Author: Roberts A.M. Roberts
Publisher: Edinburgh University Press
ISBN: 1474472079
Category : LITERARY CRITICISM
Languages : en
Pages : 240
Book Description
The cultural value of poetry is critically examined in this book, from anthologies and academia to film and the internet. Attention is also given to the role of political ideologies and local, national and ethnic identities in the formation of poetic values.With chapters by distinguished critics from both sides of the Atlantic, the book ranges widely over contemporary poetry in America and the British Isles and explores transatlantic connections. Informed by current theoretical debates around ideas of value, the chapters focus these through clear discussion of texts in various media, including the work of a wide variety of poets and movements. The book carries forward the debate on the value of contemporary poetry amongst critics, scholars and practitioners while offering rich material for students and teachers of contemporary poetry and culture.Contributors: Jonathan Allison, Vicki Bertram, Paul Breslin, Cairns Craig, Robert Crawford, Lilias Fraser, Alan Golding, Romana Huk, Marjorie Perloff, Andrew Michael Roberts.Features * Focuses on the relationship between poetry and cultural practices* Informed by current theoretical debates about value* Wide range of British and American poetry discussed by leading critics from both sides of the Atlantic
Poetry And Contemporary Culture
Author: Roberts A.M. Roberts
Publisher: Edinburgh University Press
ISBN: 1474472079
Category : LITERARY CRITICISM
Languages : en
Pages : 240
Book Description
The cultural value of poetry is critically examined in this book, from anthologies and academia to film and the internet. Attention is also given to the role of political ideologies and local, national and ethnic identities in the formation of poetic values.With chapters by distinguished critics from both sides of the Atlantic, the book ranges widely over contemporary poetry in America and the British Isles and explores transatlantic connections. Informed by current theoretical debates around ideas of value, the chapters focus these through clear discussion of texts in various media, including the work of a wide variety of poets and movements. The book carries forward the debate on the value of contemporary poetry amongst critics, scholars and practitioners while offering rich material for students and teachers of contemporary poetry and culture.Contributors: Jonathan Allison, Vicki Bertram, Paul Breslin, Cairns Craig, Robert Crawford, Lilias Fraser, Alan Golding, Romana Huk, Marjorie Perloff, Andrew Michael Roberts.Features * Focuses on the relationship between poetry and cultural practices* Informed by current theoretical debates about value* Wide range of British and American poetry discussed by leading critics from both sides of the Atlantic
Publisher: Edinburgh University Press
ISBN: 1474472079
Category : LITERARY CRITICISM
Languages : en
Pages : 240
Book Description
The cultural value of poetry is critically examined in this book, from anthologies and academia to film and the internet. Attention is also given to the role of political ideologies and local, national and ethnic identities in the formation of poetic values.With chapters by distinguished critics from both sides of the Atlantic, the book ranges widely over contemporary poetry in America and the British Isles and explores transatlantic connections. Informed by current theoretical debates around ideas of value, the chapters focus these through clear discussion of texts in various media, including the work of a wide variety of poets and movements. The book carries forward the debate on the value of contemporary poetry amongst critics, scholars and practitioners while offering rich material for students and teachers of contemporary poetry and culture.Contributors: Jonathan Allison, Vicki Bertram, Paul Breslin, Cairns Craig, Robert Crawford, Lilias Fraser, Alan Golding, Romana Huk, Marjorie Perloff, Andrew Michael Roberts.Features * Focuses on the relationship between poetry and cultural practices* Informed by current theoretical debates about value* Wide range of British and American poetry discussed by leading critics from both sides of the Atlantic
Poet-Critics and the Administration of Culture
Author: Evan Kindley
Publisher: Harvard University Press
ISBN: 0674981634
Category : Literary Criticism
Languages : en
Pages : 175
Book Description
The period between 1920 and 1950 saw an epochal shift in the American cultural economy. The shocks of the 1929 market crash and the Second World War decimated much of the support for high modernist literature, and writers who had relied on wealthy benefactors were forced to find new protectors from the depredations of the free market. Private foundations, universities, and government organizations began to fund the arts, and in this environment writers were increasingly obliged to become critics, elucidating and justifying their work to an audience of elite administrators. In Poet-Critics and the Administration of Culture, Evan Kindley recognizes the major role modernist poet-critics played in the transition from aristocratic patronage to technocratic cultural administration. Poet-critics developed extensive ties to a network of bureaucratic institutions and established dual artistic and intellectual identities to appeal to the kind of audiences and entities that might support their work. Kindley focuses on Anglo-American poet-critics including T. S. Eliot, Marianne Moore, W. H. Auden, Archibald MacLeish, Sterling A. Brown, and R. P. Blackmur. These artists grappled with the task of being “village explainers” (as Gertrude Stein described Ezra Pound) and legitimizing literature for public funding and consumption. Modernism, Kindley shows, created a different form of labor for writers to perform and gave them an unprecedented say over the administration of contemporary culture. The consequences for our understanding of poetry and its place in our culture are still felt widely today.
