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Author: Beatriz Pichel
Publisher: Manchester University Press
ISBN: 1526151898
Category : History
Languages : en
Pages : 270
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Book Description
Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians’ war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience.
Author: Beatriz Pichel
Publisher: Manchester University Press
ISBN: 1526151898
Category : History
Languages : en
Pages : 270
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Book Description
Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians’ war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience.
Author: Stephen Bull
Publisher: Casemate
ISBN: 1612003311
Category : History
Languages : en
Pages : 196
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Book Description
Now that the last veterans are gone, the First World War is now a completely historical subject—governed by archaeology and genealogy, battlefield tourism and military history. The anguish and privations are a bit further away, but there is still huge interest in the awful conditions and carnage endured by a generation of youth who sacrificed their lives for their country. “The Old Front Line” is a phrase first coined by the poet John Masefield when he looked back on the battle of the Somme from a distance of just one year, in 1917, and speculated how the Western Front might look in the future. Stephen Bull’s copiously illustrated work—part travel guide, part popular history—a century on, answers his speculations. The main source material is new and contemporary photographs, as well as some from the intervening century. Taken together these provide a series of exciting vistas and informative details that tell the story of the battles and landscapes. Aerial photography, old and new ground shots—and in a few cases even images taken underground—provide an authoritative summary of the war on the Western Front. Following an introduction that sets the scene and looks at the early stages of the war, eight chapters examine the Western Front geographically, looking closely at the main areas of fighting and what is visible today: not just the “iron harvest”—the scars left by trench and battle—but also the cemeteries, war memorials and statues that remind the visitor starkly of the loss of a generation.
Author: Western Front (Vancouver, B. C.)
Publisher:
ISBN:
Category : Performance art
Languages : en
Pages :
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Author: Stuart Allan
Publisher: Taylor & Francis
ISBN: 113647367X
Category : Language Arts & Disciplines
Languages : en
Pages : 288
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Book Description
In contrast with historical examinations centring the evolving role of the war correspondent, Conflicting Images focuses on the contribution of photographers and photojournalists, providing an evaluative appraisal of war photography in the news and its development from the nineteenth century to the twenty-first century. Stuart Allan and Tom Allbeson critically explore diverse genres of war photography across a broad historical sweep, encompassing events from the Crimean War (1853–56) and the Civil War in the United States (1861–65) up to and including conflicts unfolding in Syria and Ukraine. This book reflects on the relevance of different types of warfare to visual reporting, from colonial conquest via trench warfare and aerial bombardment, to the ideological dimensions of the Cold War, and ‘embedding’ and ‘winning hearts and minds’ during the ‘War on Terror’ and its aftermath. In pinpointing illustrative examples, the authors examine changing dynamics of production, dissemination, and public engagement. Readers will come to understand how current efforts to rethink the future of war photography in a digital age can benefit from a close and careful consideration of war photography’s origins, early development, and gradual, uneven transformation over the years. Conflicting Images aims to invigorate ongoing enquires and inspire new, alternative trajectories for future research and practice. This book is recommended reading for researchers and advanced students of visual journalism and conflict reporting.
![Salvage. (Pictures and Impressions of the Western Front.) [With a Portrait.]. PDF](https://books.google.com/books/content/images/frontcover/HYm5PAAACAAJ?fife=w80-h100)
Author: T. Penleigh Boyd
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Hans Seidler
Publisher: Pen and Sword
ISBN: 1526731584
Category : History
Languages : en
Pages : 223
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Book Description
This WWII pictorial history vividly captures the Allied liberation of Europe from Normandy to Berlin through rare wartime photographs. With this volume in the Images of War series, readers witness the intensity of the fighting as Allied forces make their way from the beaches of Normandy through France and the Low Countries and finally into Germany itself. Despite demoralizing withdrawals and reversals, the German military forces—including the Wehrmacht, Waffen-SS, Hitlerjugend, and Volkssturm—continued to inflict significant losses on their superior enemies. But when the Allies crossed the Rhine in early 1945 with the Russians closing on Berlin from the East, the shattered remnants of Hitler’s once all-conquering forces had nowhere to go. Though fanatical elements of Nazi guerrillas continued to fight to the death, most of the survivors accepted surrender. The graphic images in this volume capture the drama of that historic period.
Author: Pearl James
Publisher: U of Nebraska Press
ISBN: 0803226950
Category : History
Languages : en
Pages : 416
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Book Description
Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I.℗¡Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the.
Author:
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Category :
Languages : en
Pages : 0
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Category : Motion pictures
Languages : en
Pages : 514
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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1630
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