Piano Interpretation in the Seventeenth, Eighteenth, and Nineteenth Centuries PDF Download
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Author: Elena Letnanova
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208
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Book Description
How should one interpret music of another century? What standards should be applied to an eighteenth century harpsichord work, for instance, being performed on a piano? Keyboard methods--systematic approaches to training, touch, and interpretation--did not evolve until the nineteenth century, and written methodologies are few. Drawing on primary sources, the author has compiled a detailed analysis of such keyboard methods as existed in Europe in the seventeenth, eighteenth, and nineteenth centuries. Most were developed by Couperin, C.P.E. Bach, Turk, J.S. Bach, Mozart, Chopin and Liszt. Also discussed, with translations from their writings and their critics', are the detailed theoretical works by Kullak and Lussy. Analysis shows which techniques had been adapted from earlier practice and which were original to the composer, demonstrating the evolution of the various methods. Techniques useful in the interpretation of period material, and which still have important applications today, are pointed out.
Author: Elena Letnanova
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208
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Book Description
How should one interpret music of another century? What standards should be applied to an eighteenth century harpsichord work, for instance, being performed on a piano? Keyboard methods--systematic approaches to training, touch, and interpretation--did not evolve until the nineteenth century, and written methodologies are few. Drawing on primary sources, the author has compiled a detailed analysis of such keyboard methods as existed in Europe in the seventeenth, eighteenth, and nineteenth centuries. Most were developed by Couperin, C.P.E. Bach, Turk, J.S. Bach, Mozart, Chopin and Liszt. Also discussed, with translations from their writings and their critics', are the detailed theoretical works by Kullak and Lussy. Analysis shows which techniques had been adapted from earlier practice and which were original to the composer, demonstrating the evolution of the various methods. Techniques useful in the interpretation of period material, and which still have important applications today, are pointed out.
Author: Frances Clark
Publisher: Alfred Music
ISBN: 9781457400698
Category : Music
Languages : en
Pages : 44
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Book Description
This series surveys three centuries of keyboard music, including representative shorter works by: Bach, Handel, Scarlatti, C.P.E. Bach, Haydn, Clementi, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Schumann, Tchaikovsky, Grieg, and MacDowell. The student is helped to achieve stylistically correct performance through editing based on original sources, clear interpretation of ornaments, a glossary of musical terms and symbols for each book, and biographical material on composers, relating them to their period in music history.
Author: Helen Katz
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 116
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Book Description
Author: Alfred Music
Publisher: Alfred Music
ISBN: 9781457400681
Category : Music
Languages : en
Pages : 36
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Book Description
This series surveys three centuries of keyboard music, including representative shorter works by: * Bach * Handel * Scarlatti * C.P.E. Bach * Haydn * Clementi * Mozart * Beethoven * Schubert * Mendelssohn * Chopin * Schumann * Tchaikovsky * Grieg * MacDowell The student is helped to achieve stylistically correct performance through editing based on original sources, clear interpretation of ornaments, a glossary of musical terms and symbols for each book, and biographical material on composers, relating them to their period in music history.
Author: Alfred Music
Publisher: Alfred Music
ISBN: 9781457402166
Category : Music
Languages : en
Pages : 60
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Book Description
This series surveys three centuries of keyboard music, including representative shorter works by: Bach, Handel, Scarlatti, C.P.E. Bach, Haydn, Clementi, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Schumann, Tchaikovsky, Grieg, and MacDowell. The student is helped to achieve stylistically correct performance through editing based on original sources, clear interpretation of ornaments, a glossary of musical terms and symbols for each book, and biographical material on composers, relating them to their period in music history.
Author: Alfred Music
Publisher: Alfred Music
ISBN: 9781457400704
Category : Music
Languages : en
Pages : 68
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Book Description
This series surveys three centuries of keyboard music, including representative shorter works by: Bach, Handel, Scarlatti, C.P.E. Bach, Haydn, Clementi, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Schumann, Tchaikovsky, Grieg, and MacDowell. The student is helped to achieve stylistically correct performance through editing based on original sources, clear interpretation of ornaments, a glossary of musical terms and symbols for each book, and biographical material on composers, relating them to their period in music history.
Author: David Kraehenbuehl
Publisher: Alfred Music
ISBN: 9781457400674
Category : Music
Languages : en
Pages : 36
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Book Description
This series surveys three centuries of keyboard music, including representative shorter works by: Bach * Handel * Scarlatti * C.P.E. Bach * Haydn * Clementi * Mozart * Beethoven * Schubert * Mendelssohn * Chopin * Schumann * Tchaikovsky * Grieg * MacDowell. The student is helped to achieve stylistically correct performance through editing based on original sources, clear interpretation of ornaments, a glossary of musical terms and symbols for each book, and biographical material on composers, relating them to their period in music history.
Author:
Publisher: Alfred Music Publishing
ISBN: 9780874871265
Category : Music
Languages : en
Pages : 0
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Book Description
This series surveys three centuries of keyboard music, including representative shorter works by: Bach * Handel * Scarlatti * C.P.E. Bach * Haydn * Clementi * Mozart * Beethoven * Schubert * Mendelssohn * Chopin * Schumann * Tchaikovsky * Grieg * MacDowell. The student is helped to achieve stylistically correct performance through editing based on original sources, clear interpretation of ornaments, a glossary of musical terms and symbols for each book, and biographical material on composers, relating them to their period in music history.
Author: Eva Badura-Skoda
Publisher: Indiana University Press
ISBN: 0253022649
Category : Music
Languages : en
Pages : 510
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Book Description
“Badura-Skoda addresses the place of the piano in the eighteenth century from the perspective of a scholar and performer” (Eighteenth-Century Music). In the late seventeenth century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument—his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J. S. Bach, Clementi, Haydn, Mozart, and Beethoven. Presenting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of eighteenth-century Europe, providing a valuable resource for music historians, organologists, and performers. “Badura-Skoda has written a remarkable volume, the result of a lifetime of scholarly research and investigation. . . . Essential.” —Choice
Author: Kathleen Dale
Publisher: Sagwan Press
ISBN: 9781340108601
Category :
Languages : en
Pages : 338
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Book Description
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