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Author:
Publisher:
ISBN:
Category : Renaissance
Languages : it
Pages : 784
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Book Description
Author:
Publisher:
ISBN:
Category : Renaissance
Languages : it
Pages : 784
Get Book Here
Book Description
Author: Marc Föcking
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110783479
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
‘Anticlassicisms,’ as a plural, react to the many possible forms of ‘classicisms.’ In the sixteenth century, classicist tendencies range from humanist traditions focusing on Horace and the teachings of rhetoric, via Pietro Bembo’s canonization of a ‘second antiquity’ in the works of the fourteenth-century classics, Petrarch and Boccaccio, to the Aristotelianism of the second half of the century. Correspondingly, the various tendencies to destabilize or to subvert or contradict these manifold and historically dynamic ‘classicisms’ need to be distinguished as so many ‘anticlassicisms’. This volume, after discussing the history and possible implications of the label ‘anticlassicism’ in Renaissance studies, differentiates and analyzes these ‘anticlassicisms.’ It distinguishes the various forms of opposition to ‘classicisms’ as to their scope (on a scale between radical poetological dissension to merely sectorial opposition in a given literary genre) and to their alternative models, be they authors (like Dante) or texts. At the same time, the various chapters specify the degree of difference or erosion inherent in anticlassicist tendencies with respect to their ‘classicist’ counterparts, ranging from implicit ‘system disturbances’ to open, intended antagonism (as in Bernesque poetry), with a view to establishing an overall picture of this field of phenomena for the first time.
Author: Marco Faini
Publisher: BRILL
ISBN: 9004465197
Category : Literary Criticism
Languages : en
Pages : 622
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Book Description
An interdisciplinary exploration of one of the most prolific and controversial figures of early modern Europe. This volume is comprised of seven sections, each devoted to a specific aspect Aretino’s life and works.
Author: Raymond B. Waddington
Publisher: Taylor & Francis
ISBN: 1040245765
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
The essays gathered together in this volume follow the career of the sixteenth-century courtier-poet Pietro Aretino. Part One introduces the author during the 1520s in Rome with his remarkable first comedy, La Cortigiana. With Aretino’s move to Venice (1527), he found a congenial life-long home in which he could flourish. Yet the transition from courtier poet to poligrafo, vernacular writer for the popular press, was slow and difficult before he adopted a new career model derived from Erasmus; even then, he contemplated abandoning Italy for the Ottoman Empire. Part Two examines his work as a satirist in the mid-thirties with the Ragionamenti, the dialogues that branded him a pornographer when the satiric targets lost their immediacy. He augmented the satiric writings by creating the visual persona of a satirist in various media - woodcut author portraits in books, engravings, and particularly portrait medals. The complementary, verbal-visual relationship is the subject of this pairing. Aretino’s religious writings have not been taken seriously until quite recently. The two essays presented here trace Aretino’s associations with Erasmians, spirituali, heretics, and apostates, arguing that his own convictions were sincere, suggesting that he became a Nicodemite during the gathering Counter-Reformation repression of the 1540s. The concluding essays consider two examples of Aretino’s continuing influence in different media, visual arts and literature: on the brilliant, eccentric artist, Giuseppe Arcimboldo, and on a great English comedy, Ben Jonson’s Volpone.
Author: Simon Gilson
Publisher: Cambridge University Press
ISBN: 1107196558
Category : Literary Criticism
Languages : en
Pages : 449
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Book Description
Examines Dante's reception in the culture and criticism of Renaissance Italy, with a particular focus on Florence and Venice.
Author: James Grantham Turner
Publisher: Cambridge University Press
ISBN: 1009041630
Category : Art
Languages : en
Pages : 927
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Book Description
The frescoes of Peruzzi, Raphael and Sodoma still dazzle visitors to the Villa Farnesina, but they survive in a stripped-down environment bereft of its landscape, sealed so it cannot breathe. Turner takes you outside that box, restoring these canonical images to their original context, when each element joined in a productive conversation. He is the first to reconstruct the architect-painter Peruzzi's original, well-proportioned, well-appointed building and to re-visualize his lost façade decoration‒erotic scenes and mythological figures who make it come alive and soar upward. More comprehensively than any previous scholar, he reintegrates painting, sculpture, architecture, garden design, topographical prints and drawings, archaeological discoveries and literature from the brilliant circle around the patron Agostino Chigi, the powerful banker who 'loved all virtuosi' and commissioned his villa-palazzo from the best talents in multiple arts. It can now be understood as a Palace of Venus, celebrating aesthetic, social and erotic pleasure.
Author: Susan Gaylard
Publisher: Fordham Univ Press
ISBN: 0823251748
Category : Art
Languages : en
Pages : 385
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Book Description
Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circumstances.
Author: NA NA
Publisher: Springer
ISBN: 1349628476
Category : Science
Languages : en
Pages : 237
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Book Description
This is a lively study of the autobiographical instinct in a variety of 16th and 17th century modes of writing in English, from letters and memoirs to pastoral, polemic and street ballads. The book's central concern is how "selves" are "betrayed" in texts, particularly in the centuries before the autobiography was a recognized genre. It suggests that self-representation in the early modern period was often indirect, emerging in oblique and surprising ways.
Author: Piers Baker-Bates
Publisher: Routledge
ISBN: 1351549405
Category : Art
Languages : en
Pages : 267
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Book Description
Sebastiano del Piombo (c.1485-1547) was a close associate and rival of the central artistic figures of the High Renaissance, notably Michelangelo and Raphael. After the death of Raphael and the departure of Michelangelo from Rome, Sebastiano became the dominant artistic personality in the city. Despite being one of most significant artistic figures of the period, he remains the last artist of major importance in the western canon about whom no recent work has been published in English. In this study, Piers Baker-Bates approaches Sebastiano?s career through analysis of the patrons he attracted following his arrival at Rome. The first half of the book concentrates on Sebastiano?s network of patrons, predominantly Italian, who had strong factional ties to the Imperial camp; the second half discusses Sebastiano?s relationship with his principal Spanish patrons. Sebastiano is a leading example of a transcultural artist in the sixteenth century and his relationship with Spain was fundamental to the development of his careerThe author investigates the domination of Sebastiano?s career by patrons who had geographically different origins, but who were all were members of a wider network of Imperial loyalties. Thus Baker-Bates removes Sebastiano from the shadow of his contemporaries, bringing him to life for the reader as an artistic personality in his own right. Baker-Bates? characterization of the Rome in which Sebastiano made his career differs from previous scholarly accounts, and he describes how Sebastiano was ideally suited to flourish in the environment he depicts.Sebastiano del Piombo and the World of Spanish Rome thus re-appraises not only Sebastiano?s place in the canon of Renaissance art but, using him as a lens, also the cultural worlds of Early Modern Italy and Spain in which he operated.
Author: Diletta Gamberini
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110743663
Category : Art
Languages : en
Pages : 296
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Book Description
This book breaks new ground by illuminating the key role of verse-writing as a cultural strategy on the part of Italian Renaissance artists. It does so by undertaking a wide-ranging study of poems by painters, sculptors, architects, and goldsmiths who were active in Florence under Cosimo I and Francesco I de’ Medici – a milieu in which many practitioners of the visual arts appropriated the literary medium to address issues related to their primary professions. New Apelleses, and New Apollos intervenes in the burgeoning scholarly discourse on the intellectual life of artists in early modern Italy, revealing how poetry often provides fresh insights into art-theoretical debates, patronage questions, workshop cultures, issues of professional identity, and networks of personal relations.
