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Author:
Publisher: Rizzoli Publications
ISBN: 0847868117
Category : Art
Languages : en
Pages : 0
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Book Description
This lavishly illustrated book offers a detailed look at the evolution of Helen Frankenthaler's sumptuous evocations of the natural world in paintings spanning forty years. Famous as the inventor of the "soak-stain" technique that ushered in Color Field painting in the mid-twentieth century, Helen Frankenthaler (1928-2011) continued to create powerful, original abstractions throughout her lifetime. This volume focuses on a selection of paintings that reveal the relationship between the pittura and the panorama in her work over the course of four decades. As Frankenthaler scholar John Elderfield notes, this interplay between works that are reminiscent of easel paintings, though made on the floor, and large, horizontal canvases that open onto shallow but expansive spaces, as panoramas do, was intrinsic to the artist's development. In an original essay, Pepe Karmel traces connections between Frankenthaler's sumptuous evocations of what she called "the atmosphere of landscape" and inspirations ranging from sixteenth-century Venetian paintings to works by Lucio Fontana, as well as her influence on successors including Mary Weatherford. Published to accompany an exhibition organized by the Helen Frankenthaler Foundation and Venetian Heritage, in association with Gagosian, at the Museo di Palazzo Grimani, Venice, this generously illustrated volume offers a close look at a key aspect of Frankenthaler's long pursuit of painting as a means to convey experiences and effects.
Author:
Publisher: Rizzoli Publications
ISBN: 0847868117
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
This lavishly illustrated book offers a detailed look at the evolution of Helen Frankenthaler's sumptuous evocations of the natural world in paintings spanning forty years. Famous as the inventor of the "soak-stain" technique that ushered in Color Field painting in the mid-twentieth century, Helen Frankenthaler (1928-2011) continued to create powerful, original abstractions throughout her lifetime. This volume focuses on a selection of paintings that reveal the relationship between the pittura and the panorama in her work over the course of four decades. As Frankenthaler scholar John Elderfield notes, this interplay between works that are reminiscent of easel paintings, though made on the floor, and large, horizontal canvases that open onto shallow but expansive spaces, as panoramas do, was intrinsic to the artist's development. In an original essay, Pepe Karmel traces connections between Frankenthaler's sumptuous evocations of what she called "the atmosphere of landscape" and inspirations ranging from sixteenth-century Venetian paintings to works by Lucio Fontana, as well as her influence on successors including Mary Weatherford. Published to accompany an exhibition organized by the Helen Frankenthaler Foundation and Venetian Heritage, in association with Gagosian, at the Museo di Palazzo Grimani, Venice, this generously illustrated volume offers a close look at a key aspect of Frankenthaler's long pursuit of painting as a means to convey experiences and effects.
Author: Bernard Comment
Publisher: Reaktion Books
ISBN: 9781861891235
Category : Architecture
Languages : en
Pages : 282
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Book Description
In this book, Bernard Comment examines the wide variety of panoramas featuring both the old and the new worlds. Included among views of cities are Robert Baker's View of Edinburgh and depictions of Paris, Moscow and Lima.
Author: Katie Trumpener
Publisher: Yale University Press
ISBN: 0300184794
Category : Art
Languages : en
Pages : 325
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Book Description
A wide-ranging study of the painted panorama’s influence on art, photography, and film This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.
Author: Giuliana Bruno
Publisher: Verso Books
ISBN: 178663323X
Category : Art
Languages : en
Pages : 1133
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Book Description
Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures, emphasises that "sight" and "site" but also "motion" and "emotion" are irrevocably connected. In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.
Author: Griselda Pollock
Publisher: Manchester University Press
ISBN: 1526164167
Category : Art
Languages : en
Pages : 323
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Book Description
What did it mean for painter Lee Krasner to be an artist and a woman if, in the culture of 1950s New York, to be an artist was to be Jackson Pollock and to be a woman was to be Marilyn Monroe? With this question, Griselda Pollock begins a transdisciplinary journey across the gendered aesthetics and the politics of difference in New York abstract, gestural painting. Revisiting recent exhibitions of Abstract Expressionism that either marginalised the artist-women in the movement or focused solely on the excluded women, as well as exhibitions of women in abstraction, Pollock reveals how theories of embodiment, the gesture, hysteria and subjectivity can deepen our understanding of this moment in the history of painting co-created by women and men. Providing close readings of key paintings by Lee Krasner and re-thinking her own historic examination of images of Jackson Pollock and Helen Frankenthaler at work, Pollock builds a cultural bridge between the New York artist-women and their other, Marilyn Monroe, a creative actor whose physically anguished but sexually appropriated star body is presented as pathos formula of life energy. Monroe emerges as a haunting presence within this moment of New York modernism, eroding the policed boundaries between high and popular culture and explaining what we gain by re-thinking art with the richness of feminist thought.
