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Author: Kapila Vatsyayan
Publisher:
ISBN: 9789380607450
Category : India
Languages : en
Pages : 0
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Book Description
The essays in this volume raise some pertinent questions with regard to the complex issues that arise when plural cultures meet the monolithic structures of administration and policy that are the inevitable outcomes of the aspirations of the nation state.
Author: Kapila Vatsyayan
Publisher:
ISBN: 9789380607450
Category : India
Languages : en
Pages : 0
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Book Description
The essays in this volume raise some pertinent questions with regard to the complex issues that arise when plural cultures meet the monolithic structures of administration and policy that are the inevitable outcomes of the aspirations of the nation state.
Author: Sarvani Gooptu
Publisher: Taylor & Francis
ISBN: 1000901254
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
This book studies the intersection of performance and nationalism in South Asia.It traces the emergence of the culture of nationalism from the late nineteenth century through to contemporary times. Drawing on various theatrical performance texts, it looks at the ways in which performative narratives have reflected the national narrative and analyses the role performance has played in engendering nationhood. The volume discusses themes such as political martyrdom as performative nationalism, the revitalisation of nationalism through new media, the sanitisation of physical gestures in dance, the performance of nationhood through violence in Tajiki films, as well as K-Pop and the new northeastern identity in India. A unique contribution to the study of nationalism, this book will be useful for scholars and researchers of history, theatre and performance studies, cultural studies, postcolonial studies, modern India, Asian studies, political studies, social anthropology and sociology.
Author: Diana L Eck
Publisher: Harmony
ISBN: 0385531915
Category : Religion
Languages : en
Pages : 578
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Book Description
In India: A Sacred Geography, renowned Harvard scholar Diana Eck offers an extraordinary spiritual journey through the pilgrimage places of the world's most religiously vibrant culture and reveals that it is, in fact, through these sacred pilgrimages that India’s very sense of nation has emerged. No matter where one goes in India, one will find a landscape in which mountains, rivers, forests, and villages are elaborately linked to the stories of the gods and heroes of Indian culture. Every place in this vast landscape has its story, and conversely, every story of Hindu myth and legend has its place. Likewise, these places are inextricably tied to one another—not simply in the past, but in the present—through the local, regional, and transregional practices of pilgrimage. India: A Sacred Geography tells the story of the pilgrim’s India. In these pages, Diana Eck takes the reader on an extraordinary spiritual journey through the living landscape of this fascinating country –its mountains, rivers, and seacoasts, its ancient and powerful temples and shrines. Seeking to fully understand the sacred places of pilgrimage from the ground up, with their stories, connections and layers of meaning, she acutely examines Hindu religious ideas and narratives and shows how they have been deeply inscribed in the land itself. Ultimately, Eck shows us that from these networks of pilgrimage places, India’s very sense of region and nation has emerged. This is the astonishing and fascinating picture of a land linked for centuries not by the power of kings and governments, but by the footsteps of pilgrims. India: A Sacred Geography offers a unique perspective on India, both as a complex religious culture and as a nation. Based on her extensive knowledge and her many decades of wide-ranging travel and research, Eck's piercing insights and a sweeping grasp of history ensure that this work will be in demand for many years to come.
Author: Geeti Sen
Publisher: SAGE Publications Pvt. Limited
ISBN:
Category : History
Languages : en
Pages : 350
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Book Description
The last two decades of the 20th century have witnessed a spectacular return of national consciousness. In this exciting and unique collection of essays, eminent academics, art historians, photographers and dancers focus on one essential ingredient of the making of Indian nationalism – i.e., the ingredient of culture, and one that has resurfaced in everyday experience. Their essays contribute incisive analytical comment on, and very different readings of, the fabric that constitutes ‘culture’./-//-/Is it time, they argue, to once again reinvent an Indian culture that is intangible, that gets under the skin to resist the vicissitudes of political agendas?
Author: Margaret E. Walker
Publisher: Routledge
ISBN: 1317117379
Category : Performing Arts
Languages : en
Pages : 174
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Book Description
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. As a global practice and one of India's cultural markers, kathak dance is often presented as heir to an ancient Hindu devotional tradition in which men called Kathakas danced and told stories in temples. The dance's repertoire and movement vocabulary, however, tell a different story of syncretic origins and hybrid history - it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Kathak's multiple roots can be found in rural theatre, embodied rhythmic repertoire, and courtesan performance practice, and its history is inextricable from the history of empire, colonialism, and independence in India. Through an analysis both broad and deep of primary and secondary sources, ethnography, iconography and current performance practice, Margaret Walker undertakes a critical approach to the history of kathak dance and presents new data about hereditary performing artists, gendered contexts and practices, and postcolonial cultural reclamation. The account that emerges places kathak and the Kathaks firmly into the living context of North Indian performing arts.
