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Author: Dorothea Tanning
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 100
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Book Description
The extraordinary first poetry collection by the renowned painter and sculptor Dorothea Tanning Finally, on second, in bras. Bras swarming everywhere, giant pink moths at rest, their empty cups clamoring, "Fill me." -from "End of the Day on Second" Dorothea Tanning is an exceptional visual artist, and now, in her nineties, she has become an exceptional poet. In A Table of Content, we are made to see more clearly the city landscape, the creative impulse, and the worlds of potential disaster and sensual erotics with a vision that survives taste, trend, and time.
Author: Dorothea Tanning
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 100
Get Book Here
Book Description
The extraordinary first poetry collection by the renowned painter and sculptor Dorothea Tanning Finally, on second, in bras. Bras swarming everywhere, giant pink moths at rest, their empty cups clamoring, "Fill me." -from "End of the Day on Second" Dorothea Tanning is an exceptional visual artist, and now, in her nineties, she has become an exceptional poet. In A Table of Content, we are made to see more clearly the city landscape, the creative impulse, and the worlds of potential disaster and sensual erotics with a vision that survives taste, trend, and time.
Author: Dorothea Tanning
Publisher: W. W. Norton & Company
ISBN: 0393062899
Category : Biography & Autobiography
Languages : en
Pages : 428
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Book Description
The life and times of one of our most enchanting artists; a twentieth-century fairy tale, lovingly remembered and luminously told. Fourteen years ago, the artist Dorothea Tanning published Birthday, a collection of reminiscences. Now she has expanded it into a memoir of her journey through the last century as confidant, collaborator, and muse to some of its most inspired minds and personalities: a diverse assemblage that ranges from the fathers of dada and surrealism to Virgil Thompson, George Balanchine, Alberto Giacometti, Dylan Thomas, Truman Capote, Joan Miró, James Merrill, and many more. At its center is the relationship, tenderly rendered, between Tanning and her famed husband, the enigmatic surrealist Max Ernst. Whether recalling the poignant presence of her friend Joseph Cornell or simply marveling at the facades along a Venice canal, "their filmy reflections fluttering in the dirty canal like fragile altar cloths hung out to dry," Tanning's writing is beguiling, wry, and shot through with the same eye for pregnant detail and immanent magic that marks her art.
Author: Don Share
Publisher: University of Chicago Press
ISBN: 0226750736
Category : Poetry
Languages : en
Pages : 225
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Book Description
“If readers would like to sample the genius and diversity of American poetry in the last century, there’s no better place to start.” —World Literature Today When Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now. To celebrate the magazine’s centennial, the editors combed through Poetry’s incomparable archives to create a new kind of anthology. With the self-imposed limitation to one hundred, they have assembled a collection of poems that, in their juxtaposition, echo across a century of poetry. Here, Adrienne Rich appears alongside Charles Bukowski; famous poems of the two world wars flank a devastating yet lesser-known poem of the Vietnam War; Short extracts from Poetry’s letters and criticism punctuate the verse selections, hinting at themes and threads and serving as guides, interlocutors, or dissenting voices. The resulting volume is a celebration of idiosyncrasy and invention, a vital monument to an institution that refuses to be static, and, most of all, a book that lovers of poetry will devour, debate, and keep close at hand.
Author: Billy Collins
Publisher: Random House
ISBN: 0399589791
Category : Poetry
Languages : en
Pages : 193
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Book Description
NATIONAL BESTSELLER • From the former United States Poet Laureate and New York Times bestselling author of Aimless Love, a collection of more than 125 small poems, all of them new, and each a thought or observation compressed to its emotional essence “Whenever I pick up a new book of poems, I flip through the pages looking for small ones. Just as I might have trust in an abstract painter more if I knew he or she could draw a credible chicken, I have faith in poets who can go short.”—Billy Collins You can spot a Billy Collins poem immediately. The amiable voice, the light touch, the sudden turn at the end. He "puts the ‘fun’ back in profundity,” says poet Alice Fulton. In his own words, his poems tend to “begin in Kansas and end in Oz.” Now “America’s favorite poet” (The Wall Street Journal) has found a new form for his unique poetic style: the small poem. Here Collins writes about his trademark themes of nature, animals, poetry, mortality, absurdity, and love—all in a handful of lines. Neither haiku nor limerick, the small poem pushes to an extreme poetry’s famed power to condense emotional and conceptual meaning. Inspired by the small poetry of writers as diverse as William Carlos Williams, W.S. Merwin, Kay Ryan, and Charles Simic, and written with Collins’s recognizable wit and wisdom, the poems of Musical Tables show one of our greatest poets channeling his unique voice into a new phase of his exceptional career. 3:00 AM Only my hand is asleep, but it’s a start.
