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Author: Peter O'Hagan
Publisher: Taylor & Francis
ISBN: 1315517841
Category : Music
Languages : en
Pages : 365
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Book Description
Pierre Boulez's first piano pieces date from his youth, prior to his studies in Paris with Messiaen, and his subsequent meteoric rise to international acclaim as the leader of the musical avant-garde during the 1950s. His most recent published work is a solo piano piece, Une page d’éphéméride, written some sixty years after his first attempts at composition. The piano has remained central to Boulez's creative work throughout his career, and although his renown as a conductor has to some extent overshadowed his other achievements, it was as a performer of his own piano music that his practical gifts first found expression. Peter O'Hagan has given performances of various unpublished piano works by Boulez, including Antiphonie from the Third Sonata and Trois Psalmodies. In this study, he considers Boulez's writing for the piano in the context of the composer's stylistic evolution throughout the course of his development. Each of the principal works is considered in detail, not only on its own terms, but also as a stage in Boulez's ongoing quest to invent radical solutions to the renewal of musical language and to reinvigorate tradition. The volume includes reference to hitherto unpublished source material, which sheds light on his working methods and on the interrelationship between works.
Author: Peter O'Hagan
Publisher: Taylor & Francis
ISBN: 1315517841
Category : Music
Languages : en
Pages : 365
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Book Description
Pierre Boulez's first piano pieces date from his youth, prior to his studies in Paris with Messiaen, and his subsequent meteoric rise to international acclaim as the leader of the musical avant-garde during the 1950s. His most recent published work is a solo piano piece, Une page d’éphéméride, written some sixty years after his first attempts at composition. The piano has remained central to Boulez's creative work throughout his career, and although his renown as a conductor has to some extent overshadowed his other achievements, it was as a performer of his own piano music that his practical gifts first found expression. Peter O'Hagan has given performances of various unpublished piano works by Boulez, including Antiphonie from the Third Sonata and Trois Psalmodies. In this study, he considers Boulez's writing for the piano in the context of the composer's stylistic evolution throughout the course of his development. Each of the principal works is considered in detail, not only on its own terms, but also as a stage in Boulez's ongoing quest to invent radical solutions to the renewal of musical language and to reinvigorate tradition. The volume includes reference to hitherto unpublished source material, which sheds light on his working methods and on the interrelationship between works.
Author: Peter O'Hagan
Publisher: Routledge
ISBN: 1315517833
Category : Music
Languages : en
Pages : 381
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Book Description
Pierre Boulez's first piano pieces date from his youth, prior to his studies in Paris with Messiaen, and his subsequent meteoric rise to international acclaim as the leader of the musical avant-garde during the 1950s. His most recent published work is a solo piano piece, Une page d’éphéméride, written some sixty years after his first attempts at composition. The piano has remained central to Boulez's creative work throughout his career, and although his renown as a conductor has to some extent overshadowed his other achievements, it was as a performer of his own piano music that his practical gifts first found expression. Peter O'Hagan has given performances of various unpublished piano works by Boulez, including Antiphonie from the Third Sonata and Trois Psalmodies. In this study, he considers Boulez's writing for the piano in the context of the composer's stylistic evolution throughout the course of his development. Each of the principal works is considered in detail, not only on its own terms, but also as a stage in Boulez's ongoing quest to invent radical solutions to the renewal of musical language and to reinvigorate tradition. The volume includes reference to hitherto unpublished source material, which sheds light on his working methods and on the interrelationship between works.
Author: Lev Koblyakov
Publisher: Routledge
ISBN: 1136608494
Category : Music
Languages : en
Pages : 236
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Book Description
In this significant study of the music of Pierre Boulez, Dr. Koblyakov provides a complete analysis of Le Marteau sand Maître and deals with the development of serial music in the twentieth century and the problems of serial organization in general. He reaches stimulating conclusions about serial thinking and harmony in themusic of Pierre Boulez, thus enabling an understanding of the intricacies of this major composer's compositional techniques.
Author: Pierre Boulez
Publisher: Cambridge University Press
ISBN: 9780521485586
Category : Biography & Autobiography
Languages : en
Pages : 192
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Book Description
A study of two of the greatest composers of the twentieth century through their correspondence, now available for the first time in English in a paperback edition.
Author: Edward Campbell
Publisher: Cambridge University Press
ISBN: 1316715167
Category : Music
Languages : en
Pages : 413
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Book Description
Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, shedding new light on Boulez's music and its historical and cultural contexts. In two sections that focus firstly on the context of the 1940s and 1950s, and secondly on the development of the composer's style, the contributors address recurring themes such as Boulez's approach to the serial principle and the related issues of form and large-scale structure. Featuring excerpts from Boulez's correspondence with a range of his contemporaries here published for the first time, the book illuminates both Boulez's relationship with them and his thinking concerning the challenges which confronted both him and other leading figures of the European avant-garde. In the final section, three chapters examine Boulez's relationship with audiences in the United Kingdom, and the development of the appreciation of his music.
