Renoir

Renoir PDF Author: Barbara Ehrlich White
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 322

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Book Description
Reprint. Originally published: New York: Harry N. Abrams, 1984.

Renoir

Renoir PDF Author: Barbara Ehrlich White
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 322

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Book Description
Reprint. Originally published: New York: Harry N. Abrams, 1984.

Delphi Complete Works of Pierre-Auguste Renoir (Illustrated)

Delphi Complete Works of Pierre-Auguste Renoir (Illustrated) PDF Author: Pierre-Auguste Renoir
Publisher: Delphi Classics
ISBN: 1910630748
Category : Art
Languages : en
Pages : 1682

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Book Description


Pierre Auguste Renoir

Pierre Auguste Renoir PDF Author: Mike Venezia
Publisher: Children's Press
ISBN: 9781484475959
Category : Juvenile Nonfiction
Languages : en
Pages : 0

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Book Description
Clever illustrations and story lines, together with full-color reproductions of Pierre Auguste Renoir's actual works, give children a light yet realistic overview of this artist's life and style.

Smart About Art: Pierre-Auguste Renoir

Smart About Art: Pierre-Auguste Renoir PDF Author: True Kelley
Publisher: Penguin
ISBN: 0448433710
Category : Juvenile Nonfiction
Languages : en
Pages : 34

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Book Description
One of the Impressionist era's best-loved painters, Pierre-Auguste Renoirpainted every day for 60 years—that's over 5,000 paintings! The joie de vivre expressed in his work is reflected on every page of Smart About Art: Pierre-Auguste Renoir in colorful, dynamic illustrations and 17 reproductions. With humor and insight, this title takes us through the life of an artist who at first was so unpopular that his paintings were attacked with umbrellas. Written as if it were a child's own class report, this title is sure to draw new young fans to Renoir's paintings.

Renoir in the 20th Century

Renoir in the 20th Century PDF Author: Auguste Renoir
Publisher: Hatje Cantz
ISBN:
Category : Art
Languages : en
Pages : 448

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Book Description
This volume is a biography of Pierre-Auguste Renoir (1841-1919). Renoir was a French artist who was a leading painter in the development of the Impressionist style. This work dedicates itself to the final three decades of Renoir's career in which the painter turned away from Impressionism and toward a more decorative approach informed by his own idiosyncratic interpretation of art history. During this period, Renoir was initially looking at painters such as Rubens, Titian and Raphael, and dedicating himself to cheery subjects such as bathers, domestic idylls and landscapes that were influenced by both classical mythology and by his relocation to the South of France.

Basic Art Series: Ten in One. Impressionism

Basic Art Series: Ten in One. Impressionism PDF Author: Taschen
Publisher: Taschen
ISBN: 9783836576239
Category :
Languages : en
Pages : 1004

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Book Description
A must-have for any art buff, this definitive who's who of Impressionism gathers 10 monographs from the Basic Art series for the price of three. Precise texts and impeccable reproductions guide us through the life and works of Cézanne, Degas, Gauguin, Manet, Monet, Renoir, Rousseau, Seurat, Toulouse-Lautrec, and van Gogh.

Renoir's Dancer

Renoir's Dancer PDF Author: Catherine Hewitt
Publisher: St. Martin's Press
ISBN: 1250157641
Category : Biography & Autobiography
Languages : en
Pages : 482

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Book Description
Catherine Hewitt's richly told biography of Suzanne Valadon, the illegitimate daughter of a provincial linen maid who became famous as a model for the Impressionists and later as a painter in her own right. In the 1880s, Suzanne Valadon was considered the Impressionists’ most beautiful model. But behind her captivating façade lay a closely-guarded secret. Suzanne was born into poverty in rural France, before her mother fled the provinces, taking her to Montmartre. There, as a teenager Suzanne began posing for—and having affairs with—some of the age’s most renowned painters. Then Renoir caught her indulging in a passion she had been trying to conceal: the model was herself a talented artist. Some found her vibrant still lifes and frank portraits as shocking as her bohemian lifestyle. At eighteen, she gave birth to an illegitimate child, future painter Maurice Utrillo. But her friends Toulouse-Lautrec and Degas could see her skill. Rebellious and opinionated, she refused to be confined by tradition or gender, and in 1894, her work was accepted to the Salon de la Société Nationale des Beaux-Arts, an extraordinary achievement for a working-class woman with no formal art training. Renoir’s Dancer tells the remarkable tale of an ambitious, headstrong woman fighting to find a professional voice in a male-dominated world.

Color Your Own Renoir Paintings

Color Your Own Renoir Paintings PDF Author: Pierre-Auguste Renoir
Publisher: Courier Corporation
ISBN: 9780486415468
Category : Juvenile Nonfiction
Languages : en
Pages : 36

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Book Description
Colorists of all ages as well as would-be artists and admirers of Renoir will love these magnificent re-creations of the master's works. Sensuous scenes of beautiful women, flowers, and atmospheric landscapes include On the Terrace, Woman with a Fan, Luncheon of the Boating Party, and Girls at the Piano. Each painting is identified, and all are depicted in full color on the inside covers.

