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Author: W. Hazlitt
Publisher: BoD – Books on Demand
ISBN: 3368832859
Category : Fiction
Languages : en
Pages : 346
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Book Description
Reprint of the original, first published in 1874.
Author: W. Hazlitt
Publisher: BoD – Books on Demand
ISBN: 3368832859
Category : Fiction
Languages : en
Pages : 346
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Book Description
Reprint of the original, first published in 1874.
Author: Mary Lamb
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 390
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Book Description
Author: Mary Lamb
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 430
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Book Description
Author: Alexis de Tocqueville
Publisher:
ISBN:
Category : France
Languages : en
Pages : 474
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Book Description
Author: Robert Murray M'Cheyne
Publisher:
ISBN:
Category :
Languages : en
Pages : 576
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Book Description
Author: Robert Murray M'Cheyne
Publisher:
ISBN:
Category : Presbyterian Church
Languages : en
Pages : 574
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Book Description
Author: Rainer Maria Rilke
Publisher: David Zwirner Books
ISBN: 1941701647
Category : Poetry
Languages : en
Pages : 73
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Book Description
Never before translated into English, Rainer Maria Rilke’s fascinating Letters to a Young Painter, written toward the end of his life between 1920 and 1926, is a surprising companion to his infamous Letters to a Young Poet, earlier correspondence from 1902 to 1908. While the latter has become a global phenomenon, with millions of copies sold in many different languages, the present volume has been largely overlooked. In these eight intimate letters written to a teenage Balthus—who would go on to become one of the leading artists of his generation—Rilke describes the challenges he faced, while opening the door for the young painter to take himself and his work seriously. Rilke’s constant warmth, his ability to sense in advance his correspondent’s difficulties and propose solutions to them, and his sensitivity as a person and an artist come across in these charming and honest letters. Writing during his aged years, this volume paints a picture of the venerable poet as he faced his mortality, through the perspective of hindsight, and continued to embrace his openness towards other creative individuals. With an introduction by Rachel Corbett, author of You Must Change Your Life: The Story of Rainer Maria Rilke and Auguste Rodin (2016), this book is a must-have for Rilke’s admirers, young and old, and all aspiring artists.
Author: Aaron Pelttari
Publisher: Cornell University Press
ISBN: 0801455006
Category : History
Languages : en
Pages : 205
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Book Description
In The Space That Remains, Aaron Pelttari offers the first systematic study of the major fourth-century poets since Michael Robert's foundational The Jeweled Style. It is the first book to give equal attention to both Christian and Pagan poetry and the first to take seriously the issue of readership. As Pelttari shows, the period marked a turn towards forms of writing that privilege the reader's active involvement in shaping the meaning of the text. In the poetry of Ausonius, Claudian, and Prudentius we can see the increasing importance of distinctions between old and new, ancient and modern, forgotten and remembered. The strange traditionalism and verbalism of the day often concealed a desire for immediacy and presence. We can see these changes most clearly in the expectations placed upon readers. The space that remains is the space that the reader comes to inhabit, as would increasingly become the case in the literature of the Latin Middle Ages.
Author: Susan S. Smith
Publisher: State University of New York Press
ISBN: 1438420315
Category : Biography & Autobiography
Languages : en
Pages : 306
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Book Description
This book presents the poetry and letters of the American writer Adelaide Crapsey (1878–1914). Her best poetry deserves to be enjoyed by a larger audience, and her letters and newly discovered biographical materials reveal new charm and meaning in an intriguingly elusive character. Crapsey did not live to see any of her mature poetry published: she received notice that her first poem had been accepted for publication only a week before she died. Posthumous editions of her Verse (in 1915, 1922, and 1934), however, brought her recognition and respect. Carl Sandburg paid her a poetic tribute. American critic Yvor Winters praised her as "a minor poet of great distinction" and felt that her poems remained "in their way honest and acutely perceptive." Her best work is compressed, terse, related in this respect to the work of another American poet who won posthumous recognition, Emily Dickinson. Crapsey is best known as the inventor of the cinquain, a poem of five short lines of unequal length: one-stress, two-stress, three-stress, four-stress, and one-stress. The cinquain is one of the few modern verse forms developed in English, and its brevity and characteristic thought pattern seem to have been influenced by Japanese forms. Crapsey's indebtedness to Japanese poetry and her relation to Imagism have long been subjects for debate. As Winters notes, the work of Crapsey "achieves more effectively than did almost any of the Imagists the aims of Imagism." The critical introduction by Professor Susan Sutton Smith examines these problems. Much of Crapsey's poetry is reticent, withdrawn, and private, and she believed strongly in the individual's right to privacy. Whatever new biographical materials reveal of her and of her relations with family and friends, however, shows a charming and courageous woman. Her courage and humor show especially well in her correspondence with her friend Esther Lowenthal and in the letters with her friend Jean Webster McKinney, author of Daddy Long-Legs, who died soon after Crapsey.
Author: Youssef Abdul Samad
Publisher: Agio Publishing House
ISBN: 1897435819
Category : Poetry
Languages : en
Pages : 205
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Book Description
SO THAT THE POEM REMAINS is published by Agio Publishing House in cooperation with the New Pen League. "Youssef Abdul Samad's poetry is animated by extravagant lyricism that is both intense and disarming. His poetry delves deep into the human condition, the mundane, sublime, and political; all with precision and pleasing detail. Life's issues are couched in an elegant and eloquent style that is simultaneously profound and accessible. Ghada Alatrash's translation is informed and compassionate. It is a faithful, elegant, and poetic interpretation of Samad's soaring emotions and observations.The resonant poetic voice that she has transmitted into English is as melodious and clear as the Arabic original." -- Dr. Mansour Ajami, poet and literary critic "Then again, poetry will never be defeated this easily -- for as long as there is a man like you who gargles with its water day and night, poetry will forever remain the king of kings." -- from world-renowned Syrian poet Nizar Qabbani's letter to the poet About the Poet: Born in Ras al Maten, Lebanon, YOUSSEF ABDUL SAMAD immigrated to the USA in 1969. He says, "I am made of a blend of the two worlds; when I am in one place, I always find myself longing for the other." Abdul Samad is a businessman in New York City and has published five volumes of Arabic poetry. About the Translator: Daughter of former Syrian Ambassador Jabr Al-Atrash, GHADA ALATRASH immigrated with her family from Syria to the United States in 1986. She holds a Master of Arts in English from University of Oklahoma, USA. She is an op/ed columnist for Gulf News, UAE, and was previously op/ed columnist for the Cranbrook Daily Townsman. She taught English at Abu Dhabi Women's College, UAE, and was an Adjunct Lecturer of Arabic at University of Oklahoma. She has served as a board member for the Multicultural Advisory Board of British Columbia, Canada. She is a member of the New Pen League, New York. She currently resides in Alberta, Canada. ...Like a rose in a poem, you do not wither; recited a thousand times, it always remains new. If Earth were to return to water, to water we would also return, and the poem remains. -- Youssef Abdul Samad And it is so that the poem remains, so that the young can better understand the old, and so that there is universal harmony and connectedness between East and West, I present my readers with this work of translation. -- Ghada Alatrash