Author: Peter O'Hagan
Publisher: Routledge
ISBN: 9781032507675
Category : Music
Languages : en
Pages : 0
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Book Description
Performer and researcher Peter O'Hagan studies the musical style of Pierre Boulez during his final creative period, by means of a detailed consideration of the ensemble work sur Incises, which stands at the heart of Boulez's later output. O'Hagan offers a unique blend of perceptions stemming from playing as well as analysing Boulez's piano music. It is examined in the context of the group of works based on the cipher derived from the name of the dedicatee, Paul Sacher. With one exception, these works are dominated by the keyboard, and sur Incises is examined in relation both to them and to the composer's output as a whole. An absorbing narrative elucidates the complex evolution of sur Incises, informed by a study of the considerable body of sketches and drafts. O'Hagan sheds new light on the creative process, not only in this work, but more generally on Boulez as a dominant force in music since 1950. The book will be of interest not only to specialists in the field of contemporary music but to musicology students and a wider public interested in the work of one of the dominating creative personalities of our time.
Author: Pierre Boulez
Publisher: University of Chicago Press
ISBN: 022667259X
Category : Music
Languages : en
Pages : 689
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Book Description
Music Lessons marks the first publication in English of a groundbreaking group of writings by French composer Pierre Boulez, his yearly lectures prepared for the Collège de France between 1976 and 1995. The lectures presented here offer a sustained intellectual engagement with themes of creativity in music by a widely influential cultural figure, who has long been central to the conversation around contemporary music. In his essays Boulez explores, among other topics, the process through which a musical idea is realized in a full-fledged composition, the complementary roles of craft and inspiration, and the degree to which the memory of other musical works can influence and change the act of creation. Boulez also gives a penetrating account of problems in classical music that are still present today, such as the often crippling conservatism of established musical institutions. Woven into the discussion are stories of his own compositions and those of fellow composers whose work he championed, as both a critic and conductor: from Stravinsky to Stockhausen and Varèse, from Bartók to Berg, Debussy to Mahler and Wagner, and all the way back to Bach. Including a foreword by famed semiologist Jean-Jacques Nattiez, who was for years a close collaborator and friend of the composer, this edition is also enriched by an illuminating preface by Jonathan Goldman. With a masterful translation retaining Boulez’s fierce convictions, cutting opinions, and signature wit, Music Lessons will be an essential and entertaining volume.
Author: Peter O'Hagan
Publisher:
ISBN: 9781032565347
Category : Music
Languages : en
Pages : 0
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Book Description
"Performer and researcher Peter O'Hagan studies the musical style of Pierre Boulez during his final creative period, by means of a detailed consideration of the ensemble work sur Incises, which stands at the heart of Boulez's later output. O'Hagan offers a unique blend of perceptions stemming from playing as well as analysing Boulez's piano music. It is examined in the context of the group of works based on the cipher derived from the name of the dedicatee, Paul Sacher. With one exception, these works are dominated by the keyboard, and sur Incises is examined in relation both to them and to the composer's output as a whole. An absorbing narrative elucidates the complex evolution of sur Incises, informed by a study of the considerable body of sketches and drafts. O'Hagan sheds new light on the creative process, not only in this work, but more generally on Boulez as a dominant force in music since 1950. The book will be of interest not only to specialists in the field of contemporary music but to musicology students and a wider public interested in the work of one of the dominating creative personalities of our time"--
Author: Joseph Salem
Publisher: Oxford University Press
ISBN: 0197652352
Category : Education
Languages : en
Pages : 393
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Book Description
"Pierre Boulez was born a middle child to Léon and Marcelle Boulez on March 26, 1925 in Montbrison, a community not far from Saint-Étienne in the Loire valley of France. By today's faster standards, this put him a little over an hour from Lyon, about three hour's drive from Geneva, about five hours from Paris, and about seven from Baden-Baden-all future residences of Boulez during his formative period. Montbrison was predominately Catholic and relatively small: it probably had a population of about 7,000 during Boulez's childhood in the 1930s, while census statistics from 1968 begin at 11,213. By comparison, nearby Saint-Étienne had a census population of 223,223 in the same year, and Lyon stood at 527,800. While Montbrison was primarily agricultural, Boulez's father was an engineer. By the time Boulez turned five, the family owned a private home and a radio that occasionally broadcast orchestral music. The radio came from a business trip abroad to the United States, but the family also traveled frequently within France. Thus, while he was born into a smaller community some distance from cultural centers in France, Boulez's childhood foreshadowed the slow, growing circumference of his worldly presence"--
Author: Jonathan Goldman
Publisher: Cambridge University Press
ISBN: 0521514908
Category : Biography & Autobiography
Languages : en
Pages : 269
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Book Description
A fresh look at the musical universe of arguably one of the most influential composers of the twentieth century.