See What I Can See PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download See What I Can See PDF full book. Access full book title See What I Can See by Gregory O'Brien. Download full books in PDF and EPUB format.
Author: Gregory O'Brien
Publisher:
ISBN: 9781869408435
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Photography was invented in France in 1839 - the year before the Treaty of Waitangi was signed in New Zealand. Within a few years, cameras were charting the life and times of people at this end of the planet. See What I Can See is a celebration of that remarkable, well-travelled, ever-changing invention - the camera - the New Zealand that it captured, and the artists who wielded it. See What I Can See is a book about darkness and light, about careful planning and doing things on the spur of the moment, about the quickness of digital photography and the slowness of old technology. It's a woman driving a tractor and a kid in a Colgate tube, a rock at Ngauruhoe and a Wahine survivor on a truck, it's surfies and selfies and cabbages the size of kings. The book also presents a picture of a country - Aotearoa New Zealand - living its life, dreaming its dreams and taking care of its day-to-day business. See What I Can See is an introduction to New Zealand photography that will appeal to young and curious photographers, students of New Zealand art history, or anyone who wants to sample the extraordinary range of images made in this country by our photographers.
Author: Gregory O'Brien
Publisher:
ISBN: 9781869408435
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Photography was invented in France in 1839 - the year before the Treaty of Waitangi was signed in New Zealand. Within a few years, cameras were charting the life and times of people at this end of the planet. See What I Can See is a celebration of that remarkable, well-travelled, ever-changing invention - the camera - the New Zealand that it captured, and the artists who wielded it. See What I Can See is a book about darkness and light, about careful planning and doing things on the spur of the moment, about the quickness of digital photography and the slowness of old technology. It's a woman driving a tractor and a kid in a Colgate tube, a rock at Ngauruhoe and a Wahine survivor on a truck, it's surfies and selfies and cabbages the size of kings. The book also presents a picture of a country - Aotearoa New Zealand - living its life, dreaming its dreams and taking care of its day-to-day business. See What I Can See is an introduction to New Zealand photography that will appeal to young and curious photographers, students of New Zealand art history, or anyone who wants to sample the extraordinary range of images made in this country by our photographers.
Author: Frederick Edward Maning
Publisher:
ISBN:
Category : New Zealand
Languages : en
Pages : 462
Get Book Here
Book Description
Author: Ian Knight
Publisher: Bloomsbury Publishing
ISBN: 1780962797
Category : History
Languages : en
Pages : 126
Get Book Here
Book Description
Between 1845 and 1872, various groups of Maori were involved in a series of wars of resistance against British settlers. The Maori had a fierce and long-established warrior tradition and subduing them took a lengthy British Army commitment, only surpassed in the Victorian period by that on the North-West Frontier of India. Warfare had been endemic in pre-colonial New Zealand and Maori groups maintained fortified villages or pas. The small early British coastal settlements were tolerated, and in the 1820s a chief named Hongi Hika travelled to Britain with a missionary and returned laden with gifts. He promptly exchanged these for muskets, and began an aggressive 15-year expansion. By the 1860s many Maori had acquired firearms and had perfected their bush-warfare tactics. In the last phase of the wars a religious movement, Pai Maarire ('Hau Hau'), inspired remarkable guerrilla leaders such as Te Kooti Arikirangi to renewed resistance. This final phase saw a reduction in British Army forces. European victory was not total, but led to a negotiated peace that preserved some of the Maori people's territories and freedoms.
Author: Brian Brake
Publisher:
ISBN:
Category : New Zealand
Languages : en
Pages : 162
Get Book Here
Book Description
Author: Henry Neville Hutchinson
Publisher:
ISBN:
Category : Ethnology
Languages : en
Pages : 620
Get Book Here
Book Description
Author: Roger Blackley
Publisher: Auckland University Press
ISBN: 1776710215
Category : Art
Languages : en
Pages : 732
Get Book Here
Book Description
Galleries of Maoriland introduces us to the many ways in which European colonists to New Zealand discovered, created, propagated, and romanticised the Maori world summed up in a popular nickname describing New Zealand; Maoriland. But Blackley shows that Maori were not merely passive victims: they too had a stake in this process of romanticisation. What, this book asks, were some of the Maori purposes that were served by curio displays, portrait collections, and the wider ethnological culture? Galleries of Maoriland looks at Maori prehistory in European art; the enthusiasm of settlers and Maori for portraiture and recreations of ancient life; the trade in Maori curios; and the international exhibition of this colonial culture. By illuminating New Zealand's artistic and ethnographic economy, this book provides a new understanding of our art and our culture.
Author: Jeremy Salmond
Publisher: Raupo
ISBN:
Category : Architecture
Languages : en
Pages : 256
Get Book Here
Book Description
They appear everywhere in the New Zealand landscape, a wonderfully distinctive collection of older houses of all shapes and sizes, built along the street of cities and small towns, and across farming hillsides and by country roads. This book is both a history and a celebration of New Zealand's magnificent old houses, and a clear and approachable account of how these houses were built and inhabited.
Author: Roger Neich
Publisher: Auckland University Press
ISBN: 9781869402570
Category : Art
Languages : en
Pages : 462
Get Book Here
Book Description
This comprehensive guide examines the personal histories, roles, and personalities that played into the traditional cultural art of carving. It also traces the influence of European patronage and the ensuing tourist trade upon this art form, as many Maori carvers began styling and catering their product to meet their clients’ aesthetic desires. Included is a discussion of the establishment of the government-sponsored Rotorua School of Maori Art in 1928, which appointed as the main tutor Eramiha Kapua, a Ngati Tarawhai carver, thus helping his own traditional tribal art to make the transition into a modern “national” art.
Author: Rex Nan Kivell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 48
Get Book Here
Book Description
"... The Rex Nan Kivell Exhibition of Early New Zealand Pictures is an important artistic occasion ... the average quality is surprisingly high, especially when one realises that so many of the artists were also primarily surveyors, engineers, soldiers, or politicians. There is another aspect to this particular exhibition -- the accurate, factual representation makes it of historical importance. The life of those early years in New Zealand is graphically displayed in these pictures. The artists made many studies of the Maoris [sic] and their customs. The first settlement, the growth of townships, and the changing landscape are portrayed over the years ... The entire Nan Kivell Collection covers not only New Zealand and the Pacific, but also Australia ..." -- Foreword.
Author: Leonard Bell
Publisher: Auckland University Press
ISBN: 1775580490
Category : History
Languages : en
Pages : 650
Get Book Here
Book Description
How did the European settler perceive M&āori? What images of M&āori society and culture did European artists create for their distant audiences? What preconceptions and aesthetic models lay behind early European depictions of M&āori? These are some of the questions explored by art historian Leonard Bell in this major study of the relationship between the visual representation of M&āori and the ideology of colonialism. He explores the complex and unbalanced cultural interchange between Europeans and M&āori in nineteenth-century New Zealand, in addition to showing how the great range and variety of pictures often revealed more about the artists &– and their society and its attitudes &– than they did about M&āori themselves. This lively and readable book is well illustrated with examples of the artists' work and will be an important contribution to the understanding of colonial New Zealand and the role played by the artist in expressing and creating cultural patterns.
