Author: Louis Moreau Gottschalk
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 504

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Author: Louis Moreau Gottschalk
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 0

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Author: Louis Moreau Gottschalk
Publisher: Courier Corporation
ISBN: 0486216837
Category : Music
Languages : en
Pages : 321

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Book Description
Features 26 pieces (including covers) by early-19th-century American genius: "Bamboula," "The Banjo," other Creole, Negro-based material, through elegant salon music.

Author: S. Frederick Starr
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 618

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Book Description
In Bamboula!, S. Frederick Starr presents an authoritatively researched, engagingly written biography of America's first authentic musical voice. Starr paints for us a striking portrait of Louis Moreau Gottschalk's childhood in 1830s New Orleans, a city madly devoted to music, where opera companies, music halls, fiddlers and banjo-pickers, church choirs, and Army bands all contributed to what Starr calls "the most stunning manifestation of Jacksonian democracy in the realm of culture to be found anywhere in America". We meet Gottschalk's French-speaking maternal grandmother and also his African-American nurse Sally, both of whom regaled him with the songs, legends, and lore of the Creole world, which would inform some of his finest music. We travel with Gottschalk to Paris, where he was a sensation, playing in fashionable salons for the likes of Lamartine, Gautier, and Dumas; and we join his flight from the Revolution of 1848 to a town north of Paris, where he composed his first great works - Bamboula, La Savane, Le Bananier, and Le Mancenillier - all published over the name "Gottschalk of Louisiana". Starr describes Gottschalk's successful return to New York City in the early 1850s, where he enjoyed a degree of popularity never before accorded to an American performer or composer, becoming our first homegrown concert idol. But Starr also examines the life-long struggle between the Catholic Gottschalk and earnest Protestant champions of "serious" music, a battle that pitted the austere values of northern Europe against the brighter sensibilities of Paris, Louisiana, and the West Indies.

Author: Louis Moreau Gottschalk (Piano. Selections.)
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 301

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Author: Louis M. Gottschalk
Publisher:
ISBN: 9780844647463
Category : Music
Languages : en
Pages :

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Book Description
Features 26 pieces (including covers) by early 19th-century American genius. "Bamboula," "The Banjo," other Creole, Negro-based material, through elegant salon music.

Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 32

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Author: Jeremy Siepmann
Publisher: Hal Leonard Corporation
ISBN: 9780793599769
Category : Music
Languages : en
Pages : 200

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Book Description
(Book). For more than 200 years, the piano has been an inspirational force in the world of music. The Piano shows how this characterful instrument has won its place at the center of the affections of music lovers everywhere. This is the first popular book to cover every aspect of the instrument's dynamic history, including: origins, technical developments, novelties and experiments; piano music throughout the centuries; profiles of the instruments' musical giants and analyses of their greatest works; and much more. With over 200 photographs and full color throughout, The Piano is a handsome tribute to a great musical personality. 192 pages, 9 1/2 x 11 1/4

Author: Joseph Horowitz
Publisher: National Geographic Books
ISBN: 0393881245
Category : Music
Languages : en
Pages : 0

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Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”

Author: ???? ????? ??????????
Publisher: Courier Corporation
ISBN: 0486438120
Category : Music
Languages : en
Pages : 178

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Book Description
Faithful to the original score, this delightful arrangement by Sergey Taneyev and the composer himself renders the entire ballet in a style both idiomatic to the piano and specially designed to be relatively easy to play.