Author: Carina Rasse
Publisher: John Benjamins Publishing Company
ISBN: 9027257736
Category : Language Arts & Disciplines
Languages : en
Pages : 210
Get Book Here
Book Description
Poetry pushes metaphor to the limit. Consider how many different, dynamic, and interconnected dimensions (e.g., text, rhyme, rhythm, sound, and many more) a poem has, and how they all play a role in the ways (metaphorical) meaning is constructed. There is probably no other genre that relies so much on the creator’s ability to get his or her message across while, at the same time, leaving enough room for the interpreters to find out for themselves what a poem means to them, what emotions and feelings it evokes, and which experiences it conveys. This book uses interviews, questionnaires and think-aloud protocols to investigate the meanings and functions of metaphors from a poet’s perspective and to explore how readers interpret and engage with this poetry. Besides the theoretical contribution to the field of metaphor studies, this monograph presents numerous practical implications for a systematic exploration of metaphors in contemporary poetry and beyond.
Author: George Lakoff
Publisher: University of Chicago Press
ISBN: 0226470989
Category : Literary Criticism
Languages : en
Pages : 243
Get Book Here
Book Description
"The authors restore metaphor to our lives by showing us that it's never gone away. We've merely been taught to talk as if it had: as though weather maps were more 'real' than the breath of autumn; as though, for that matter, Reason was really 'cool.' What we're saying whenever we say is a theme this book illumines for anyone attentive." — Hugh Kenner, Johns Hopkins University "In this bold and powerful book, Lakoff and Turner continue their use of metaphor to show how our minds get hold of the world. They have achieved nothing less than a postmodern Understanding Poetry, a new way of reading and teaching that makes poetry again important." — Norman Holland, University of Florida
Author: Stefán Snævarr
Publisher: Rodopi
ISBN: 9042027797
Category : History
Languages : en
Pages : 408
Get Book Here
Book Description
This book argues that there is a complex logical and epistemological interplay between the concepts of metaphor, narrative, and emotions. They share a number of important similarities and connections. In the first place, all three are constituted by aspect-seeing, the seeing-as or perception of Gestalts. Secondly, all three are meaning-endowing devices, helping us to furnish our world with meaning. Thirdly, the threesome constitutes a trinity. Emotions have both a narrative and metaphoric structure, and we can analyse the concepts of metaphors and narratives partly in each other's terms. Further, the concept of narratives can partly be analysed in the terms of emotions. And if emotions have both a narrative structure and a metaphoric one, then the concept of emotions must to some extent be analysable through the concepts of narratives and metaphors. But there is more. Metaphors (especially poetic ones) are important tools for the understanding of the tacit sides of emotions, perhaps because of the metaphoric structure of emotions. The notion that narrations can be tools for understanding emotions follows from two facts: narrations are devices for explanation and emotions have a narrative structure. Fourthly, the threesome has an impact on our rationality. It has become commonplace to say that emotions have a cognitive content, that narratives have an explanatory function, and that metaphors can perform cognitive functions. This book is the first attempt to articulate the implications that these new ways of seeing the three concepts entail for our concept of reason. The cognitive roles of the threesome suggest a richer notion of rationality than has traditionally been held, a rationality enlivened with metaphoric, narrative, and emotive qualities. Stefan Snaevarr (Reykjavik, 1953) studied philosophy and related subjects in Norway and Germany. Professor at Lillehammer University College in Norway, he is the author of several books of various kind in English, Norwegian and Icelandic.
Author: Ali Asghar Seyed-Gohrab
Publisher: BRILL
ISBN: 9004217649
Category : History
Languages : en
Pages : 291
Get Book Here
Book Description
This volume is a collection of essays on classical Persian literature, focusing on Persian rhetorical devices, especially imagery and metaphors. The various contributions discuss the origin and the development of debate poetry, the transmission of Persian and Arabic tales to the works of Europeans medieval authors such as Boccaccio and Chaucer, but also the development of Aristotelian poetics and epistemology in Persian philosophical tradition. Furthermore, the baroque style of the Shiʿite author Ḥusayn Vāʾiẓ Kāshifī, the use of wine metaphors by mystics such as Jalāl al-Dīn Rūmī, Ḥāfiẓ’s original use of candle metaphors, the translation of Khayyām’s metaphors into English, and the importance of a single metaphor in the epic Barzū-nāma are discussed. Contributors include: F. Abdullaeva, G.R. van den Berg, J. Landau, F.D. Lewis, N. Pourjavady, Ch. van Ruymbeke, A. Sedighi and S. Sharma
Author: Hanneke van Loon
Publisher: BRILL
ISBN: 9004380930
Category : Religion
Languages : en
Pages : 248
Get Book Here
Book Description
In Metaphors in the Discussion on Suffering in Job 3–31, Hanneke van Loon offers a new approach to the theme of suffering in the book of Job. Her analysis of metaphors demonstrates that Job goes through different stages of existential suffering in chapters 3–14 and that he addresses the social dimension of his suffering in chapters 17 and 19. Van Loon claims that Job’s existential suffering ends in 19:25, and that chapters 23–31 reflect a process in which Job translates his own experience into a call upon the audience to adopt a new attitude toward the unfortunate ones in society. The theoretical approach to metaphors is based on insights from cognitive linguistics.