Publisher: Harvard University Press
ISBN: 0674981634
Category : Literary Criticism
Languages : en
Pages : 175
Book Description
The period between 1920 and 1950 saw an epochal shift in the American cultural economy. The shocks of the 1929 market crash and the Second World War decimated much of the support for high modernist literature, and writers who had relied on wealthy benefactors were forced to find new protectors from the depredations of the free market. Private foundations, universities, and government organizations began to fund the arts, and in this environment writers were increasingly obliged to become critics, elucidating and justifying their work to an audience of elite administrators. In Poet-Critics and the Administration of Culture, Evan Kindley recognizes the major role modernist poet-critics played in the transition from aristocratic patronage to technocratic cultural administration. Poet-critics developed extensive ties to a network of bureaucratic institutions and established dual artistic and intellectual identities to appeal to the kind of audiences and entities that might support their work. Kindley focuses on Anglo-American poet-critics including T. S. Eliot, Marianne Moore, W. H. Auden, Archibald MacLeish, Sterling A. Brown, and R. P. Blackmur. These artists grappled with the task of being “village explainers” (as Gertrude Stein described Ezra Pound) and legitimizing literature for public funding and consumption. Modernism, Kindley shows, created a different form of labor for writers to perform and gave them an unprecedented say over the administration of contemporary culture. The consequences for our understanding of poetry and its place in our culture are still felt widely today.
Attention Equals Life
Author: Andrew Epstein
Publisher: Oxford University Press
ISBN: 0199972125
Category : Literary Criticism
Languages : en
Pages : 385
Book Description
Poetry has long been thought of as a genre devoted to grand subjects, timeless themes, and sublime beauty. Why, then, have contemporary poets turned with such intensity to documenting and capturing the everyday and mundane? Drawing on insights about the nature of everyday life from philosophy, history, and critical theory, Andrew Epstein traces the modern history of this preoccupation and considers why it is so much with us today. Attention Equals Life argues that a potent hunger for everyday life explodes in the post-1945 period as a reaction to the rapid, unsettling transformations of this epoch, which have resulted in a culture of perilous distraction. Epstein demonstrates that poetry is an important, and perhaps unlikely, cultural form that has mounted a response, and even a mode of resistance, to a culture suffering from an acute crisis of attention. In this timely and engaging study, Epstein examines why a compulsion to represent the everyday becomes predominant in the decades after modernism and why it has so often sparked genre-bending formal experimentation. With chapters devoted to illuminating readings of a diverse group of writers--including poets associated with influential movements like the New York School, language poetry, and conceptual writing--the book considers the variety of forms contemporary poetry of everyday life has taken, and analyzes how gender, race, and political forces all profoundly inflect the experience and the representation of the quotidian. By exploring the rise of experimental realism as a poetic mode and the turn to rule-governed "everyday-life projects," Attention Equals Life offers a new way of understanding a vital strain at the heart of twentieth- and twenty-first century literature. It not only charts the evolution of a significant concept in cultural theory and poetry, but also reminds readers that the quest to pay attention to the everyday within today's frenetic world of and social media is an urgent and unending task.
Publisher: Oxford University Press
ISBN: 0199972125
Category : Literary Criticism
Languages : en
Pages : 385
Book Description
Poetry has long been thought of as a genre devoted to grand subjects, timeless themes, and sublime beauty. Why, then, have contemporary poets turned with such intensity to documenting and capturing the everyday and mundane? Drawing on insights about the nature of everyday life from philosophy, history, and critical theory, Andrew Epstein traces the modern history of this preoccupation and considers why it is so much with us today. Attention Equals Life argues that a potent hunger for everyday life explodes in the post-1945 period as a reaction to the rapid, unsettling transformations of this epoch, which have resulted in a culture of perilous distraction. Epstein demonstrates that poetry is an important, and perhaps unlikely, cultural form that has mounted a response, and even a mode of resistance, to a culture suffering from an acute crisis of attention. In this timely and engaging study, Epstein examines why a compulsion to represent the everyday becomes predominant in the decades after modernism and why it has so often sparked genre-bending formal experimentation. With chapters devoted to illuminating readings of a diverse group of writers--including poets associated with influential movements like the New York School, language poetry, and conceptual writing--the book considers the variety of forms contemporary poetry of everyday life has taken, and analyzes how gender, race, and political forces all profoundly inflect the experience and the representation of the quotidian. By exploring the rise of experimental realism as a poetic mode and the turn to rule-governed "everyday-life projects," Attention Equals Life offers a new way of understanding a vital strain at the heart of twentieth- and twenty-first century literature. It not only charts the evolution of a significant concept in cultural theory and poetry, but also reminds readers that the quest to pay attention to the everyday within today's frenetic world of and social media is an urgent and unending task.
