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Author: Carmen T. Bernier-Grand
Publisher: Orchard Books (NY)
ISBN: 9780531087374
Category : History
Languages : en
Pages : 118
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Book Description
Period photographs enhance an account of the Puerto Rican patriot's achieviements as a poet and as a politician who improved living conditions for Puerto Rico's peasants and achieved commonwealth status for his island.
Author: Carmen T. Bernier-Grand
Publisher: Orchard Books (NY)
ISBN: 9780531087374
Category : History
Languages : en
Pages : 118
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Book Description
Period photographs enhance an account of the Puerto Rican patriot's achieviements as a poet and as a politician who improved living conditions for Puerto Rico's peasants and achieved commonwealth status for his island.
Author: Francisco Matos Paoli
Publisher: Discoveries
ISBN:
Category : Poetry
Languages : en
Pages : 164
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Book Description
The poems in this collection comprise a significant addition to the oeuvre of one of the best-loved and most representative Puerto Rican poets of the 20th century. Presented with the original Spanish-language poems opposite the English translation, the poems resonate with universality and hard truths that announces themselves subtly, throughmetaphorand suggestion. The book also contains biographical information, notes, and a bibliography."
Author: Thomas Aitken
Publisher: Dutton Adult
ISBN:
Category : Muñoz Marín, Luis
Languages : en
Pages : 318
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Book Description
Author: Juan Antonio Corretjer
Publisher: Bookbaby
ISBN: 9781667837956
Category : Political Science
Languages : en
Pages : 174
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Book Description
"The Struggle for the Independence of Puerto Rico" (La lucha por la independencia de Puerto Rico) is an essay on the history of Puerto Rico's attempts at liberation from colonial rule from Spain, in the 19th century, and from United States colonialism from 1898 to the present. Written in 1949, not only is it an outline for historians, but it is also an eyewitness account of Puerto Rican history that has been purposely excluded from the country's official history books. Author Juan Antonio Corretjer was a participant in the ascendancy and heyday of the Partido Nacionalista (Nationalist Party), and in 1936, with the rest of the party's leadership, was sentenced to ten years of imprisonment and exile in federal penitentiaries in Atlanta, Georgia, and in Manhattan, New York City. "Why?" The reader might ask, is this work being translated almost fifty years after its publication? The reason is simpler than one might expect: It is because Puerto Rico remains a colony of the United States. Although modern technology is familiar to many islanders, and there is a façade of economic prosperity, Puerto Ricans have no political power to decide upon economic, trade, or political policies. Over the past few decades, more and more reasons have surfaced to suggest an English edition of the book is critical to have published. Reasons include the current push from certain politicians in Washington towards annexation of Puerto Rico to the United States is strong and undeniable. In addition to this, there's been a shift in favor of statehood from progressive organizations and individuals in that country who once supported independence for the Island. With imminent threats painting a destructive future on Puerto Rico's behalf, it is important as many people learn about the "why" of this subject as possible. Statehood will mean the demise of a Latin American country that has its own cultural expressions, unique characteristics, and needs that are not consonant with the needs of the United States. The treatment of Puerto Ricans--as of native Hawaiians since the granting of statehood to that archipelago, and the Mexicans who were living in the western territories taken in the nineteenth century--will continue to be that of second-class citizens dispossessed of their national identity and sovereignty. For the United States, Puerto Rico is primarily a military bastion from which to threaten the integrity of the rest of Latin America, and a source of cannon fodder in times of war. The footnotes--not in the original text--are brief clarifications for readers who know nothing about the history of Puerto Rico. Some wordings have been changed to actualize, and to call attention to the fact that the passage of time has seen no fundamental difference in the relationship between Puerto Rico and the United States. The names of the political parties were left in Spanish, to avoid confusion with similar names of parties in the United States. In addition, the reader must bear in mind that America is all of the Americas, and not exclusively the portion in North America occupied by the United States. Consuelo Corretjer Lee December 7, 1999 New York
Author: Robert Márquez
Publisher: Univ of Massachusetts Press
ISBN:
Category : Fiction
Languages : en
Pages : 536
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Book Description
Offering a comprehensive collection of Puerto Rican poetry in English, this text includes the work of 64 poets, as well as selections from Puerto Rico's tradition of popular verse forms - coplas, decimas, bombas - produced by anonymous writers.
Author: Julia de Burgos
Publisher: Northwestern University Press
ISBN: 0810132958
Category : Poetry
Languages : en
Pages : 524
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Book Description
Song of the Simple Truth (Canción de la verdad sencilla) is the first bilingual edition of Julia de Burgos' complete poems. Numbering more than 200, these poems form a literary landmark—the first time her poems have appeared in a complete edition in either English or Spanish. Many of the verses presented here had been lost and are presented here for the first time in print. De Burgos broke new ground in her poetry by fusing a romantic temperament with keen political insights. This book will be essential reading for lovers of poetry and for feminists.
