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Author: Stuart Sillars
Publisher: Oxford University Press
ISBN: 0192564110
Category : Literary Criticism
Languages : en
Pages : 442
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Book Description
A richly illustrated study of the interplay of word and image in representations of the English countryside, built environment, and domestic space during the interwar period. During the 1920s and 30s, words and pictures in print were the main way in which people received ideas and entertainment, the two working together in a great variety of forms. Many books of the twenties argued against the loss of the countryside because of suburban building. But the demand for post-war building was great and, following the lead of a government report, many books appeared that showed house designs, allowing readers to design or imagine their ownership. Book designs became attractive, helped by colourful dust jackets and internal pictures. Magazines developed individual talents and special interests for both men and women. And, at the periods close, word and image were combined to publicise the growing RAF and give advice about protecting houses from bombing. In all these, words and images worked together as a complex form of art, communication, and entertainment.
Author: Stuart Sillars
Publisher: Oxford University Press
ISBN: 0192564110
Category : Literary Criticism
Languages : en
Pages : 442
Get Book Here
Book Description
A richly illustrated study of the interplay of word and image in representations of the English countryside, built environment, and domestic space during the interwar period. During the 1920s and 30s, words and pictures in print were the main way in which people received ideas and entertainment, the two working together in a great variety of forms. Many books of the twenties argued against the loss of the countryside because of suburban building. But the demand for post-war building was great and, following the lead of a government report, many books appeared that showed house designs, allowing readers to design or imagine their ownership. Book designs became attractive, helped by colourful dust jackets and internal pictures. Magazines developed individual talents and special interests for both men and women. And, at the periods close, word and image were combined to publicise the growing RAF and give advice about protecting houses from bombing. In all these, words and images worked together as a complex form of art, communication, and entertainment.
Author: Stuart Sillars
Publisher: Oxford University Press
ISBN: 0198828926
Category : Art
Languages : en
Pages : 316
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Book Description
Picturing England between the Wars offers a richly illustrated study of the interplay of word and image in representations of the English countryside, built environment, and domestic space during the interwar period.
Author: Stuart Sillars
Publisher: Oxford University Press
ISBN: 0198828926
Category : Art
Languages : en
Pages : 316
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Book Description
Picturing England between the Wars offers a richly illustrated study of the interplay of word and image in representations of the English countryside, built environment, and domestic space during the interwar period.
Author: Thomas Bromwell
Publisher: Taylor & Francis
ISBN: 1040256309
Category : Art
Languages : en
Pages : 327
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Book Description
This book is the first substantial study of the presence and relationship with the concepts of apocalypse, eschatology, and millennium in modern British art from 1914 to 1945, addressing how and why practitioners in both religious and secular spheres turned to the subjects. The volume examines British art and visual culture’s relationship with the then-contemporary anxieties and hopes regarding the orientation of society and culture, arguing that there is an acute relationship to the particular forms of cultural discourse of eschatology, apocalypse, and millennium. Chapters identify the continued relevance of religion and religious themes in British art during the period, and demonstrate that eschatology, apocalypse, and millennium were thriving and surprisingly mainstream concepts in the period that remained vital in early to mid-twentieth-century society and culture. This book is a research monograph aimed at an audience of scholars and graduate students already familiar with the core focus of modern British art and cultural histories, especially those working on the late nineteenth and early twentieth centuries, or the concepts of apocalypse, eschatology, and millennium in Theology, Sociology, or other disciplinary settings. It will also be of interest to scholars and students working on war and visual culture, or histories of imperialism. It will benefit scholars of early twentieth-century British art, demonstrating the intersection of art and religion in the modern era, and critically qualifies the standard secular canon and narrative of modern British art, and the general neglect of religion in existing art-historical literature.
Author: Frances Spalding
Publisher: Thames & Hudson
ISBN: 0500777373
Category : Art
Languages : en
Pages : 622
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Book Description
The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names Paul Nash, Eric Ravilious and Stanley Spencer have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britains leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cézanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange. Throughout these years, the pursuit of the real was set against, and sometimes merged with, an inclination towards the romantic, as English artists sought to respond to their subjects and their times.
Author: William H. Truettner
Publisher: Yale University Press
ISBN: 9780300079388
Category : Art
Languages : en
Pages : 239
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Book Description
Despite the fact that there is a New England of cities, factories, and an increasingly diverse ethnic population, it is the Old New England that Americans have always treasured, finding in it a kind of 'national memory bank.' This book examines images of Old New England created between 1865 and 1945, demonstrating how these images encoded the values of age and tradition to a nation facing complex cultural issues during the period.
Author: Natasha O'Hear
Publisher:
ISBN: 0199689016
Category : Art
Languages : en
Pages : 388
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Book Description
An original introduction to the book of Revelation through the use of art history, with attention also given to the reception of the text in music, literature, and popular culture.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 628
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Book Description
Author: Robert Macieski
Publisher:
ISBN: 9781625341846
Category : History
Languages : en
Pages : 0
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Book Description
Lewis Hine in New England -- Street trades -- Textiles -- Exhibiting child labor -- Sardines -- Farm and seasonal labor -- Exhibiting child welfare -- Homework -- Working-class communities -- Trades and vocational education
Author: Beth Fowkes Tobin
Publisher: Duke University Press
ISBN: 9780822323389
Category : Art
Languages : en
Pages : 324
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Book Description
An interdisciplinary study of visual representations of British colonial power in the eighteenth century.