Poetic Culture
Author: Christopher Beach
Publisher: Northwestern University Press
ISBN: 9780810116788
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
In Poetic Culture, Christopher Beach questions the cultural significance of poetry, both as a canonical system and as a contemporary practice. By analyzing issues such as poetry's loss of audience, the "anthology wars" of the 1950s and early 1960s, the academic and institutional orientation of current poetry, the poetry slam scene, and the efforts to use television as a medium for presenting poetry to a wider audience, Beach presents a sociocultural framework that is fundamental to an understanding of the poetic medium. While calling for new critical methods that allow us to examine poetry beyond the limits of the accepted contemporary canon, and beyond the terms in which canonical poetry is generally discussed and evaluated, Beach also makes a compelling case for poetry and its continued vitality both as an aesthetic form and as a site for the creation of community and value.
Publisher: Northwestern University Press
ISBN: 9780810116788
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
In Poetic Culture, Christopher Beach questions the cultural significance of poetry, both as a canonical system and as a contemporary practice. By analyzing issues such as poetry's loss of audience, the "anthology wars" of the 1950s and early 1960s, the academic and institutional orientation of current poetry, the poetry slam scene, and the efforts to use television as a medium for presenting poetry to a wider audience, Beach presents a sociocultural framework that is fundamental to an understanding of the poetic medium. While calling for new critical methods that allow us to examine poetry beyond the limits of the accepted contemporary canon, and beyond the terms in which canonical poetry is generally discussed and evaluated, Beach also makes a compelling case for poetry and its continued vitality both as an aesthetic form and as a site for the creation of community and value.
Women's Poetry and Popular Culture
Author: Marsha Bryant
Publisher: Springer
ISBN: 0230339638
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
Bridging feminist and cultural studies, the book shows how British and American women poets often operate as cultural insiders. Individual chapters reassess major figures (H.D., Gwendolyn Brooks, Sylvia Plath), alternative modernist poets (Edith Sitwell, Stevie Smith), and contemporary poets (Ai, Carol Ann Duffy).
Publisher: Springer
ISBN: 0230339638
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
Bridging feminist and cultural studies, the book shows how British and American women poets often operate as cultural insiders. Individual chapters reassess major figures (H.D., Gwendolyn Brooks, Sylvia Plath), alternative modernist poets (Edith Sitwell, Stevie Smith), and contemporary poets (Ai, Carol Ann Duffy).
History Matters
Author: Ira Sadoff
Publisher: University of Iowa Press
ISBN: 1587298457
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
In this capacious and energetic volume, Ira Sadoff argues that poets live and write within history, our artistic values always reflecting attitudes about both literary history and culture at large. History Matters does not return to the culture war that reduced complex arguments about human nature, creativity, identity, and interplay between individual and collective identity to slogans. Rather, Sadoff peels back layers of clutter to reveal the important questions at the heart of any complex and fruitful discussion about the connections between culture and literature. Much of our most adventurous writing has occurred at history’s margins, simultaneously making use of and resisting tradition. By tracking key contemporary poets—including John Ashbery, Olena Kaltyiak Davis, Louise Glück, Czeslaw Milosz, Frank O’Hara, and C. K. Williams—as well as musing on jazz and other creative enterprises, Sadoff investigates the lively poetic art of those who have grappled with late twentieth-century attitudes about history, subjectivity, contingency, flux, and modernity. In plainspoken writing, he probes the question of the poet’s capacity to illuminate and universalize truth. Along the way, we are called to consider how and why art moves and transforms human beings.