Author: Vanessa Perez Rosario
Publisher: University of Illinois Press
ISBN: 0252096924
Category : Biography & Autobiography
Languages : en
Pages : 225
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Book Description
While it is rare for a poet to become a cultural icon, Julia de Burgos has evoked feelings of bonding and identification in Puerto Ricans and Latinos in the United States for over half a century. In the first book-length study written in English, Vanessa Pérez-Rosario examines poet and political activist Julia de Burgos's development as a writer, her experience of migration, and her legacy in New York City, the poet's home after 1940. Pérez-Rosario situates Julia de Burgos as part of a transitional generation that helps to bridge the historical divide between Puerto Rican nationalist writers of the 1930s and the Nuyorican writers of the 1970s. Becoming Julia de Burgos departs from the prevailing emphasis on the poet and intellectual as a nationalist writer to focus on her contributions to New York Latino/a literary and visual culture. It moves beyond the standard tragedy-centered narratives of de Burgos's life to place her within a nuanced historical understanding of Puerto Rico's peoples and culture to consider more carefully the complex history of the island and the diaspora. Pérez-Rosario unravels the cultural and political dynamics at work when contemporary Latina/o writers and artists in New York revise, reinvent, and riff off of Julia de Burgos as they imagine new possibilities for themselves and their communities.
Author: Martín Espada
Publisher: W. W. Norton & Company
ISBN: 0393541045
Category : Poetry
Languages : en
Pages : 75
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Book Description
Winner of the 2021 National Book Award for Poetry From the winner of the Ruth Lilly Poetry Prize come masterfully crafted narratives of protest, grief and love. Martín Espada is a poet who "stirs in us an undeniable social consciousness," says Richard Blanco. Floaters offers exuberant odes and defiant elegies, songs of protest and songs of love from one of the essential voices in American poetry. Floaters takes its title from a term used by certain Border Patrol agents to describe migrants who drown trying to cross over. The title poem responds to the viral photograph of Óscar and Valeria, a Salvadoran father and daughter who drowned in the Río Grande, and allegations posted in the "I’m 10-15" Border Patrol Facebook group that the photo was faked. Espada bears eloquent witness to confrontations with anti-immigrant bigotry as a tenant lawyer years ago, and now sings the praises of Central American adolescents kicking soccer balls over a barbed wire fence in an internment camp founded on that same bigotry. He also knows that times of hate call for poems of love—even in the voice of a cantankerous Galápagos tortoise. The collection ranges from historical epic to achingly personal lyrics about growing up, the baseball that drops from the sky and smacks Espada in the eye as he contemplates a girl’s gently racist question. Whether celebrating the visionaries—the fallen dreamers, rebels and poets—or condemning the outrageous governmental neglect of his father’s Puerto Rico in the wake of Hurricane María, Espada invokes ferocious, incandescent spirits.
Author: Jose Angel Figueroa
Publisher:
ISBN: 9781734027105
Category : Poetry
Languages : en
Pages : 172
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Book Description
Heartbeats, Rhythms, And Fire is José Angel Figueroa's newest collection. A leading writer of the Nuyorican literary movement, Figueroa is known for powerful social commentary and poetic storytelling. A master of visual imagery and metaphor, this collection explores universal themes of the human experience and major contemporary social issues.
Author: Karen Jaime
Publisher: NYU Press
ISBN: 147980827X
Category : Performing Arts
Languages : en
Pages : 139
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Book Description
Finalist for The Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research. Silver Medal Winner of The Victor Villaseñor Best Latino Focused Non-Fiction Book Award, given by the International Latino Book Awards. Honorable Mention for the Best LGBTQ+ Themed Book, given by the International Latino Book Awards. A queer genealogy of the famous performance space and the nuyorican aesthetic One could easily overlook the Nuyorican Poets Cafe, a small, unassuming performance venue on New York City’s Lower East Side. Yet the space once hosted the likes of Victor Hernández Cruz, Allen Ginsberg, and Amiri Baraka and is widely credited as the homespace for the emergent nuyorican literary and aesthetic movement of the 1990s. Founded by a group of counterculturalist Puerto Rican immigrants and artists in the 1970s, the space slowly transformed the Puerto Rican ethnic and cultural associations of the epithet “Nuyorican,” as the Cafe developed into a central hub for an artistic movement encompassing queer, trans, and diasporic performance. The Queer Nuyorican is the first queer genealogy and critical study of the historical, political, and cultural conditions under which the term “Nuyorican” shifted from a raced/ethnic identity marker to “nuyorican,” an aesthetic practice. The nuyorican aesthetic recognizes and includes queer poets and performers of color whose writing and performance build upon the politics inherent in the Cafe’s founding. Initially situated within the Cafe’s physical space and countercultural discursive history, the nuyorican aesthetic extends beyond these gendered and ethnic boundaries, broadening the ethnic marker Nuyorican to include queer, trans, and diasporic performance modalities. Hip-hop studies, alongside critical race, queer, literary, and performance theories, are used to document the interventions made by queer and trans artists of color—Miguel Piñero, Regie Cabico, Glam Slam participants, and Ellison Glenn/Black Cracker—whose works demonstrate how the Nuyorican Poets Cafe has operated as a queer space since its founding. In focusing on artists who began their careers as spoken word artists and slam poets at the Cafe, The Queer Nuyorican examines queer modes of circulation that are tethered to the increasing visibility, commodification, and normalization of spoken word, slam poetry, and hip-hop theater in the United States and abroad.