Author: Nilüfer Göle
Publisher: Routledge
ISBN: 1000567877
Category : Political Science
Languages : en
Pages : 289
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Book Description
This volume takes a global view of the emergence of public protest movements over the last decade, asking whether such movements contribute to the globalization of civil society. Through a variety of studies, organised around the themes of public agency, public norms, public memory and public art, it considers the tendency of political contestations to move beyond national boundaries and create transnational connections. Departing from the approaches of social movements perspectives, it focuses on public space as a site of social "mixity" and opens up a new field for the study of politics and cultural controversies. An analysis of the paradigmatic change in the way in which society is made and politics is conducted, this study of the new enactment of citizenship in public space will appeal to scholars of sociology, anthropology, geography and politics with interests in protest movements and contentious politics, citizenship and the public sphere, and globalization.
Author:
Publisher:
ISBN:
Category : World politics
Languages : en
Pages : 878
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Book Description
Author: Karan Singh
Publisher: Taylor & Francis
ISBN: 1000769720
Category : Social Science
Languages : en
Pages : 297
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Book Description
This book examines folk theatres of North India as a unique performative structure, a counter stream to the postulations of Sanskrit and Western realistic theatre. In focusing on their historical, social and cultural imprints, it explores how these theatres challenge the linearity of cultural history and subvert cultural hegemony. The book looks at diverse forms of theatre such as svangs, nautanki, tamasha, all with conventions like open performative space, free mingling of spectators and actors, flexibility in roles and genres, etc. It discusses the genesis, history and the independent trajectory of folk theatres; folk theatre and Sanskrit dramaturgy; cinematic legacy; and theatrical space as performance besides investigating causes, inter-relations within socio-cultural factors, and the performance principles underlying them. It shows how these theatres effectively contest delimitation of human creative impulses (as revealed in classical Sanskrit theatre) from structuring as also of normative impulses of religion and culture, while amalgamating influences from Western theatre, newly-rising religious reform movements of 19th century India, tantra and Bhakti. It further highlights their ability to adapt and reinvent themselves in accordance with spatial and temporal transformations to constitute an important anthropological layer of Indian society. Comprehensive and empirically rich, this book will be an essential read for scholars and researchers of cultural studies, theatre, film and performance studies, sociology, political studies, popular culture, and South Asian studies.
Author: Benjamin JJ Carpenter
Publisher: Taylor & Francis
ISBN: 1000961982
Category : Philosophy
Languages : en
Pages : 246
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Book Description
This book provides a philosophical analysis of the notion of selfhood that underlies identity politics. It offers a unique theory of the self that combines previous scholarly work on recognition and the phenomenology of space. The politics of identity occupy the centre of a contested terrain. Marginalised and oppressed peoples continue to seek the transformation of our shared social world and our political institutions required for their lives to be liveable. Public criticism and academic treatments of identity politics often take a disparaging view that treats it as subordinate to more general political questions about justice and the organisation of society and its institutions. This book argues that these polemics ignore the numerous ways in which all politics is concerned with matters of selfhood and identity. Through a rereading of Hegel’s account of recognition as an ongoing and dynamic process that constitutes the self, it presents selves—and the categories of identity that qualify these selves—as fundamentally conditioned by the environments in which they appear before themselves and others. It also argues that we do the work of identity in public spaces—particularly digital spaces—and that these spaces shape what identities we can assume and what those identities mean. Contemporary social media technologies facilitate the production of particular forms of selfhood through the combined logics of the interface, the profile, and the post. The Politics of Recognition in the Age of Digital Spaces will be of interest to scholars and advanced students working in a wide range of disciplines including political philosophy, phenomenology, philosophy of technology, sociology, political theory, and critical theory. It will also appeal to anyone with an interest in contemporary identity politics, whether as a matter of study or lived experience.
Author: Maratt Mythili Anoop
Publisher: Lexington Books
ISBN: 149850552X
Category : Art
Languages : en
Pages : 217
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Book Description
As stories of Indian dance’s renaissance span almost a full century, there has emerged a globally dispersed community of Indian dancers, scholars and audiences who are deeply committed to keeping these traditions alive and experimenting with traditional dance languages to grapple with contemporary themes and issues. Scripting Dance in Contemporary India is an edited volume that contributes to this field of Indian dance studies. The book engages with multiple dance forms of India and their representations. The contributions are eclectic, including writings by both scholars and performers who share their experiential knowledge. There are four sections in the book – section I titled, “Representations’ has three chapters that deal with textual representations and illustrations of dance and dancers, and the significance of those representations in the present. Section II titled, “Histories in Process” consists of two chapters that engage with the historiographies of dance forms and suggest that histories are narratives that are continually created. In the third section, “Negotiations”, the four chapters address the different ways in which dance is embedded in society, and the different ways in which the aesthetics of a form has to negotiate with social, economic and political imperatives. The final section, “Other Voices/ Other Bodies” brings voices which are outside the mainstream of dance as ‘serious’ art.
