Plains Indian Drawings 1865-1935 PDF Download
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Author: Jane Catherine Berlo
Publisher: Harry N. Abrams
ISBN: 9780810937420
Category : Art
Languages : en
Pages : 240
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Book Description
Looks at drawings in Indian ledger books, depicting traditional dances and war losses, and includes scholarly commentary
Author: Jane Catherine Berlo
Publisher: Harry N. Abrams
ISBN: 9780810937420
Category : Art
Languages : en
Pages : 240
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Book Description
Looks at drawings in Indian ledger books, depicting traditional dances and war losses, and includes scholarly commentary
Author:
Publisher:
ISBN:
Category : Indian art
Languages : en
Pages : 50
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Book Description
Author: Joyce M. Szabo
Publisher: University of Oklahoma Press
ISBN: 9780806138831
Category : Art
Languages : en
Pages : 216
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Book Description
During the 1870s, Cheyenne and Kiowa prisoners of war at Fort Marion, Florida, graphically recorded their responses to incarceration in drawings that conveyed both the present reality of imprisonment and nostalgic memories of home. The Silberman Collection is an unusually complete group of images that illustrate the artists' fascination with the world outside the southern plains, their living conditions and survival strategies as prisoners, and their reminiscences of pre-reservation life.
Author: Gerard C. Wertkin
Publisher: Routledge
ISBN: 1135956146
Category : Reference
Languages : en
Pages : 1583
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Book Description
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.
Author: Maura Coughlin
Publisher: Routledge
ISBN: 0429602391
Category : Art
Languages : en
Pages : 392
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Book Description
In this volume, emerging and established scholars bring ethical and political concerns for the environment, nonhuman animals and social justice to the study of nineteenth-century visual culture. They draw their theoretical inspiration from the vitality of emerging critical discourses, such as new materialism, ecofeminism, critical animal studies, food studies, object-oriented ontology and affect theory. This timely volume looks back at the early decades of the Anthropocene to query the agency of visual culture to critique, create and maintain more resilient and biologically diverse local and global ecologies.
Author: American Rock Art Research Association. Conference
Publisher:
ISBN: 9780976712152
Category : Bear Gulch Site (Mont.)
Languages : en
Pages : 216
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Book Description
Author: Ruth B. Phillips
Publisher: Univ of California Press
ISBN: 0520918762
Category : History
Languages : en
Pages : 444
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Book Description
Tourist art production is a global phenomenon and is increasingly recognized as an important and authentic expression of indigenous visual traditions. These thoughtful, engaging essays provide a comparative perspective on the history, character, and impact of tourist art in colonized societies in three areas of the world: Africa, Oceania, and North America. Ranging broadly historically and geographically, Unpacking Culture is the first collection to bring together substantial case studies on this topic from around the world.
Author: Arlene B. Hirschfelder
Publisher: Scarecrow Press
ISBN: 0810877090
Category : History
Languages : en
Pages : 585
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Book Description
Communicates information about the histories, contemporary presence, and various other facts of the Native peoples of the United States. From publisher description.
Author: Candace S. Greene
Publisher: University of Oklahoma Press
ISBN: 9780806133072
Category : History
Languages : en
Pages : 372
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Book Description
Plains Indians were artists as well as warriors, and Silver Horn (1860-1940), a Kiowa artist from the early reservation period, may well have been the most prolific Plains Indian artist of all time. Known also as Haungooah, his Kiowa name, Silver Horn was a man of remarkable skill and talent. Working in graphite, colored pencil, crayon, pen and ink, and watercolor on hide, muslin, and paper, he produced more than one thousand illustrations between 1870 and 1920. Silver Horn created an unparalleled visual record of Kiowa culture, from traditional images of warfare and coup counting to sensitive depictions of the sun dance, early Peyote religion, and domestic daily life. At the turn of the century, he helped translate nearly the entire corpus of Kiowa shield designs into miniaturized forms on buckskin models for Smithsonian ethnologist James Mooney. Born in 1860 when huge bison herds still roamed the southern plains, Silver Horn grew up in southwestern Oklahoma. Son of a chief and member of an artistically gifted family, he witnessed traumatic changes as his people went from a free-roaming, buffalo-hunting culture to reservation life and, ultimately, to forced assimilation into white society. Although perceived as a troublemaker in midlife because of his staunch resistance to the forces of civilization, Silver Horn became to many a romantic example of the "real old-time Indian." In this presentation of Silver Horn’s work, showcasing 43 color and 116 black-and-white illustrations, Candace S. Greene provides a thorough biographical portrait of the artist and, through his work, assesses the concepts and roles of artists in Kiowa culture.
Author: Jenny Tone-Pah-Hote
Publisher: UNC Press Books
ISBN: 1469643677
Category : History
Languages : en
Pages : 163
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Book Description
In this in-depth interdisciplinary study, Jenny Tone-Pah-Hote reveals how Kiowa people drew on the tribe's rich history of expressive culture to assert its identity at a time of profound challenge. Examining traditional forms such as beadwork, metalwork, painting, and dance, Tone-Pah-Hote argues that their creation and exchange were as significant to the expression of Indigenous identity and sovereignty as formal political engagement and policymaking. These cultural forms, she argues, were sites of contestation as well as affirmation, as Kiowa people used them to confront external pressures, express national identity, and wrestle with changing gender roles and representations. Combatting a tendency to view Indigenous cultural production primarily in terms of resistance to settler-colonialism, Tone-Pah-Hote expands existing work on Kiowa culture by focusing on acts of creation and material objects that mattered as much for the nation's internal and familial relationships as for relations with those outside the tribe. In the end, she finds that during a time of political struggle and cultural dislocation at the turn of the twentieth century, the community's performative and expressive acts had much to do with the persistence, survival, and adaptation of the Kiowa nation.