Author: Fran Lock
Publisher:
ISBN: 9781907773709
Category : Poetry
Languages : en
Pages : 136
Get Book Here
Book Description
The Mystic and The Pig Thief is, in part, an elegy. It is also a book about the pain of being imperfectly assimilated, a book about being torn between the culture you come from and the society you’re obliged to live in; a book about being pulled both ways while belonging to neither camp.The poems cross back and forth between bleak rural isolation and claustrophobic urban squalor, in Ireland, in England and in Europe. Mystic and Pig Thief are travellers, but more than being literally itinerant, they are spiritually homeless, and this to a terrible cost. The central sequence charts their inevitable transition from nomadic life, to a scattered, so-called settled existence on working-class sink estates. They stumble and struggle, picking up scraps of tradition and folklore; flirting on the fringes of the new-age ‘crusty’ scene, but always marginal, peripheral, only ever truly real to each other.Although portions of the sequence take Ireland as their back-drop, The Mystic and The Pig Thief is not about Irishness, or even about “Travellerness” per se. It is about loss, about the fall-out from, and the strategies for, dealing with an identity in rapid dissolution.
Author: Holly Watkins
Publisher: Cambridge University Press
ISBN: 1139501593
Category : Music
Languages : en
Pages : 351
Get Book Here
Book Description
What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation.
Author: Zoltán Kövecses
Publisher: Oxford University Press
ISBN: 0190266392
Category : Language Arts & Disciplines
Languages : en
Pages : 233
Get Book Here
Book Description
In Where Metaphors Come From, Zoltán Kövecses proposes a metaphorical grounding that augments and refines conceptual metaphor theory according to which conceptual metaphors are based on our bodily experience. While this is certainly true in many cases of metaphor, the role of the body in metaphor creation can and should be reinterpreted, and, consequently, the body can be seen as just one of the several contexts from which metaphors can emerge (including the situational, discourse, and conceptual-cognitive contexts) - although perhaps the dominant or crucial one. Kövecses is a leader in CMT, and his argument in this book is more in line with what has been discovered about the nature of human cognition in recent years; namely, that human cognition is grounded in experience in multiple ways - embodiment, in a strict sense, being just one of them (see Barsalou, 2008; Gibbs, 2006; Pecher and Zwaan, 2005). In light of the present work, this is because cognition, including metaphorical cognition, is grounded in not only the body, but also in the situations in which people act and lead their lives, the discourses in which they are engaged at any time in communicating and interacting with each other, and the conceptual knowledge they have accumulated about the world in the course of their experience of it.
Author: Keith J. Holyoak
Publisher: MIT Press
ISBN: 0262039222
Category : Psychology
Languages : en
Pages : 290
Get Book Here
Book Description
An examination of metaphor in poetry as a microcosm of the human imagination—a way to understand the mechanisms of creativity. In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist and poet, draws on the perspectives of thinkers from the humanities—poets, philosophers, and critics—and from the sciences—psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem—by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda—and then widens the discussion to broader notions of metaphor and mind. Holyoak uses Whitman's poem “A Noiseless Patient Spider” to illustrate the process of interpreting a poem, and explains the relevance of two psychological mechanisms, analogy and conceptual combination, to metaphor. He outlines ideas first sketched by Coleridge—who called poetry “the best words in their best order”—and links them to modern research on the interplay between cognition and emotion, controlled and associative thinking, memory and creativity. Building on Emily Dickinson's declaration “the brain is wider than the sky,” Holyoak suggests that the control and default networks in the brain may combine to support creativity. He also considers, among other things, the interplay of sound and meaning in poetry; symbolism in the work of Yeats, Jung, and others; indirect communication in poems; the mixture of active and passive processes in creativity; and whether artificial intelligence could ever achieve poetic authenticity. Guided by Holyoak, we can begin to trace the outlines of creativity through the mechanisms of metaphor.
Author: Mervyn Morris
Publisher: Carcanet Press Ltd
ISBN: 1784104590
Category : Poetry
Languages : en
Pages : 257
Get Book Here
Book Description
Mervyn Morris was appointed Poet Laureate of Jamaica in 2014. He has had an abiding impact on the literature of the Caribbean as poet, essayist and teacher. Peelin Orange, with its mix of Englishes (Standard, Jamaican Creole – patois – and a combination of the two), and its variety of forms, from free verse to metred and rhymed measures, represents half a century of invention and re-invention. Morris knows how universals can inhere in the local, the incarnation in a Caribbean setting. With his light, intense musicality, he speaks to and for a community. His wit, his love of people and places, his anarchic 'Afro-Saxon' spirit, ensure that his poems are full of surprise in language, image and in the turns of sense they make.
