1600 is the first in-depth study dedicated to the intriguing history of the translation of statues and reliefs into print. The multitude of engravings, woodcuts and etchings show a highly creative handling of the ‘original’ antique or contemporary work of art. The essays in this volume reflect these various approaches to and challenges of translating sculpture in print. They analyze foremost the beginnings of the phenomenon in Italian and Northern Renaissance prints and they highlight by means of case studies amongst many other topics the interrelated terminology between sculpture and print, lost models in print, the inventive handling of fragments, as well as the transformation of statues into narrative contexts.
Publisher: BRILL
ISBN: 9004445862
Category : Art
Languages : en
Pages : 392
Book Description
Sculpture in Print, 1480–1600 is the first in-depth study dedicated to the intriguing history of the translation of statues and reliefs into print. The multitude of engravings, woodcuts and etchings show a highly creative handling of the ‘original’ antique or contemporary work of art. The essays in this volume reflect these various approaches to and challenges of translating sculpture in print. They analyze foremost the beginnings of the phenomenon in Italian and Northern Renaissance prints and they highlight by means of case studies amongst many other topics the interrelated terminology between sculpture and print, lost models in print, the inventive handling of fragments, as well as the transformation of statues into narrative contexts.
Solitudo
Author:
Publisher: BRILL
ISBN: 9004367438
Category : Art
Languages : en
Pages : 602
Book Description
This book explores the spatial, material, and affective dimensions of solitude in the late medieval and early modern periods, a hitherto largely neglected topic. Its focus is on the dynamic qualities of “space” and “place”, which are here understood as being shaped, structured, and imbued with meaning through both social and discursive solitary practices such as reading, writing, studying, meditating, and praying. Individual chapters investigate the imageries and imaginaries of outdoor and indoor spaces and places associated with solitude and its practices and examine the ways in which the space of solitude was conceived of, imagined, and represented in the arts and in literature, from about 1300 to about 1800. Contributors include Oskar Bätschmann, Carla Benzan, Mette Birkedal Bruun, Dominic E. Delarue, Karl A.E. Enenkel, Christine Göttler, Agnès Guiderdoni, Christiane J. Hessler, Walter S. Melion, Raphaèle Preisinger, Bernd Roling, Paul Smith, Marie Theres Stauffer, Arnold A. Witte, and Steffen Zierholz.
Publisher: BRILL
ISBN: 9004367438
Category : Art
Languages : en
Pages : 602
Book Description
This book explores the spatial, material, and affective dimensions of solitude in the late medieval and early modern periods, a hitherto largely neglected topic. Its focus is on the dynamic qualities of “space” and “place”, which are here understood as being shaped, structured, and imbued with meaning through both social and discursive solitary practices such as reading, writing, studying, meditating, and praying. Individual chapters investigate the imageries and imaginaries of outdoor and indoor spaces and places associated with solitude and its practices and examine the ways in which the space of solitude was conceived of, imagined, and represented in the arts and in literature, from about 1300 to about 1800. Contributors include Oskar Bätschmann, Carla Benzan, Mette Birkedal Bruun, Dominic E. Delarue, Karl A.E. Enenkel, Christine Göttler, Agnès Guiderdoni, Christiane J. Hessler, Walter S. Melion, Raphaèle Preisinger, Bernd Roling, Paul Smith, Marie Theres Stauffer, Arnold A. Witte, and Steffen Zierholz.
The Picture Collector's Manual, Adapted to the Professional Man, and the Amateur, Being: A Dictionary of Painters ... Together with an
Author: James R. Hobbes
Publisher:
ISBN:
Category :
Languages : en
Pages : 652
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 652
Book Description
Alphabetical arrangement of scholars and masters and classification of subjects
Author: James R. Hobbes
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 658
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 658
Book Description
Dictionary of Painters and Engravers
Author: Michael Bryan
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 804
Book Description
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 804
Book Description
An Inquiry Concerning the Invention of Printing
Author: William Young Ottley
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 556
Book Description
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 556
Book Description
Rubens
Author: Jeremy Wood
Publisher: Harvey Miller
ISBN: 9781905375660
Category : Art
Languages : en
Pages : 280
Book Description
As well as full copies, Rubens worked on drawings by Raphael and copies by other artists which he retouched or adapted. The works catalogued here were collected by Rubens during his sojourn in Italy from 1600-1608.
Publisher: Harvey Miller
ISBN: 9781905375660
Category : Art
Languages : en
Pages : 280
Book Description
As well as full copies, Rubens worked on drawings by Raphael and copies by other artists which he retouched or adapted. The works catalogued here were collected by Rubens during his sojourn in Italy from 1600-1608.