Publisher: University of Iowa Press
ISBN: 1587298457
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
In this capacious and energetic volume, Ira Sadoff argues that poets live and write within history, our artistic values always reflecting attitudes about both literary history and culture at large. History Matters does not return to the culture war that reduced complex arguments about human nature, creativity, identity, and interplay between individual and collective identity to slogans. Rather, Sadoff peels back layers of clutter to reveal the important questions at the heart of any complex and fruitful discussion about the connections between culture and literature. Much of our most adventurous writing has occurred at history’s margins, simultaneously making use of and resisting tradition. By tracking key contemporary poets—including John Ashbery, Olena Kaltyiak Davis, Louise Glück, Czeslaw Milosz, Frank O’Hara, and C. K. Williams—as well as musing on jazz and other creative enterprises, Sadoff investigates the lively poetic art of those who have grappled with late twentieth-century attitudes about history, subjectivity, contingency, flux, and modernity. In plainspoken writing, he probes the question of the poet’s capacity to illuminate and universalize truth. Along the way, we are called to consider how and why art moves and transforms human beings.
Poetry and Cultural Studies
Author: Maria Damon
Publisher: University of Illinois Press
ISBN: 0252076087
Category : Poetry
Languages : en
Pages : 466
Book Description
A collection of critical texts exploring poetry's engagement with the social
Publisher: University of Illinois Press
ISBN: 0252076087
Category : Poetry
Languages : en
Pages : 466
Book Description
A collection of critical texts exploring poetry's engagement with the social
Can Poetry Matter?
Author: Dana Gioia
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 266
Book Description
Can Poetry Matter? is an important book, and anyone who professes to care about the state of American poetry will have to take it into account. --World Literature Today.
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 266
Book Description
Can Poetry Matter? is an important book, and anyone who professes to care about the state of American poetry will have to take it into account. --World Literature Today.
New Perspectives on Contemporary Chinese Poetry
Author: C. Lupke
Publisher: Springer
ISBN: 0230610145
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
This book brings together fresh research from experts on contemporary Chinese poetry, built upon one of the most glorious poetic traditions of any civilization in the world yet historically neglected by scholars in English. This comprehensive volume offers readable and provocative treatments of many of the most important Chinese poets of our age.
Publisher: Springer
ISBN: 0230610145
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
This book brings together fresh research from experts on contemporary Chinese poetry, built upon one of the most glorious poetic traditions of any civilization in the world yet historically neglected by scholars in English. This comprehensive volume offers readable and provocative treatments of many of the most important Chinese poets of our age.
Self and Sensibility in Contemporary American Poetry
Author: Charles Altieri
Publisher: Cambridge University Press
ISBN: 9780521274135
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Self and Sensibility in Contemporary American Poetry is an inquiry into the cultural roles lyric poetry does and can play in our age. Charles Altieri first establishes a dominant mode in 'serious' American poetry by identifying current assumptions inherent in the teaching of creative writing and the awarding of prizes and contracts. The dominant mode is seen not as a prescribed style but as a set of styles that share assumptions and that tend to seek the same narrow audience. Altieri views this mode as essentially scenic, presenting in brief dramatic settings subdued, carefully wrought emotions that build to a climactic tactile image. In examining why the style appeals, the author suggests that we find in the dominant mode models of the self, of the power of language, and of the nature of emotions that are very close to the prudential narcissism of the professional classes. Two theses follow: that contemporary poetry can be approached as a paradigm for analysing literature in cultural terms (since we know the culture well on independent grounds); and that the cultural analogies help demonstrate the pressures on younger poets to explore styles that break from or attempt to overthrow the dominant mode.
Publisher: Cambridge University Press
ISBN: 9780521274135
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Self and Sensibility in Contemporary American Poetry is an inquiry into the cultural roles lyric poetry does and can play in our age. Charles Altieri first establishes a dominant mode in 'serious' American poetry by identifying current assumptions inherent in the teaching of creative writing and the awarding of prizes and contracts. The dominant mode is seen not as a prescribed style but as a set of styles that share assumptions and that tend to seek the same narrow audience. Altieri views this mode as essentially scenic, presenting in brief dramatic settings subdued, carefully wrought emotions that build to a climactic tactile image. In examining why the style appeals, the author suggests that we find in the dominant mode models of the self, of the power of language, and of the nature of emotions that are very close to the prudential narcissism of the professional classes. Two theses follow: that contemporary poetry can be approached as a paradigm for analysing literature in cultural terms (since we know the culture well on independent grounds); and that the cultural analogies help demonstrate the pressures on younger poets to explore styles that break from or attempt to overthrow the dominant mode.