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 556
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Book Description
Author: Silvina López Medin
Publisher: Essay Press
ISBN: 9781734498448
Category :
Languages : en
Pages : 85
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Book Description
Literary Nonfiction. Sparked by the only two letters--out of over a hundred-that López Medin's mother saved from her own mother in Paraguay, THE POEM THAT NEVER ENDS weaves together poems and family photos to explore the fragmentation of time, memory, and mother-child relationships. Fragments, family hearing impairments, ripped-up letters, and living and writing between languages point to the inescapable holes in language, troubling the notion of a finite utterance. Layering elements of painting, cinema, and the elusive three dimensions of theater into the weave, THE POEM THAT NEVER ENDS traces a sequence of mothers-López Medin's mother, her mother's mother, herself as a mother-in a porous, restless gesture toward what's never fully grasped.
Author:
Publisher:
ISBN:
Category : Mormons
Languages : en
Pages : 678
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Book Description
Author: Patricia Okker
Publisher: University of Georgia Press
ISBN: 0820332496
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
Our Sister Editors is the first book-length study of Sarah J. Hale's editorial career. From 1828 to 1836 Hale edited the Boston-based Ladies' Magazine and then from 1837 to 1877 Philadelphia's Godey's Lady's Book, which on the eve of the Civil War was the most widely read magazine in the United States, boasting more than 150,000 subscribers. Hale reviewed thousands of books, regularly contributed her own fiction and poetry to her magazines, wrote monthly editorials, and published the works of such writers as Nathaniel Hawthorne, Edgar Allan Poe, Harriet Beecher Stowe, and Lydia Sigourney. Okker successfully relates Hale's contributions both to debates about the status of women and to the development of American literature. Unlike many of her contemporaries, Hale insisted on the power of women within both the public and private spheres. Throughout her long career, Hale helped popularize new ideas about reading and genre, and she made significant contributions to the development of professional authorship.Our Sister Editors also provides the first overview of the large and diverse group of nineteenth-century women editors. In her examination of the role of women as editors, owners, and publishers of periodicals and her use of Hale's career to exemplify and discuss a series of major issues related to women's writing and reading in Victorian America, Patricia Okker offers a provocative revisionist study.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1190
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Book Description
Author: Edgar Allan Poe
Publisher: BoD - Books on Demand
ISBN: 2322126969
Category : Poetry
Languages : en
Pages : 306
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Book Description
Although best known for his short stories, Edgar Allan Poe was by nature and choice a poet. From his exquisite lyric 'To Helen' to his immortal masterpieces, 'Annabel Lee' 'The Bells' and 'The Raven' Poe stands beside the celebrated English romantic poets Shelley, Byron, and Keats, and his haunting, sensuous poetic vision profoundly influenced the Victorian giants Swinburne, Tennyson, and Rossetti. This book is carefully illustrated by the famous illustrator and cartoonist William Heath Robinson. William Heath Robinson (1872-1944) is an artist whose work, whether in his well known humorous drawings or his illustrations for Kipling, Shakespeare or children's stories, is integral to British cultural heritage. This book includes among others poems by Poe : "Alone" (1875) "Annabel Lee" (1849) "The Bells" (1849) "The City in the Sea" (1831) "The Conqueror Worm" (1843) "Dream-Land" (1844) "A Dream Within A Dream" (1850) "Eldorado" (1849) "For Annie" (1849) "The Haunted Palace" (1839) "The Raven" (1845) "The Sleeper" (1831) "To The River" (1829) "Spirits of the Dead" (1829) "A Valentine" (1850) "The Valley of Unrest" (1845) and many more poems.