Author: Peter Humfrey
Publisher: Yale University Press
ISBN: 9780300067156
Category : Art
Languages : en
Pages : 338
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Book Description
The Renaissance was a golden age in the long history of Venetian painting, and the art that came from Venice during that era includes some of the most visually exciting works in the whole of western art. This attractive book - a comprehensive account of painting in Venice from Bellini to Titian to Tintoretto - is an accessible introduction to the paintings of this period. Peter Humfrey surveys the development of a distinctly Venetian artistic tradition from the middle years of the fifteenth century to the end of the sixteenth century. He discusses the work of Jacopo and Giovanni Bellini, Giorgione, Titian, Veronese and Tintoretto as well as the paintings of those less well known - such as the three Vivarini, Cima, Carpaccio, Palma Vecchio, Lorenzo Lotto and Jacopo Bassano. Humfrey analyses these painters' works in terms of their pictorial style, technique, subject matter, patronage and function. He also sets the art against the background of the political, social and religious conditions of Renaissance Venice, as outlined in his Introduction. The book includes an appendix that provides brief biographies of thirty-six of the most important painters active in Renaissance Venice.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1108
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Book Description
Author: Stephan Oettermann
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 432
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Book Description
The significance of panorama painting in the nineteenth century is frequently cited in contemporary debates about visuality and the emergence of the modern spectator. Stephan Oettermann's The Panorama is the first major historical study to appear in English of the rich phenomenon of the panorama, one of the most influential forms of visual entertainment in the nineteenth century. In this richly illustrated book Oettermann gives readers a concrete sense of the structural and experiential reality of the panorama, and the many forms it took throughout Europe and North America--a crucial task given that very few of the original nineteenth-century panoramas survive. At the same time, he outlines the many ways in which these remarkable and often immense 360-degree images were part of a larger transformation of the status of the observer and of popular culture. Thus, the panorama is treated not only as a new kind of image but also as an architectural and informational component of the new urban spaces and media networks.
Author: Renzo Dubbini
Publisher: University of Chicago Press
ISBN: 0226167372
Category : Art
Languages : en
Pages : 268
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Book Description
Geography of the Gaze offers a new history and theory of how the way we look at things influences what we see. Focusing on Western Europe from the seventeenth to nineteenth centuries, Renzo Dubbini shows how developments in science, art, mapping, and visual epistemology affected the ways natural and artificial landscapes were perceived and portrayed. He begins with the idea of the "view," explaining its role in the invention of landscape painting and in the definition of landscape as a cultural space. Among other topics, Dubbini explores how the descriptive and pictorial techniques used in mariners' charts, view-oriented atlases, military cartography, and garden design were linked to the proliferation of highly realistic paintings of landscapes and city scenes; how the "picturesque" system for defining and composing landscapes affected not just art but also archaeology and engineering; and how the ever-changing modern cityscapes inspired new ways of seeing and representing the urban scene in Impressionist painting, photography, and stereoscopy. A marvelous history of viewing, Geography of the Gaze will interest everyone from scientists to artists.
Author: James Elkins
Publisher: Cornell University Press
ISBN: 1501723901
Category : Art
Languages : en
Pages : 307
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Book Description
In the domain of visual images, those of fine art form a tiny minority. This original and brilliant book calls upon art historians to look beyond their traditional subjects—painting, drawing, photography, and printmaking—to the vast array of "nonart" images, including those from science, technology, commerce, medicine, music, and archaeology. Such images, James Elkins asserts, can be as rich and expressive as any canonical painting. Using scores of illustrations as examples, he proposes a radically new way of thinking about visual analysis, one that relies on an object's own internal sense of organization.Elkins begins by demonstrating the arbitrariness of current criteria used by art historians for selecting images for study. He urges scholars to adopt, instead, the far broader criteria of the young field of image studies. After analyzing the philosophic underpinnings of this interdisciplinary field, he surveys the entire range of images, from calligraphy to mathematical graphs and abstract painting. Throughout, Elkins blends philosophic analysis with historical detail to produce a startling new sense of such basic terms as pictures, writing, and notation.
