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Author: Emily Engel
Publisher: University of Texas Press
ISBN: 147732061X
Category : Art
Languages : en
Pages : 209
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Book Description
The Spanish colonial period in South America saw artists develop the subgenre of official portraiture, or portraits of key individuals in the continent’s viceregal governments. Although these portraits appeared to illustrate a narrative of imperial splendor and absolutist governance, they instead became a visual record of the local history that emerged during the colonial occupation. Using the official portrait collections accumulated between 1542 and 1830 in Lima, Buenos Aires, and Bogotá as a lens, Pictured Politics explores how official portraiture originated and evolved to become an essential component in the construction of Ibero-American political relationships. Through the surviving portraits and archival evidence—including political treatises, travel accounts, and early periodicals—Emily Engel demonstrates that these official portraits not only belie a singular interpretation as tools of imperial domination but also visualize the continent's multilayered history of colonial occupation. The first stand alone analysis of South American portraiture, Pictured Politics brings to light the historical relevance of political portraits in crafting the history of South American colonialism.
Author: Emily Engel
Publisher: University of Texas Press
ISBN: 147732061X
Category : Art
Languages : en
Pages : 209
Get Book Here
Book Description
The Spanish colonial period in South America saw artists develop the subgenre of official portraiture, or portraits of key individuals in the continent’s viceregal governments. Although these portraits appeared to illustrate a narrative of imperial splendor and absolutist governance, they instead became a visual record of the local history that emerged during the colonial occupation. Using the official portrait collections accumulated between 1542 and 1830 in Lima, Buenos Aires, and Bogotá as a lens, Pictured Politics explores how official portraiture originated and evolved to become an essential component in the construction of Ibero-American political relationships. Through the surviving portraits and archival evidence—including political treatises, travel accounts, and early periodicals—Emily Engel demonstrates that these official portraits not only belie a singular interpretation as tools of imperial domination but also visualize the continent's multilayered history of colonial occupation. The first stand alone analysis of South American portraiture, Pictured Politics brings to light the historical relevance of political portraits in crafting the history of South American colonialism.
Author: Birgit Schneider
Publisher: transcript Verlag
ISBN: 3839426103
Category : Art
Languages : en
Pages : 389
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Book Description
Scientific research on climate change has given rise to a variety of images picturing climate change. These range from colorful expert graphics, model visualizations, photographs of extreme weather events like floods, droughts or melting ice, symbols like polar bears, to animated and interactive visualizations. Climate change graphics have not only increased knowledge about the subject, they have begun to influence popular awareness of global weather events. The status of climate pictures today is particularly crucial, as global climate change as a long-term process cannot be seen. When images are widely distributed, they are able to shape how the world is thought about and seen. It is this implicit basic assumption of the power of images to influence reality that this book addresses: today's images might become the blueprint for tomorrow's realities. »Image Politics of Climate Change« combines a wide interdisciplinary range of perspectives and questions, treated here in sixteen interdisciplinary case studies. The author's specializations include both visual practice and theory: in the fields of climate sciences, computer graphics, art, curating, art history and visual studies, communication and cultural science, environmental and science & technology studies. The close interlinking of these viewpoints promotes in-depth insights into issues of production and analysis of climate visualization.
Author: Kevin Michael DeLuca
Publisher: Routledge
ISBN: 1136503064
Category : Language Arts & Disciplines
Languages : en
Pages : 219
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Book Description
This exceptional volume examines “image events” as a rhetorical tactic utilized by environmental activists. Author Kevin Michael DeLuca analyzes widely televised environmentalist actions in depth to illustrate how the image event fulfills fundamental rhetorical functions in constructing and transforming identities, discourses, communities, cultures, and world views. Image Politics also exhibits how such events create opportunities for a politics that does not rely on centralized leadership or universal metanarratives. The book presents a rhetoric of the visual for our mediated age as it illuminates new political possibilities currently enacted by radical environmental groups. Chapters in the volume cover key areas of environmental activism such as: *The rhetoric of social movements; *Imaging social movements; *Environmental justice groups; and *Participatory democracy. This book is of interest to scholars and students of rhetorical theory, media and communication theory, visual theory, environmental studies, social change movements, and political theory. It will also appeal to others interested in ecology, radical environmental politics, and activism, and is an excellent supplemental text in advanced undergraduate and graduate level courses in these areas.
Author: Emily Engel
Publisher: University of Texas Press
ISBN: 1477320598
Category : Art
Languages : en
Pages : 209
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Book Description
The Spanish colonial period in South America saw artists develop the subgenre of official portraiture, or portraits of key individuals in the continent’s viceregal governments. Although these portraits appeared to illustrate a narrative of imperial splendor and absolutist governance, they instead became a visual record of the local history that emerged during the colonial occupation. Using the official portrait collections accumulated between 1542 and 1830 in Lima, Buenos Aires, and Bogota as a lens, Pictured Politics explores how official portraiture originated and evolved to become an essential component in the construction of Ibero-American political relationships. Through the surviving portraits and archival evidence—including political treatises, travel accounts, and early periodicals—Emily Engel demonstrates that these official portraits not only belie a singular interpretation as tools of imperial domination but also visualize the continent's multilayered history of colonial occupation. The first standalone analysis of South American portraiture, Pictured Politics brings to light the historical relevance of political portraits in crafting the history of South American colonialism.
