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Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN: 9780672526497
Category :
Languages : en
Pages : 330
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Book Description
Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN: 9780672526497
Category :
Languages : en
Pages : 330
Get Book Here
Book Description
Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 338
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Book Description
Author: Michele Emmer
Publisher: MIT Press
ISBN: 9780262050760
Category : Art
Languages : en
Pages : 742
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Book Description
"This collection of essays by artists and mathematicians continues the discussion of the connections between art and mathematics begun in the widely read first volume of The Visual Mind in 1993."--BOOK JACKET.
Author: Barbara London
Publisher: Phaidon Press
ISBN: 9781838663582
Category : Antiques & Collectibles
Languages : en
Pages : 280
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Book Description
A personal and expert account of the artists and events that defined the medium's first 50 years - now in paperback Since the introduction of portable consumer electronics nearly a half century ago, artists throughout the world have adapted their latest technologies to art-making. In this new paperback edition of her acclaimed book, curator Barbara London traces the history of video art as it transformed into the broader field of media art - from analog to digital, small TV monitors to wall-scale projections, and clunky hardware to user-friendly software. In doing so, she reveals how video evolved from fringe status to be seen as one of the foremost art forms of today.
Author: Sybil Kantor
Publisher: MIT Press
ISBN: 9780262611961
Category : Art
Languages : en
Pages : 500
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Book Description
An intellectual biography of Alfred H. Barr, Jr. founding director of the Museum of Modern Art. Growing up with the twentieth century, Alfred Barr (1902-1981), founding director of the Museum of Modern Art, harnessed the cataclysm that was modernism. In this book—part intellectual biography, part institutional history—Sybil Gordon Kantor tells the story of the rise of modern art in America and of the man responsible for its triumph. Following the trajectory of Barr's career from the 1920s through the 1940s, Kantor penetrates the myths, both positive and negative, that surround Barr and his achievements. Barr fervently believed in an aesthetic based on the intrinsic traits of a work of art and the materials and techniques involved in its creation. Kantor shows how this formalist approach was expressed in the organizational structure of the multidepartmental museum itself, whose collections, exhibitions, and publications all expressed Barr's vision. At the same time, she shows how Barr's ability to reconcile classical objectivity and mythic irrationality allowed him to perceive modernism as an open-ended phenomenon that expanded beyond purist abstract modernism to include surrealist, nationalist, realist, and expressionist art. Drawing on interviews with Barr's contemporaries as well as on Barr's extensive correspondence, Kantor also paints vivid portraits of, among others, Jere Abbott, Katherine Dreier, Henry-Russell Hitchcock, Philip Johnson, Lincoln Kirstein, Agnes Mongan, J. B. Neumann, and Paul Sachs.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 207
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Book Description
Author: William Rubin
Publisher: Mount Vernon, N.Y. : Artist's Limited Edition
ISBN: 9780870705281
Category : Art
Languages : en
Pages : 17
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Book Description
Author: Alfred H. Barr (Jr.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 314
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Book Description
Author: Meyer Schapiro
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 216
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Book Description
In His first essay, The Unity of Picasso's Art, Schapiro dismantles this apparent paradox by finding unity through hidden associations among seemingly disparate works and unsuspected ties to Picasso's personal experiences.".
Author: Pablo Picasso
Publisher: Tate Publishing & Enterprises
ISBN:
Category : Art
Languages : en
Pages : 262
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Book Description
This text presents an in-depth examination of Picasso as a politically and socially engaged artist, from the 1940s, when he defiantly remained in Paris during the Nazi occupation, throughout the subsequent Cold War period.