Pierre-Auguste Renoir and artworks

Pierre-Auguste Renoir and artworks PDF Author: Natalia Brodskaya
Publisher: Parkstone International
ISBN: 1781609411
Category : Art
Languages : en
Pages : 254

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Book Description
Pierre-Auguste Renoir was born in Limoges on 25 February 1841. In 1854, the boy’s parents took him from school and found a place for him in the Lévy brothers’ workshop, where he was to learn to paint porcelain. Renoir’s younger brother Edmond had this to say this about the move: “From what he drew in charcoal on the walls, they concluded that he had the ability for an artist’s profession. That was how our parents came to put him to learn the trade of porcelain painter.” One of the Lévys’ workers, Emile Laporte, painted in oils in his spare time. He suggested Renoir makes use of his canvases and paints. This offer resulted in the appearance of the first painting by the future impressionist. In 1862 Renoir passed the examinations and entered the Ecole des Beaux-Arts and, simultaneously, one of the independent studios, where instruction was given by Charles Gleyre, a professor at the Ecole des Beaux-Arts. The second, perhaps even the first, great event of this period in Renoir’s life was his meeting, in Gleyre’s studio, with those who were to become his best friends for the rest of his days and who shared his ideas about art. Much later, when he was already a mature artist, Renoir had the opportunity to see works by Rembrandt in Holland, Velázquez, Goya and El Greco in Spain, and Raphael in Italy. However, Renoir lived and breathed ideas of a new kind of art. He always found his inspirations in the Louvre. “For me, in the Gleyre era, the Louvre was Delacroix,” he confessed to Jean. For Renoir, the First Impressionist Exhibition was the moment his vision of art and the artist was affirmed. This period in Renoir’s life was marked by one further significant event. In 1873 he moved to Montmartre, to the house at 35 Rue Saint-Georges, where he lived until 1884. Renoir remained loyal to Montmartre for the rest of his life. Here he found his “plein-air” subjects, his models and even his family. It was in the 1870s that Renoir acquired the friends who would stay with him for the remainder of his days. One of them was the art-dealer Paul Durand-Ruel, who began to buy his paintings in 1872. In summer, Renoir continued to paint a great deal outdoors together with Monet. He would travel out to Argenteuil, where Monet rented a house for his family. Edouard Manet sometimes worked with them too. In 1877, at the Third Impressionist Exhibition, Renoir presented a panorama of over twenty paintings. They included landscapes created in Paris, on the Seine, outside the city and in Claude Monet’s garden; studies of women’s heads and bouquets of flowers; portraits of Sisley, the actress Jeanne Samary, the writer Alphonse Daudet and the politician Spuller; and also The Swing and The Ball at the Moulin de la Galette. Finally, in the 1880s Renoir hit a “winning streak”. He was commissioned by rich financiers, the owner of the Grands Magasins du Louvre and Senator Goujon. His paintings were exhibited in London and Brussels, as well as at the Seventh International Exhibition held at Georges Petit’s in Paris in 1886. In a letter to Durand-Ruel, then in New York, Renoir wrote: “The Petit exhibition has opened and is not doing badly, so they say. After all, it’s so hard to judge about yourself. I think I have managed to take a step forward towards public respect. A small step, but even that is something.”

Renoir in the Barnes Foundation

Renoir in the Barnes Foundation PDF Author: Barnes Foundation
Publisher:
ISBN: 9780300151008
Category : Painting
Languages : en
Pages : 0

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Book Description
A spectacular survey of the world's most comprehensive collection of works by the Impressionist master Renoir The Barnes Foundation is home to the world's largest collection of paintings by Pierre-Auguste Renoir (1841-1919). Dr. Albert C. Barnes, a Philadelphia scientist who made his fortune in pharmaceuticals, established the Foundation in 1922 in Merion, Pennsylvania, as an educational institution devoted to the appreciation of the fine arts. A passionate supporter of European modernism, Barnes built a collection that was virtually unrivaled, with massive holdings by Paul Cézanne, Henri Matisse, and Pablo Picasso. But it was Renoir that Barnes admired above all other artists; he thought of him as a god and collected his work tenaciously, amassing 181 works by the painter between 1912 and 1942. All of these Renoirs are included in this lavishly illustrated book. Renoir in the Barnes Foundation tells the fascinating story of Barnes's obsession with the Impressionist master's late works, while offering illuminating new scholarship on the works themselves. Authors Martha Lucy and John House look closely at the key paintings in the collection, placing them in the wider contexts of contemporary artistic, aesthetic, and theoretical debates. The first volume to publish the entirety of Barnes's astonishing Renoir collection, Renoir in the Barnes Foundation is also an engaging study of the artist's critical--and often contested--role in the development of modern art. Published in association with the Barnes Foundation