Author: Frederick A. Hoffmann
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 382
Book Description
Poetry, Its Origin, Nature, and History
Author: Frederick A. Hoffmann
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 382
Book Description
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 382
Book Description
Poetry, Its Origin, Nature, and History
Author: Frederick A. Hoffman
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 766
Book Description
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 766
Book Description
Black Nature
Author: Camille T. Dungy
Publisher: University of Georgia Press
ISBN: 0820334316
Category : Poetry
Languages : en
Pages : 426
Book Description
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.
Publisher: University of Georgia Press
ISBN: 0820334316
Category : Poetry
Languages : en
Pages : 426
Book Description
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.
The Philosophy of the Beautiful: Its theory and its relation to the arts
Author: William Angus Knight
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 308
Book Description
Knowing Poetry
Author: Adrian Armstrong
Publisher: Cornell University Press
ISBN: 0801461065
Category : History
Languages : en
Pages : 263
Book Description
In the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of verse narrative from the early Middle Ages were recast in prose, as if prose had become the literary norm. Instead of dying out, however, verse took on new vitality. In France verse texts were produced, in both French and Occitan, with the explicit intention of transmitting encyclopedic, political, philosophical, moral, historical, and other forms of knowledge. In Knowing Poetry, Adrian Armstrong and Sarah Kay explore why and how verse continued to be used to transmit and shape knowledge in France. They cover the period between Jean de Meun’s Roman de la rose (c. 1270) and the major work of Jean Bouchet, the last of the grands rhétoriqueurs (c. 1530). The authors find that the advent of prose led to a new relationship between poetry and knowledge in which poetry serves as a medium for serious reflection and self-reflection on subjectivity, embodiment, and time. They propose that three major works—the Roman de la rose, the Ovide moralisé, and Boethius’ Consolation of Philosophy—form a single influential matrix linking poetry and intellectual inquiry, metaphysical insights, and eroticized knowledge. The trio of thought-world-contingency, poetically represented by Philosophy, Nature, and Fortune, grounds poetic exploration of reality, poetry, and community.
Publisher: Cornell University Press
ISBN: 0801461065
Category : History
Languages : en
Pages : 263
Book Description
In the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of verse narrative from the early Middle Ages were recast in prose, as if prose had become the literary norm. Instead of dying out, however, verse took on new vitality. In France verse texts were produced, in both French and Occitan, with the explicit intention of transmitting encyclopedic, political, philosophical, moral, historical, and other forms of knowledge. In Knowing Poetry, Adrian Armstrong and Sarah Kay explore why and how verse continued to be used to transmit and shape knowledge in France. They cover the period between Jean de Meun’s Roman de la rose (c. 1270) and the major work of Jean Bouchet, the last of the grands rhétoriqueurs (c. 1530). The authors find that the advent of prose led to a new relationship between poetry and knowledge in which poetry serves as a medium for serious reflection and self-reflection on subjectivity, embodiment, and time. They propose that three major works—the Roman de la rose, the Ovide moralisé, and Boethius’ Consolation of Philosophy—form a single influential matrix linking poetry and intellectual inquiry, metaphysical insights, and eroticized knowledge. The trio of thought-world-contingency, poetically represented by Philosophy, Nature, and Fortune, grounds poetic exploration of reality, poetry, and community.
The Evolution of Literature
Author: Alastair St. Clair Mackenzie
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 496
Book Description
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 496
Book Description
Why Poetry
Author: Matthew Zapruder
Publisher: HarperCollins
ISBN: 0062343092
Category : Literary Criticism
Languages : en
Pages : 177
Book Description
An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.
Publisher: HarperCollins
ISBN: 0062343092
Category : Literary Criticism
Languages : en
Pages : 177
Book Description
An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.
Current Literature
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 1064
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 1064
Book Description
An Introduction to the Methods and Materials of Literary Criticism
Author: Charles Mills Gayley
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 1222
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 1222
Book Description
God the Poet
Author: Jeffrey Jay Niehaus
Publisher:
ISBN: 9780989167123
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
In readable and nonscholarly fashion, Niehaus, who is both a theologian and poet, provides a theological and literary analysis of the epic poems of Dante (Divine Comedy), Milton (Paradise Lost), Cowper (The Task), and Wordsworth. Niehaus also presents the theological background of great poetry and shows how that background illuminates our understanding of important topics such as creation, sin, hell, the devil, beauty, truth, redemption, and God supremely manifested in Christ. "I hope and believe," writes the author, "that my observations (and the observations of others whom I endorse) on the work of poetic imagination as part of the imago Dei apply equally well to any sort of poetry (and for that matter any art)."
Publisher:
ISBN: 9780989167123
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
In readable and nonscholarly fashion, Niehaus, who is both a theologian and poet, provides a theological and literary analysis of the epic poems of Dante (Divine Comedy), Milton (Paradise Lost), Cowper (The Task), and Wordsworth. Niehaus also presents the theological background of great poetry and shows how that background illuminates our understanding of important topics such as creation, sin, hell, the devil, beauty, truth, redemption, and God supremely manifested in Christ. "I hope and believe," writes the author, "that my observations (and the observations of others whom I endorse) on the work of poetic imagination as part of the imago Dei apply equally well to any sort of poetry (and for that matter any art)."