Author: Ying Zhang
Publisher: University of Washington Press
ISBN: 0295806729
Category : History
Languages : en
Pages : 329
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Book Description
During the Ming-Qing transition (roughly from the 1570s to the 1680s), literati-officials in China employed public forms of writing, art, and social spectacle to present positive moral images of themselves and negative images of their rivals. The rise of print culture, the dynastic change, and the proliferating approaches to Confucian moral cultivation together gave shape to this new political culture. Confucian Image Politics considers the moral images of officials—as fathers, sons, husbands, and friends—circulated in a variety of media inside and outside the court. It shows how power negotiations took place through participants’ invocations of Confucian ethical ideals in political attacks, self-expression, self-defense, discussion of politically sensitive issues, and literati community rebuilding after the dynastic change. This first book-length study of early modern Chinese politics from the perspective of critical men’s history shows how images—the Donglin official, the Fushe scholar, the turncoat figure—were created, circulated, and contested to serve political purposes.
Author: Leo R. Chavez
Publisher: Univ of California Press
ISBN: 0520925254
Category : Social Science
Languages : en
Pages : 313
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Book Description
On October 17, 1994, The Nation ran the headline "The Immigration Wars" on its cover over an illustration showing the western border of the United States with a multitude of people marching toward it. In the foreground, the Statue of Liberty topped by an upside-down American flag is joined by a growling guard dog lunging at a man carrying a pack. The magazine's coverage of emerging anti-immigrant sentiment shows how highly charged the images and texts on popular magazine covers can be. This provocative book gives a cultural history of the immigration issue in the United States since 1965, using popular magazine covers as a fascinating entry into a discussion of our attitudes toward one of the most volatile debates in the nation. Leo Chavez gathers and analyzes over seventy cover images from politically diverse magazines, including Time, Newsweek, U.S. News and World Report, Business Week, The New Republic, The Nation, and American Heritage. He traces the connections between the social, legal, and economic conditions surrounding immigration and the diverse images through which it is portrayed. Covering Immigration suggests that media images not only reflect the national mood but also play a powerful role in shaping national discourse. Drawing on insights from anthropology, sociology, and cultural studies, this original and perceptive book raises new questions about the media's influence over the public's increasing fear of immigration.
Author: Shawn J. Parry-Giles
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264
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Book Description
This book examines Clinton's image as it was produced by visual representations in The Man from Hope, The War Room, Primary Colors, MTV's Biorhythms, and PBS' The American President. The book uses the language of postmodernism in an attempt to make a metaphysics out of what was once just plain old propaganda. The authors teach political communication at the University of Maryland. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Lina Khatib
Publisher: Bloomsbury Publishing
ISBN: 1786734621
Category : Political Science
Languages : en
Pages : 261
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Book Description
Politics in the Middle East is now 'seen' and the image is playing a central part in processes of political struggle. This is the first book in the literature to engage directly with these changing ways of communicating politics in the region - and particularly with the politics of the image, its power as a political tool. Lina Khatib presents a cross-country examination of emerging trends in the use of visuals in political struggles in the Middle East, from the Cedar Revolution in Lebanon to the Green Movement in Iran, to the Arab Spring in Egypt, Syria and Libya. She demonstrates how states, activists, artists and people 'on the street' are making use of television, the social media and mobile phones, as well as non-electronic forms, including posters, cartoons, billboards and graffiti to convey and mediate political messages. She also draws attention to politics as a visual performance by leaders and citizens alike. With a particular focus on the visual dynamics of the Arab Spring, and based on case studies on the visual dimension of political protest as well as of political campaigning and image management by political parties and political leaders, Image Politics in the Middle East shows how visual expression is at the heart of political struggle in the Middle East today. It is a hard-hitting, enjoyable, groundbreaking book, challenging the traditional ways in which politics in the Middle East is conceived of and analysed.
Author: Parvati Nair
Publisher: Taylor & Francis
ISBN: 100018255X
Category : Photography
Languages : en
Pages : 225
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Book Description
Focusing on the Mediterranean region from 2015 onwards, this volume explores photography’s engagement with displacement, a process that denotes the environmental and social breakdown of places and the forced mobility of people. The ongoing proliferation of photography of the displaced plays a crucial role in shaping opinions, by sensitising the public to the despair of displacement and hardening them to the trope through repeated exposure. Through a range of images by both established and amateur photographers, as well as ethnographic notes that draw from interviews with actors who are either displaced or working with the displaced, Parvati Nair questions the extent to which photography opens a space of possibility for the displaced in the face of globally dominant ideological drives that lead to the Anthropocene. Chapters focus on key aspects of this mass phenomenon, such as the question of crises no longer as exception but as historical process, the lived experiences of protracted relegation to borders and exposure to possible death, the prevalence of domicide and the spread of encampments, and the question of hope for the future. The book will be of interest to scholars in photography theory, migration and refugee studies, art history, Mediterranean studies, and political science.
Author: Paul D. Van Wie
Publisher: University Press of America
ISBN: 9780761812227
Category : Antiques & Collectibles
Languages : en
Pages : 222
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Book Description
Image, History, and Politics: The Coinage of Modern Europe examines money as a medium of communication laden with artistic and political meaning by studying the last two hundred years of European coinage. This book explores the political, economic, and aesthetic messages carried by coinage, therefore providing a special realm in which to view and constantly reevaluate major political and economic developments from the French Revolution through the Cold War, with occasional comparative references to earlier time periods. The study generally focuses on the pre-1914 'Great Powers' of Europe: France, Germany, Britain, Russia, the Hapsburg Monarchy, and Italy; along with a brief comparative examination of the coinage of Spain, Switzerland and Belgium. The author demonstrates how every political system, consciously or unconsciously, constructs a set of symbols as an expression of itself with its coinage, enabling historians and social scientists to synthesize political, economic, and artistic meaning in a historical context.
